Tag Archives: Rolling Stones

Monday Musings: The Two Best Holiday Gifts I’ve Gotten. Ever.

The holidays are upon us, and chances are you — like me, like everyone I know — have

been caught up in the spirit of gift-giving. We want to find those perfect presents for the people we love most. We want to surprise and delight. For Nancy and me, shopping for our daughters, who are grown and very much aware of the things they want and need, has become fairly easy, if unexciting. They give us lists, we do our best to find the things on those lists, and everyone is happy.

A few years ago, we surprised them with special presents we’d spent a good deal of time planning and acquiring, and we still try to do that when we can, but our lives are busy, and these days the holidays really are much more about being together than about stuff. Which is as it should be.

But I wanted to share with you two brief stories about the two most thoughtful, memorable, wonderful gifts I have ever received. Because I think of them often this time of year.

When I was very young — about seven years old — my brother Jim, who is six years older than I am, developed an interest in birding. How that came about is his story to tell, but the important point is that his love of birds soon infected our older brother, Bill, and me. We began to go on bird walks together whenever possible. Jim and I were both living at home still, and during spring migration we would get up early in the morning, even on school days, to check out the warblers, orioles, tanagers, vireos, thrushes, and grosbeaks moving through our neighborhood. Bill, fifteen years my senior, nine years Jim’s senior, joined us whenever he came home to visit, or whenever we went to visit him.

Again, I was seven, Jim was thirteen, Bill was twenty-two. We ought to have had little in common. But birds and birdwatching shaped and cemented our love. Other shared interests and passions contributed as well, but our love of birds, of nature in the broader sense, was formative.

The binder, a bit worse for wear.

As birders, Jim and I started getting serious about keeping track of what we saw and when, and about a year later, on Christmas day 1971, Jim surprised me with what was, to my mind, an amazing gift. [Geek warning: What a young birder thinks is an amazing gift may not match what you think is an amazing gift . . . .] It was a binder with custom made bird checklists for my year lists, my life lists, my lists for our little town. He had typed up the life lists, created a “template” for the year lists (back when that meant using a typewriter and a ruler and a marker) and actually filled out my life list up to that point based on his own memories of our earliest excursions, which were clearer than mine.

My very first year list, started at age 8. My handwriting has improved. Marginally.

The amount of work involved, the effort, the attention to detail, the amazing thoughtfulness of the present, from someone who was fourteen at the time, for his annoying little brother — it all still boggles my mind.

I still have that binder. I don’t use it for much anymore, but I will NEVER throw it away.

The other thing that bound Jim, Bill, and me together was music. They introduced me to so much of the music I still listen to today. Jim was my gateway to jazz. Bill, though, was my gateway to rock, and to blues, and to bluegrass. He was my guru. As I said, he was fifteen years older, and as I entered my teen years, and was diving into music in a serious way, as both a listener and a budding musician, he was the person to whom I looked for guidance. He was an incredible musician in his own right, he was in a very cool band, and he was a student of music, particularly classic rock.

Sometime in my late teens, I can’t remember the exact year, he gave me two gifts for Christmas. The first, I could tell right away, was a record. An LP, because back then that was pretty much all we had. The second gift I couldn’t figure out. It felt and looked like a thin sheaf of papers.

“Open the album first,” he told me.

Exile on Main Street, by the Rolling StonesI did. Exile on Main Street, by the Rolling Stones. A legendary double-album by the rock band of the era. “I think you’re ready for this,” he said.

I could stop this story right there. My older brother, my rock ‘n roll mentor, he of the effortless cool, telling me I was ready for what I knew was his favorite album of all time? That was gift enough. But then he told me to open the other package.

Exile on Main Street didn’t come with a lyric sheet. The Stones couldn’t be bothered with such trifles. And so Bill had transcribed the lyrics to every song on the album. This was before the internet, before personal computers. He listened to the two records over and over again — he later told me he had to replace his copy of the album, because he wore the grooves down so much — trying to decipher the mumblings and rantings of Mick Jagger and Keith Richards, men not known for their clarity of speech. And he typed them up for me. I still have the album, of course. I am ashamed to say, I don’t know where those lyric sheets have gone.

Two sparkling, wonderful gifts, from my two brothers. Both shine in my memory to this day. They were born of love and thoughtfulness and a type of generosity that can’t be measured in dollars and cents.

Something to think about as we approach the holidays.

Have a wonderful week.

Monday Musings: A Paean to the “Shuffle” Command

Let’s begin with the obvious: Everything that’s old is great, and new stuff sucks. It’s important to get that out of the way before we move on. I mean who are we kidding? The way things were when we were young — well, not so much “we” as “I” — the way things were when I was young? That’s how it should all be now. Progress is bad. Innovation is bad. Technology ruins everything and the world was a better place before people invented all that stuff. By which I mean, anything that hadn’t yet been invented when I turned 21.

Sticky Fingers, by The Rolling StonesMusic isn’t meant to be sold song by song. We’re supposed to buy albums. We’re supposed to put up with the bad songs in order to enjoy the good ones. That makes the listening experience better. For every “Eleanor Rigby” and “For No One” we should have to endure a “Doctor Robert.” For every “Brown Sugar” and “Can’t You Hear Me Knockin’?” we should have to suffer through a “You Gotta Move.” It’s only fair. No one is entitled to a perfect listening experience, and songwriters deserve the chance to have their crappy songs heard alongside the good ones. This is America, damnit!

And don’t get me started on CDs versus LPs. What ever happened to the art of piecing together a two-sided album, of figuring out the proper song order so as to make those horrible, vinyl-wasting tunes that we hated as hard to avoid as possible? I mean sure LPs warped and skipped, and got scratched, making them all but unbearable after a year or two of solid use, but that’s a small price to pay for the inconvenience of having to interrupt a pot-induced haze to get up, walk to the stereo, and turn the record over.

Songs are meant to occur in a certain order. That’s how God intended it. And by God, I mean Mick Jagger. Or John Lennon. Or Joni Mitchell. Or David Crosby. Or Aretha Franklin. Or James Taylor. You know. God. As day follows night and spring follows winter, “You Can Call Me Al” is meant to come after “Diamonds on the Soles of Her Shoes.” Except not really, because that album came out after my twenty-first birthday. But never mind that.

The point is, albums set the order of songs and never shall they exist in any other configuration.

Except for mix tapes.

Okay, I confess. Back when I still listened to LPs (Kids, ask your parents. And get the hell off my lawn…) I made mix tapes all the time. I loved the idea of cutting out those songs I didn’t enjoy. I loved the idea of putting my favorite songs from any number of artists and any number of albums in one collection and being able to listen to all of them together. I loved listening to a new mix tape, of savoring the lingering surprise of the next tune from a completely different source.

Sadly, even in my pot-smoking days that surprise lasted for all of two or three listens. After that, the mix tapes became too familiar, taking on the wearisome predictability of the albums from which I’d culled the songs in the first place. As Rob Gordon (the John Cusack character in High Fidelity) says, “the making of a good compilation tape is a very subtle art.” But even the best made mix can’t save us from the fact that we remember and anticipate.

Enter the “shuffle” command on our phones and computers.

That stuff I said before, about everything new sucking? I didn’t mean this. And that part about all technology after the mid 1980s ruining the world? I might not have meant that, either. And the stuff I said about how great LPs were — that was total bullshit. Not that a case can’t be made. I mean, cell phones and computers and the constant presence of social media and “connectivity” in our daily lives — there’s a lot there to dislike.

But the shuffle command makes all of it worthwhile. Hitting “shuffle” is like putting in the ultimate mix tape. Every song is one we want to hear. Every transition is a surprise. Every listening experience is destined to be different.

Nirvana.

The state of being. Not the band. They definitely came on the scene after my twenty-first birthday…

The other night, Nancy and I were cooking dinner, and we had my iPhone on shuffle. (iPhones are okay. They were invented way before I turned 21. Really. I promise. Same with Bluetooth speakers like the one we were using. I swear.) And, quite seriously, I was struck that evening, after the fourth or fifth excellent song in a row, by the absurd amount of pleasure I derive from the shuffle feature. Ridiculous, I know. The world is in the midst of a pandemic. The planet is melting. American democracy is on life-support. But I can listen to a collection of Eagles tunes without fear of hearing “Chug All Night.”

It doesn’t get better than that.