Tag Archives: writing

Plotting Versus Pantsing Update

Last week at the Magical Words blogsite, which I helped found so many years ago with Faith Hunter, Misty Massey, and C.E Murphy, I posted about plotting versus pantsing. For those not in the writing profession, plotting refers to setting out an outline at the beginning of a project and allowing that outline to guide us through the process of crafting our novels. Pantsing — as in flying by the seat of one’s pants — refers to winging it, essentially writing a novel without having a clear idea of where it’s going.

I am have been, throughout much of my career, a dedicated plotter. But with the third book in the Case Files of Justis Fearsson, I was unable to come up with a decent outline, and so I dove in and just wrote the darn thing. That’s what the post was about (you can read it here).

Well, as I always do with a book, upon finishing the first draft, I put it away with the intention of coming back to it several weeks later in order to revise and polish before submitting it to my editor at Baen. Today, five weeks after completing the book, I began to read through the manuscript, unsure of what I would find.

I’m a little more than a third of the way through the novel. I’ve found some things that needed changing, and I’ve refined my wording here and there. But so far, overall, I like the book very much. In this case, it seems, pantsing was the write approach. We’ll see if I still feel that way when I’m finished reading it.

A Word About Editors

I have just turned in a revised version of the short story I submitted to TEMPORALLY OUT OF ORDER, the new anthology being edited by Joshua Palmatier and Patricia Bray. I am on “Team Patty,” which means that Patricia edited my story. And her feedback, and the subsequent revisions I did on my story, reminded me once more (as if I needed reminding) of how important a good editor is for all that we write, regardless of length.

As it happened, my story didn’t really need extensive rewriting. But it did need polishing and some subtle changes to deepen the character work and clear up the plotting. I hadn’t realized that it needed these things; it took Patricia pointing them out to me, gently, diplomatically, professionally for me to see the issues and find solutions. It helped that she was looking at it fresh — having a different set of eyes look through a story always helps, which is why having Beta readers can be so helpful. But more than that, Patricia is a fine editor who understands storytelling and can diagnose narrative problems with a simple read-through.

Of course she’s not the only person who can do this. Joshua is an excellent editor as well, and I have been fortunate enough to have worked with countless others — both on my books and my short fiction — who have improved my work and taught me valuable lessons about the craft. And that, really, is the point. We ALL need editing. I have been writing for a long, long time, and I have never written anything that was so perfect it didn’t need at least some help. A good editor is invaluable. And a good writer understands that her/his work can always — ALWAYS — be improved by editorial feedback.

Plotting Versus Pantsing, at Magical Words

Today’s installment in the continuing, unofficial Winter 2014-15 Spell Blind Blog Tour (which is way too much of a mouthful) can be found at the Magical Words blog site. The post is about plotting and pantsing — the age-old tension between wanting to outline our stories before we write them so as to keep our narratives clear and coherent, and wanting to let our narratives flow “organically” in the moment of creation. You can find the post here. I hope you enjoy it.

Dealing with Inaccuracies in my New Book

SpellBlind200Yesterday I received one of those emails that authors usually hate to get. A reader wrote to let me know that there were a couple of details in my new novel, Spell Blind (book I in The Case Files of Justis Fearsson) that I had wrong. I work hard on my research, and on those occasions when I happen to get something wrong, I am deeply disappointed in myself. And I have received messages in the past from readers who, let us say, did not handle the situation in a socially appropriate way, which makes the whole thing that much worse.

This time, though, the reader in question, did everything right. His email was courteous, informative, and respectful. It was clear to me that he wrote not to criticize, but rather to help. He was even kind enough to tell me that the small inaccuracies he found did not keep him from enjoying the novel. And armed with what he told me, I will be sure to avoid these errors in subsequent volumes of the series. I’m grateful to him for his help, and for his willingness to take the time to contact me.

I’m sharing this with you because I think we can all learn from this gentleman’s professional and thoughtful approach to contacting me. Just about every author has faced this at one time or another. We’re human, and sometimes we get things wrong. But I’ve been sent emails about mistakes I’ve made that were rude to the point of abusiveness. In fact, I’ve received emails “correcting” things that I DIDN’T get wrong, that were rude. There is nothing wrong with sharing our knowledge in circumstances such as these. As I said, his email helped me. But there is no need for cruelty, for abuse, for name-calling. Not to be too glib, but it’s one thing to be helpful, it’s another to be hurtful.

And what were my mistakes, and why would I share them here? Well, I’m always willing to share my good news — nice reviews, new sales, etc. This time, I messed up, as all writers do from time to time, and I feel that I should share that, too.

Early in the book, Justis Fearsson, my point of view character, mentions that he is licensed to own a firearm in Arizona. Arizona doesn’t issue such licenses. I also said that Jay became a detective in the robbery detail of the Phoenix Police Department upon graduating from the police academy. As it turns out, the PPD requires two years of uniformed duty before an officer can be assigned such a unit.

These are small matters that have little bearing on the plotting or character arcs.  But that doesn’t excuse my mistakes. I got these things wrong, and I apologize for that.

Today at MarsCon 25

Panels on the best genre books of the past quarter century and overcoming writing blocks in our novels, readings and signings with the wonderful Alethea Kontis, David Weber, and Katherine Kurtz, countless conversations both serious and fun: Just another day at MarsCon 25.  Still more to come this evening, including the masquerade and the charity auction, and right now I’m trying to grab a bit of down time. But it’s been a terrific convention so far.

A Very Special Interview

Today on the unofficial Winter 2014-15 Spell Blind Blog Tour I have a very special post up at the website of Lucienne Diver, writer, agent, friend. The post is an interview with Namid’skemu, a character from Spell Blind and the other volumes of The Case Files of Justis Fearsson.

Namid, as he is known, is a runemyste, the spirit of a Zuni shaman and weremyste who was sacrificed centuries ago by the runeclave and imbued after his death with enormous magical powers. He is now a guardian of magic in our world and he is Justis “Jay” Fearsson’s mentor in all matters relating to spellcraft.

He is not the most effusive of beings and getting him to sit down for an interview was not easy at all. So I hope you enjoy this. You can find the interview here.

Writing About Character at Magical Words

Today, I am back at Magical Words with a post about character and character relationships in Spell Blind, the first book in The Case Files of Justis Fearsson. The post is part of my continuing unofficial Spell Blind Winter 2014-15 Blog Tour. You can find the post here. I hope you enjoy it.

A New Interview is Up!

My friend Joshua Palmatier (aka Benjamin Tate) has interviewed me about the release of Spell Blind, the first book in the Case Files of Justis Fearsson. We talk about pseudonyms, urban fantasy, and character development, and, of course, we do so with panache. So check it out. You can find the interview here.

One of Those Posts . . .

This is one of those posts. And by one of those posts I mean a post that is going up for the sake of keeping alive a promise I’ve made to myself to try to blog about something every day.

Thing is, I don’t have a lot to say. I worked today. I got out for a walk and saw a few birds (a beautiful Red-shouldered Hawk and a small flock of Swamp Sparrows, which happen to be among my favorite winter residents). I watched a little football. When I’m done with this I plan to play a little music. A relaxing, quiet day, of which I have had way too few recently. And I don’t see too many more such days in my immediate future.

So I’m going to enjoy this one. Forgive the brief, pointless post. See you tomorrow.

Visiting with Stephen Leigh!

Today I am blogging at the site of Stephen Leigh, who is a terrific fantasy writer and one of the nicest people I have met in my nearly 20 years in this business. Stephen invited me to his site to help me promote Spell Blind, the first book in the Case Files of Justis Fearsson, and he asked me to write about the differences between writing historical urban fantasy (The Thieftaker Chronicles, which I write as D.B. Jackson) and this new contemporary urban fantasy. And so, we have a new post about point of view, character, and narrative.  The post can be found here. I hope you enjoy it.