Tag Archives: new releases

A Word of Thanks, and a Bit of Bragging

My summer of releases continues tomorrow!!

So far this year I have had releases in May (The Chalice War: Stone, the first book in my new Celtic urban fantasy), June (The Chalice War: Cauldron), and July (Artifice and Craft, which I co-edited with Edmund Schubert, and Dragonesque, which includes my short story, “Reenactment”). Now we’re into August, and tomorrow sees the release of The Chalice War: Sword.My Summer 2023 releases

Yes, I say all of this with tremendous pride. I have been productive over the past year. And over the past three years, going back to 2021, I have published four short stories, edited three anthologies, and produced five novels and a trilogy of novellas. That’s nothing to sneeze at. The truth is, my work has been a balm and a welcome distraction from other things. Being productive has been a form of therapy for me.

I want to thank you all so much for your support of my work, and of me personally. I’m more grateful than I can say. The past few years have not been easy, but your interest in my new books and stories, and your willingness to read my blog posts and social media screeds has meant the world to me. No, I’m not going anywhere. I have more projects to work on, more blog posts to write. But I wanted to pause and say thanks. I wish all of you the best.

Professional Wednesday: One Last Teaser, and a Plea For Help — Please Read

Believe it or not, writers don’t particularly enjoy asking you to buy and read our stuff. We are not, as a rule, good at sales or comfortable touting our own work. We prefer to write, to spend time with our characters, in our settings, thinking up new and exciting plot lines. If we had wanted to be businesspeople we would have gone into business. For many of us, promotion and marketing are necessary evils that facilitate the creative endeavors we truly love.

The Chalice War: Sword, by David B. CoeAnd so, I undertake the writing of this post, this latest plea for help, with a good deal of reluctance. The thing is, though, I want this new series to do well. I love the books, the world, the characters, the storyline. And I have wonderful ideas for what might happen next in this universe. But if this first series doesn’t sell, I won’t get to publish more books featuring Marti and Kel, Riann and Carrie, Quinn and Orla, Manannán and the Furies. That’s the way the publishing world works. Our publishing reputation is really only as good as the sales of our most recent project. A harsh reality, but a reality nevertheless.

Therefore, before I offer you one last free teaser excerpt from The Chalice War: Sword, the third and final book in my Celtic urban fantasy trilogy, The Chalice War, I would ask the following of you:

1) If you have not started reading the series, which begins with The Chalice War: Stone and The Chalice War: Cauldron, please do. The books are exciting, fun, and filled with memorable characters. If you’re reading this blog chances are you’re A) a fan of my work, or B) a friend who follows me because of that friendship and has not yet read any of my books. To fans, if you like my other work, you’ll love these books. They’re among my best. And to my friends, maybe you’re not really fantasy readers. I totally get that. But these books are set in our real world and the magic is based on Celtic mythology. These are as accessible as any fantasy I’ve written. Give them a try.

2) If you have already read the first and/or second book(s) in this series, thank you. But there is more you can do. Please, please, please consider leaving a review of the book(s) on Amazon or at other reader/bookseller sites. Reviews, even not so great reviews, help writers enormously. The way Amazon works, the number of reviews for a book is far more important than the content of those reviews. So, if for some reason you didn’t enjoy the book(s), leave a review anyway. Every review helps. Of course, if you loved the book(s), a glowing review is especially helpful.

3) If you have already read the books AND left reviews, you have my deepest gratitude. And yet, I have a request for you as well. Maybe you know a reader who is not familiar with my work. Maybe a fantasy reader you know has a birthday coming up. Maybe you’re looking to get an early jump on your holiday shopping. Books make marvelous gifts. Just sayin’.

The Chalice War: Sword comes out the day after tomorrow, Friday, August 4. I hope you enjoy reading it as much as I enjoyed writing it. And now, a final teaser!

The Chalice War trilogy, by David B. Coe
*****

“There’s our guide,” Carrie said, as soon as the woman entered the pub.

“How do you know?” Marti asked, twisting in her seat.

“It’s the woman I saw at the river this afternoon.”

“You’re sure?”

She was. And the small, knowing smile the woman offered as she approached their table made her that much more certain. Seeing her close up, Carrie noticed things she’d missed earlier. The woman’s eyes were blue, and while there might have been thin lines around her mouth and eyes, her hair was satiny and black. She didn’t look as old as Carrie had thought by the river.

It helped that instead of wearing the long gown and shawl she had on this afternoon, the woman now wore a tight black leather skirt, a low-cut and yet somehow tasteful blouse, and ankle boots for which Carrie thought Riann would have killed.

Every person in the pub, regardless of gender, followed the woman with their gaze as she sauntered past. She kept her eyes riveted on Carrie. It was unnerving and, Carrie had to admit, just a little bit provocative. Perhaps reading her thoughts, the woman broadened her smile, revealing perfect, sharp teeth. Also provocative.

She halted beside Carrie’s chair, angling her body so as to show her back to Marti and Riann, and stuck out her hand.

“I believe you’ve been expecting me,” she said in a strong alto and a lilting brogue. “I’m Enya.”

“Um . . . Hi. I’m Carrie. Enya, you said? Like the musician?”

“It’s pronounced Enya, but spelled E-i-t-h-n-e.” She shrugged, tipping her head just a bit. “These days no one can make heads or tails of that version of the name. I should probably change it for simplicity’s sake. But I don’t like to make things too easy on anyone.”

Her eyes remained locked on Carrie’s, and she didn’t release Carrie’s hand. Her thumb gently, subtly caressed the skin between Carrie’s thumb and forefinger.

Carrie pulled her hand from the woman’s grasp and indicated the others at the table. Her skin tingled where Eithne had touched her.

“These are my friends. Riann, Marti, and Kel.”

“Hello, Kel,” Eithne said, turning unerringly to the conduit. Again, she proffered her hand, though she didn’t hold Kel’s for more than a second or two. She nodded to Riann and Marti. That was all.

She flashed a dazzling smile toward the men at the adjacent table. “Are you using this chair?”

The men practically fell over themselves positioning it for her. Carrie thought they would have built her one had there not been an extra.

Eithne sat, crossed her legs, and raised a hand. Within seconds, their server stood at the table, out of breath, her cheeks flushed.

“Wine, please,” Eithne said. “Whatever Sauvignon Blanc you have from New Zealand.”

“And I’d like another . . . .” Riann trailed off. The server was gone already, having given no indication that she heard. “Beer.”

She turned back to the newcomer, her expression icy. “So, Eithne, what qualifies you to be our guide?”

Your ‘guide?’ Is that how the Furies characterized what I’d be doing?”

“You’d use a different word?”

“First of all, I was under the impression that only Carrie would be entering the Underrealm.”

Riann shifted in her chair. “Well . . . yes.”

“And I would call myself her protector. Her champion. Her lifeline. Any of those will do nicely.” She faced Carrie again. “The dingo out front: she’s your conduit?”

“Yes.”

“She’s beautiful. And powerful. I can see why the Morrigan chose you for this.”

Riann bristled. “Why the Morrigan— They didn’t choose her for anything. This was our idea. Marti’s idea. The Morrigan knew nothing about it until we went to them. And the only reason Carrie is going down there is she’s the only one of us who’s Fomhoire.”

She cringed, seeming to grasp too late that she’d basically said Carrie had no value to them beyond her heritage. She chanced a glance in Carrie’s direction.

Carrie looked away pointedly, too hurt and angry to meet the woman’s gaze.

She would have struggled to explain her reaction. She knew it was true. She had Fomhoire blood, which meant she could enter the demons’ realm. Compared to the others, she had no magical ability to speak of, little knowledge of Baelor or Cichol or their servants, and even less sense of what she would find Below. And yet, hearing the woman she loved, who she thought loved her, speak of her in those terms left her feeling denigrated and dismissed. Not for the first time on this trip.

“Care to elaborate?” she asked Riann. “Give a few examples of the different ways I’m unqualified to go?”

Riann stared at her empty glass. “No. I’m sorry.”

Carrie nodded, tight-lipped. Eithne appeared to be enjoying herself.

“Where are you from, Eithne?” Marti asked.

“North of here. No place you’ve heard of.”

“I know Ireland well. Try me.”

“Noughermore.” She pronounced it “noffermore,” but with a hint of something guttural in the middle of the word.

Marti’s mien soured.

“As I said, no place you’ve heard of.”

The server returned with Eithne’s wine and this time lingered long enough to take refill orders from the others. After she left, a frosty silence settled over the table. Again. Carrie couldn’t remember the last time the four of them had simply gotten along, without conflict, or worry, or intrusions from others in the Celtic . . . . Community, she decided, was too generous a word.

Eithne was odd and clearly determined to sow as much discord among them as possible. But that hardly differentiated her from the Morrigan. And as flattering as her attention might have been, Carrie didn’t trust her even a little.

“So, how is it you know so much about the Underrealm,” she asked the woman. “I mean that’s not a usual tour guide thing, is it? There isn’t a tourism institute in—Where was it? Noughermore?—there isn’t a school you went to that offers lessons in navigating Cichol’s lair?”

Eithne’s lips curved, and she covered Carrie’s hand with her own. “Keep your voice down,” she whispered.

Carrie pulled her hand away. “Why should I? This is just a pub. We’re just talking. Who do you think might hear?”

Eithne’s smile ossified. “What does it matter? The Morrigan trust me completely.”

“But we don’t completely trust them,” Marti said.

“Heard that.” A distant voice, possibly Badbh’s.

Most of the time these days, Carrie felt beyond her depth, as if the others were privy to information she didn’t have. This once, though, she was anything but. She’d seen this woman first, and without knowing why, she already had a sense of her, of her motives and origins.

“You’re Fomhoire,” she said, leaning in, intent on those crystal blue eyes. “You’re not from Noughermore. You’re from Below.”

The others watched and waited, riveted. Eithne sipped her wine, her hand steady.

“Actually, it’s possible to be from both. I’m living proof.”

Carrie said nothing. She thought if she kept silent long enough, the woman would tell them more.

Eithne reached for her glass again, but stopped herself. “You know Noughermore as East Town,” she finally said, addressing Marti. Her voice had flattened, and she’d switched off the charm. “It’s not much, but it’s home.”

“East Town. On Tory Island.”

“That’s right.”

“So, Carrie’s right. You are Fomhoire.”

“There are Milesians from East Town. There are even Sidhe from East Town.” When no one responded, she made a small gesture, something between annoyance and acquiescence. “Like I said: I have roots in both worlds. What matters for you is that I can lead your friend here right through Cichol’s home and to the Sword. I know where it is. I know how to reach it. I know how to get us out once it’s in hand. Nothing else should matter to you.”

“Like hell it shouldn’t,” Riann said. “You want us to believe you’re helping us out of the goodness of your heart, or because you love Sidhe so much?”

“I don’t care what you believe. But no, I expect you to think there’s something in it for me, that I’ve got my own agenda. Because there is, and I do.”

“And what agenda is that?”

Eithne’s silken smile returned. “None of your damn business.”

The sounds of the pub abruptly vanished—the din of laughter and conversations, the clink of plates and glasses and cutlery, the background drone of the television. All went silent. Carrie glanced around, as did her friends. Eithne drank more wine, apparently unconcerned. The pubs other patrons had gone still. Literally. None of them moved or spoke. One man at the next table was frozen with his glass of stout at his lips. A drop of Guinness hung suspended between his grizzled chin and the table.

“What in God’s name . . . .” Kel said.

And then the Morrigan were back, in the flesh this time, seated in chairs that materialized with them. They wore black sequined dresses and black satin stilettos, and their hair was teased into matching buns. They looked stunning. And pissed.

“Are we having trouble getting along?” Macha asked archly, crossing her legs with the grace of a dancer.

“They don’t like me,” Eithne said.

Badbh dismissed this with a wave of her slender hand. “No one likes you.”

“You need a guide,” Macha said to Marti. “Or rather, she does.” She jerked a perfectly tapered chin in Carrie’s direction. “We got you one. End of story.”

“She’s Fomhoire!” Riann said.

Badbh chuffed a laugh. “Yes, darling. We searched far and wide for a Sidhe who could tell us what Cichol’s lair is like, but all of them are dead, so . . . .”

“This isn’t a meet and greet,” Macha said. “And it’s not a dating service. We honestly couldn’t care less if you get along. You have a task; you need help completing it. This is your help. Work together or don’t. But if you don’t, be prepared to fail. Navigating the Underrealm alone would be perilous. Entering Cichol’s demesne alone is suicide.” She indicated Carrie with another twitch of her head. “If you want this one back, you’ll let Eithne guide her.” She considered each of them one by one, appearing every bit the Battle Fury. “Are we clear?” She didn’t wait for an answer. “Good. We’re leaving. It’s going to take hours to get the pub smell out of my hair.”

“Why bother?” Badbh asked. “It matches your singing.”

Macha glowered.

“What? You expect me to pass up an opening like that?”

They winked out of view. The bar noise resumed. A wave of dizziness crashed through Carrie, and she gripped the table. “Whoa.”

“Tell me about it,” Kel said, doing the same, her cheeks blanching.

Only Eithne appeared unaffected.

Marti eyed the woman, suspicion and resentment in the set of her jaw. “Fine. You’re one of us, for now. Do you need a place to stay?”

That of all things made Eithne laugh. “Hardly. And I won’t need a ride either. Your car is too crowded as it is. And,” she added, with glances at Riann and Carrie, “pretty though your conduits might be, I have no desire to smell dog all day. We’ll work together, but we needn’t make things more unpleasant than necessary. Get to Tory Island. I’ll meet you there.”

Carrie half expected her to disappear as the Morrigan had. She didn’t. She drained her wine, pulled a twenty Euro note from within her blouse and tossed it on the table, and sauntered to the door and out, her exit from the pub as attention-grabbing as her entrance had been.

“I don’t like this,” Riann said to Marti.

The other woman shook her head. “Neither do I. We could try talking to Manannán. He’s likely to know someone with knowledge of the Underrealm. Someone we can trust more than—”

“No,” Carrie said.

They all turned to her.

“We’ll go with Eithne. That’s who the Morrigan have chosen, and they’ve been in on the planning from the start.”

“Just because they’ve—”

“I said no.”

Riann looked like she’d been slapped.

“It’s my life on the line, so it’s my choice. I don’t like her, and I’m very glad she has her own way of getting north to the island. But she’s the guide I want—not some friend of Manannán who none of us has ever heard of.”

Marti didn’t respond. Clearly, Riann wanted to. Carrie had no doubt this argument would continue later, when they were alone. For now, though, her declaration was met with silence. At first.

Kel drained her glass. “And once again, snaps for Carrie for saying what needs to be said. I should invite you to all my arguments with Marti.”

Professional Wednesday: The Last Book of a Series

The Chalice War: Sword, by David B. CoeA week and a half from today, on Friday, August 4, The Chalice War: Sword, the final book in my Celtic urban fantasy trilogy, will be released by Bell Bridge Books. (The first two books, The Chalice War: Stone and The Chalice War: Cauldron, are already out and available. If you haven’t already gotten them, please consider doing so. And if you have read them, please consider leaving reviews at your favorite book sites.)

I won’t bother telling you that I’m excited for this release (though I really am). The fact is, I get excited for every new release (but especially this one — really!). Even after so many published books (Sword will be my 30th) the thrill remains much the same. And there is something extra special about the concluding book in a series. A couple of weeks ago, near the end of my “Beginnings, Middles, and Endings” feature, I wrote about the things we want to accomplish with the final chapters of our novels, including bringing our story to a satisfying and thrilling culmination, completing our character arcs, and tying up our remaining loose ends. We want to do this with any novel, but to state the obvious, it is absolutely crucial to nail the ending of a final book in a series.

The Chalice War: Stone, by David B. CoeThe premise of The Chalice War trilogy is fairly simple. The four treasures of the Sidhe — the Stone of Fal, the Spear of Lugh, the Daghda’s Cauldron, and the Sword of Nuadu — are chalices of magic. As long as they remain in this world, the Above, the Sidhe sorcerers living in our midst can continue to protect our world. But the Fomhoire, masters of the demon Underrealm, seek to take the chalices from our world into the Below, and if they succeed, magic will cease to exist in our world and demons will overrun the face of the earth.

The first two books are set entirely in the Above — our world — where Sidhe sorcerers do battle with Fomhoire demons to protect two of the chalices (the titles give away which ones). But I wanted to do something different with the third book. And honestly, for a long time, I didn’t know what exactly that would look like.

The Chalice War: Cauldron, by David B. CoeYou see, I wrote the first iteration of book one, Stone, more than a decade ago, when I was in a lull in my career and was looking for something to write for the fun of it. I loved that first draft, but it needed work, and around the time I finished it, I signed my first Thieftaker contract, putting an end to the aforementioned lull. I started work on the second book, Cauldron, about seven years ago, hit a wall, put it away, came back to it four years later and finished it. Now, usually when I write a series, I know as I begin book one how the last book will end. Not with this series, because when I wrote that first book, I was playing around. I had no idea what it would become. So even after I finished the second book, I still wasn’t sure what to do with the series, because I had no idea how to write the third book without making it simply a repeat of one of the first two.

Except that’s not quite true. Early in the series, I reveal that the Fomhoire have already succeeded in stealing one of the chalices. The Sword of Nuadu is already in the Underrealm; the future of our world is poised on the edge of a blade. So, naturally, book 3 had to be about a journey into the Underrealm, the demon world, to steal back the lost sword.

But the idea of this intimidated me. I had no idea what the demon realm was like. I had no idea how to write such a book. So, I put books 1 and 2 back in a drawer, and I wrote the Radiants books, which was fun and great. I LOVE those books.

But the Chalice books haunted me. And the challenges of that third book called to me. I needed to create the demon realm, making it believable and tangible and rich and compelling, but also menacing enough to carry its share of the plot. I needed to have an exciting, engaging second plot line set in our world so that the characters who don’t go to the Below are still busy with Important Stuff. And, as mentioned earlier, I needed to nail the ending, to hit all the right emotional notes while tying off every one of my plot threads from the three books.

No pressure.

The fact is, not knowing what to write is an impediment to starting a project. But perceiving challenges? Seeing in a potential novel tasks that are going to force me to grow as a storyteller? That right there is incentive. And once I started working on the third novel, once I overcame that sense of intimidation, the book flowed quite easily. The result, in my biased opinion, is a strong, successful conclusion to what I believe is one of my best series yet. I hope you agree.

I posted a teaser last Friday, and will post another one this Friday. I hope you enjoy all three books. Thank you, as always, for your support of my work!

Keep writing!!The Chalice War trilogy, by David B. Coe

Professional Wednesday: The Emotions of a Book Release

The Chalice War: Cauldron, by David B. CoeLet’s start with the obvious: The Chalice War: Cauldron is now out and available from all booksellers in ebook and paper formats. This is the second installment in my Celtic urban fantasy trilogy, The Chalice War. Stone, the first book, came out a month ago. And the third and final volume, Sword, should be released in early August. The cover reveal will be coming soon.

I sold a bunch of copies of the first two books at ConCarolinas this past weekend, and hope to sell bunches more at LibertyCon (Chattanooga — June 23-25). By the time DragonCon rolls around (Atlanta — August 31-September 4), I’ll have all three books in stock.

I have, in a previous post, made the case for supporting authors and their blogs, etc. by buying their published works; I won’t bother making the case again. I have also made the case for buying the early books in a series as they’re released, rather than waiting for the entire series to drop, and I won’t bother doing that again either.

But I did want to spend a bit of time discussing the emotions of a new release, emotions that begin well before the actual publication of the novel. The anticipation can be excruciating. Not just waiting to see the book, or even looking forward to seeing it in the hands of readers, though I feel both of those. With each new book, I experience this sense of excitement about the story finding its way into the world. “I have a new book coming,” I want to shout from the rooftops, “and it is going to blow your minds!!” As I’ve said before, I almost always feel that my newest book is also my best, and so I want to show off a bit, let people see what I’m capable of as an artist now. Ego? Maybe. Pride? Definitely.

Children of Amarid, by David B. Coe (Hardcover -- Art by Romas Kukalis)I’m asked quite often if I still feel the thrill of seeing a new book in print, even after so many years and so many releases. And the truth is, I do. Sure, the very first time was unlike anything I’ve experienced since. I still remember getting a call from the local bookstore here in our little college town. My author copies hadn’t arrived yet, so when the store manager reached out to let me know the hardcover edition of Children of Amarid was in stock, I rushed over to see it. I’m pretty sure Nancy came with me.

And, typical of me, I was so excited to see the book, to hold it in my hands, to see my name right there on the cover, right below the gorgeous artwork. I was over the moon. But I also recall thinking, “Hmmmm, the image is a bit too dark, and the colors don’t pop the way they should.” I have long been Glass-Half-Empty Guy . . . . Which doesn’t change the fact that I was right. The cover did come out too dark, something Tor corrected with the mass market paperback edition a year later. Just sayin’.

Those competing impulses, though, are fairly typical for me, and, as I gather from conversations I’ve had with other authors, for many of my colleagues as well. Yes, the thrill is real. So is the worry about sales and critical response, the hyper-sensitivity to anything that might be even slightly off with the new product, the certainty that the excitement will prove fleeting while the concerns linger.

We authors notice things others don’t — the darkness of the images is a perfect example. No one else thought the jacket art for the hardcover of Children of Amarid was anything other than cool. But I picked up on the (very mild) flaw immediately. That said, I have been fortunate with my book art throughout my career, and have liked the cover images that appear on almost all my books. There are a couple of exceptions, but I won’t say more than that. The point is, I have never actually hated one of my covers. I know plenty of authors who have. I can’t imagine how difficult that would be.

There can be other problems as well. Sometimes the maps we put in our books are split in an awkward way in order to fit them in the front pages. Sometimes there are typos. I know authors who have had their books published only to find that the print editions begin or end with the wrong chapter or scene!! Oh. My. God. I would lose my freaking mind. All sorts of things can go wrong.

And, as I mentioned before, even if all goes as it should with the published version of the book, and even if the jacket looks great, sales can disappoint. So can reviews. Releases can coincide with economic downturns. Or national tragedies. Or global pandemics. We have no control over such things, of course, and in the context of world events, the fate of our book release is pretty insignificant. Except to us. For us, it’s more than a book release. It’s the realization of years of work and hope and passion.

The Chalice War: Stone, by David B. CoeWith all this in mind, I am happy to say that the releases of The Chalice War: Stone and The Chalice War: Cauldron have gone great. No new pandemics. The stock market is up. The art work looks marvelous. All the chapters are just where they should be. (I think — I should probably check to be sure . . . . Yep, they look great!) Sales? I have no idea at this point. It’s too early to know. Reviews? We’ll see about those as well. I worry, of course. I want these books to succeed. I want you to like them. And, if you do, I would love for you to tell the world.

Thanks for reading this.

Keep writing!

Thursday Teaser — THE CHALICE WAR: CAULDRON Drops Tomorrow!!

The Chalice War: Cauldron, by David B. CoeThe Chalice War: Cauldron, the second volume in my new Celtic-themed urban fantasy, will be released tomorrow by Bell Bridge Books. And to get you a bit more excited about the release, I offer a new teaser — my hero’s first encounter with the Celtic sea god, Manannán mac Lir. Enjoy!!

*****

While Carrie continued her conversations, Riann wandered up the strand. Near a rock pool, she came upon a man who sat in a rickety lawn chair, an ancient Billabong baseball cap on his head, and two fishing poles set in rod holders before him. A dory rested at the tideline a short distance away, its wood worn and badly in need of fresh paint.

Or so she thought at first glance.

When she glimpsed it from the corner of her eye, the boat looked quite different. It was golden and perfect. She halted and stared straight at the vessel; once again, it appeared to be a battered old rowboat.

She wheeled to face the man. “What—”

His smile stopped her.

He was gorgeous. His chin and cheeks were grizzled, and the corners of his emerald eyes crinkled. He had a dimple on one side, and his hair stuck out from beneath his hat, hanging down to the base of his neck. He wore khaki cutoffs and a stained, torn short-sleeved shirt, unbuttoned to reveal a tanned and toned chest and belly, lightly covered with fine silver curls. She had been with men and women, and she preferred the latter. But she would have taken this man to her bed without hesitation.

And he seemed to know it.

“You like my boat?” he asked in a soft Irish burr, his voice a warm tenor.

She eyed the dory again, then averted her gaze slightly, enough to see it turn golden once more.

“I don’t understand,” she said, facing him.

“Of course you do, love. You understand perfectly.” He nodded at Quinn, who stood beside her. “Your conduit is beautiful. May I?”

Before she could answer, he clicked his tongue and held out a hand, palm up. Quinn strained to reach him. Riann released the leash, unsure of why she did it. Quinn trotted to the man and sat in front of him, allowing him to scratch her ears and neck.

“Aye, a fine creature.” He regarded her. “You’re Michael Donovan’s girl, aren’t you?”

She gaped, but took a step toward him. “You knew my father?”

“Aye, love. He was a good man. His death was a terrible loss for all in the magical world.”

Riann stole a glance at Carrie, started and looked again, then turned a quick circle. A soft wind blew off the water, cooling the day, and the surf surged and retreated as always. Silver gulls circled and cried, and a sea eagle flew past, clutching a fish in its talons. But every person on the beach and the sidewalk had frozen in place, as if time had stopped.

“I’m dreaming,” she murmured, frightened.

“You’re not even asleep.” He slipped a hand into his pocket, pulled out something that caught the sun with a flash of silver. He tossed it in her direction.

She caught and scrutinized it. It appeared to be a coin of some sort, though almost all the detail had been worn away. She thought there might be a head on one side. She couldn’t make out the design on the obverse. It was mostly round, and slightly concave.

“What is this?”

“A drachm. A Celtic crown essentially. Proof that I’m real, that this is real.”

Riann turned it over. “How—”

“Twenty-two hundred years, give or take.”

She studied the coin for another moment before walking closer to him and holding it out for him to take.

“Keep it,” he said with a smile. “A token, to remember me.”

“Who are you?” Riann asked, fear giving way to curiosity.

“Forgive me. Manannán mac Lir, at your service.”

She’d heard the name before, from her father, of course. She combed her memory.

A small frown creased the man’s brow, which, impossibly, made him even more attractive. “Come now. I refuse to believe that Michael never spoke of me.”

“He did. I just can’t remember—”

“You would forget a god?”

And then she did remember.

Manannán, the sea god. A trickster, her father called him. Fickle, even capricious, like all the Celtic gods, but essentially benevolent.

Riann wondered if she should bow, or kneel.

“Most prostrate themselves before me,” he said, his tone severe.

“O-oh! I . . . I didn’t know.”

He laughed. “That was a joke, love. I had the sense you were about to curtsy or some such.”

She felt her face redden.

One of the fishing poles juddered and nodded. Manannán sat forward, took hold of the pole, and reeled in what turned out to be an enormous silver fish. The god removed the hook from the creature, whispered something to it in a language Riann didn’t know, and heaved it back into the water, easily clearing the coastal breakers.

“Why—”

“Just checking in with old friends. What do you know about the woman?”

As quickly as blood had flooded her cheeks it now drained away, leaving her cold, despite the sunshine.

“What?”

“The woman. The dead one they found last night.” He continued to scratch Quinn’s head. She licked his hand.

“That was you,” Riann said, remembering how Quinn growled and stared into the darkness. “You were watching us.”

“What do you know about her?”

“She was Sidhe. She was killed by a Fomhoire and her demon. But that’s about all. I don’t know why they killed her.”

“Fomhoire need a reason?”

She lifted a shoulder, conceding the point.

“You know nothing more?”

“I know her name, where she worked, that she was on a museum board and was recognized for her philanthropy.”

“Which museum?”

“The Australian.”

He nodded, thoughtful. “What else?”

She shrugged again. “That’s all.”

Manannán’s frown this time conveyed disapproval, as if he thought she should know more.

“I’m sorry,” she said, because she thought he expected it.

“No worries, love. But I may check with you again at some point. If you learn anything of value, I hope you’ll tell me. Fomhoire incursions are becoming too frequent for my taste. And now they’ve focused their attention here. There has to be a reason.”

“There are others who know more than I do. Why ask me?”

“Who says I haven’t asked those others?” He let the question hang, a gentle rebuke. “As to why you, because you were there last night, of course. Because you knew enough to convince the police to let you see the body. That was well done. Michael would have admired your resourcefulness.”

“Thank you.”

He smiled in answer and her knees nearly gave way. Rather than stare at him, she cast another look at Carrie, who still stood frozen with the brawlers. When Riann turned back to the god she found him eyeing the reporter as well.

“She a friend of yours?”

“I suppose. We’ve only really just met.”

He nodded, his gaze lingering on Carrie, an odd twist to his grin. “Interesting,” he murmured.

“What is?”

Manannán turned back to her, his expression brightening. “Not a thing. Remember what I told you. Learn what you can, and watch for me. My demesne ends at the shore, so I’ll always be near water.”

“Yes, of course.”

“I’m going to start things again now. You may experience a moment’s unpleasantness. It’ll pass. ’Til next time.”

Before she could say goodbye, a wave of dizziness crashed over her and she staggered. Voices reached her. A dog on the far side of the street barked and a car engine revved. The world had awakened.

Manannán was gone, as were his chair, the fishing poles, and that magical golden boat. The coin lay in her palm. Proof . . . . Quinn whimpered and sidled back to Riann.

Riann scratched her head absently.

Carrie called her name and when Riann looked that way, she waved and beckoned. Riann strode over the sand to the sidewalk. Already she felt better.

“Do you have the images you need?” Carrie asked.

“Uh . . . yes. Your interviews are over?”

The woman nodded. “I have enough to write my story.” She surveyed the beach. “It’s nice here. Too bad we haven’t time to stay.”

“Yes. Did you happen to notice the man I was talking to?”

“I didn’t see you talking to anyone. Who was he? Did he see what happened last night?”

“No, nothing like that. Just . . . just a guy fishing. We should probably head back.”

Professional Wednesday: Marketing Strategy, a New Release, and an Excerpt!!

The Chalice War: Cauldron, by David B. CoeThis Friday — the day after tomorrow!! — The Chalice War: Cauldron, the second book in my new Celtic-themed urban fantasy series, will be released by Bell Bridge Books. For those of you thinking, “Wait, didn’t you JUST have a release in this same series?” you’re right, I did. The Chalice War: Stone came out May 5, four weeks before this week’s release. And the final book in the series, The Chalice War: Sword, will be out in July or August. (And wait until you see the jacket art: Spoiler Alert — it’s spectacular!)

The thinking behind rapid-fire releases of this sort is pretty simple: If the first book interests readers, and if they fly through that opening volume, they will be eager for more and won’t want to wait. I can’t tell you how many times authors hear from readers, “Oh, I hate waiting for each book in a series to come out, so I wait until the last book is published before I buy any of them.”

This is deeply frustrating for those of us who write and sell books for a living. I get it, of course. Sometimes, fans have to wait a year or more for subsequent volumes in a series to be released. And on occasion, those subsequent volumes never appear at all. The series is dropped by the publisher, or the author simply never gets around to completing the story. Writers aren’t the only ones who can find the publishing schedule frustrating.

Here’s the thing, though: Quite often, the publication of second and third and fourth volumes in a given series is dependent on the sales of the first book. If sales of Book I disappoint, some publishers will decide to drop the series, rather than go to the trouble and expense of putting out the later volumes. And so the reluctance of readers to buy that first book, lest the others don’t find their way to print, becomes self-fulfilling.

The rapid release model is relatively new in the publishing world, but it is intended to prevent this sort of thing from happening. If readers see the second and third books coming out so soon after the first, they will be more willing to buy that initial installment, and might go ahead and just grab all three as they appear. This is certainly my hope.

So, in the spirit of marketing and piquing your interest, let me tell you a bit about Book II, Cauldron. In book I, Stone, we meet Marti Rider, a Sidhe conjurer, and Kelsey Strand, two strangers who are bound to each other by a powerful magical artifact. They are attacked and pursued across the country by Fomhoire demons and their allies, who are intent upon killing them, claiming the artifact as their own, and using it to conquer our world. Along the way, we encounter a host of Celtic immortals who help our heroes or hinder them, depending on their shifting alliances.

In Cauldron, the pursuit of these magical chalices shifts to Australia, where we are introduced to Riann Donovan and her friend (and perhaps more) Carrie Pelsher. Riann is a Sidhe sorcerer who has fled the States to Australia to escape a tragic past. Carrie is a journalist with a strange affinity for magic. When the Sidhe community in Sydney is devastated by a coordinated Fomhoire assault, the two women find themselves in a race against time and a dance of intrigue among gods, Furies, and demons. And yes, for those wondering, Marti and Kel will find their way to Australia to join the fun.

As I’ve said before, I love all of these books. Writing Cauldron allowed me to draw upon experiences and memories from the year I spent Down Under. Many of the locations described in the book are places Nancy, the girls, and I visited. It was a special book to write. And I hope you enjoy it.

And, to whet your appetite for the book even more, here is a short excerpt! Enjoy!

*****
The train had just pulled out of Redfern station when the first frisson of magic brushed across Sara’s skin. She shivered, tasting darkness in its touch.

Fomhoire. Here, in the middle of Sydney. Nearby and closing in, accompanied by . . . by what? Wight? Demon? Yes, demon. All this she read in that initial contact. More, she sensed the Fomhoire had already found her, was intent on her and closing the distance between them.

Sara stood, crossed to the nearest of the sliding doors, and stared out into the inky black of the railway tunnel, desperate for the light of the next station. Never had the distance between Redfern and Central felt so great. The train car rocked, and she grabbed hold of the steel pole beside her to keep from tumbling into the lap of a young businessman.

“Pardon me,” she whispered.

His gaze flicked to her. He answered with a nearly imperceptible nod and turned his attention back to the Herald.

Morning commuters crowded the CityRail trains and stations. Surely Fomhoire assassins wouldn’t attack her here, in front of so many.

A small voice in her mind replied, Why not?

She wore work clothes, carried her briefcase, was on her way to her office in the CBD. Roger, her tabby, her conduit, was at home, safe in her flat, too far away to help her with spells. She was powerless, defenseless.

The train slowed—finally!—and the train guard announced their arrival at Central Station.

“Change here for Northern, Carlingford, North Shore, Cumberland. . . .”

The moment the doors opened, she pushed her way out, heedless of the men and women in front of her and those on the platform waiting to board. People shouted after her; a few muttered obscenities. She didn’t care. She hurried to the nearest stairway, one that would take her to the concourse. The magic followed, aimed like a weapon at her back.

By the time Sara reached the top of the stairs, she was breathing hard, sweating through the blouse she wore beneath her blazer. She switched her briefcase to the other hand, wiped her slick palm on her skirt.

She kept to the crowd, surrounding herself with people, using them as shields and searching frantically for anyone who might give off enough glow to let her defend herself.

How can there be Fomhoire in Sydney?

She and the others maintained a network, a web of magic. Like Sidhe in other parts of the world, they watched for portals and Fomhoire incursions from the Underrealm. As far as she knew, they had sensed nothing.

For decades, Sara and her fellow Sidhe had protected one another, warned one another. These last several years had been quiet, peaceful. She knew other Sidhe in countries far from Australia had battled Fomhoire recently. Harrowing reports had reached her from the States, from Europe and Africa and Asia. But here . . . . Relative peace had reigned for so long, she had grown comfortable, lax. Caution needed to be a routine, like exercise. And she had grown lazy. How many mornings had she left her flat without taking the simple precaution of warding herself? This morning had been no different from yesterday, from the day before, from the one before that. Except it was entirely different. And she might well die because of it.

She exited the gates, threaded her way through the throng in the concourse, hoping to lose her pursuers among the masses. She would exit the station onto Pitt Street and grab a taxi. That was her plan anyway.

As she neared the doors at the west end of the concourse, she sensed more magic. Wights probably, but without Roger, she wouldn’t stand much chance against them, either. She slowed, halted. People flowed around her on either side, as if she were a stone in a stream.

Eddy Street then—the nearest exit.

After a single step in that direction she stopped again. More magic. They had her surrounded.

Another train perhaps. If she could return to the gates and get to a North Shore platform, or maybe the Illawarra line . . . .

A spell electrified the air and made the hairs on her neck stand on end. Sara could do nothing except brace herself for its impact.

Magic fell upon her an instant later, obliterating thought, will, consciousness. She couldn’t say if she remained standing or fell to the floor or ran in circles like some ridiculous child’s toy. Time was lost to her.

When next she became aware of her surroundings, she was still upright in the middle of Central Railway Station’s Grand Concourse. A woman stood before her radiating so much power Sara had to resist an urge to shield her eyes.

“Hello, Sara,” she said in a cool alto and an accent that would have convinced any native Aussie.

“Who are you?” Sara asked, surprised she could speak.

The woman smiled. She was beautiful, of course. The Fomhoire always were here in the Above, regardless of how they appeared in the demon realm. Pale blue eyes, flawless olive skin, golden brown hair that fell in a shimmering curtain to her shoulders. As brilliant and superficial as a Carnival mask. She wore jeans and a long sleeve Sydney FC T-shirt; nothing that would have made her stand out in a crowd.

A second form hovered at her shoulder, as hideous as the woman was lovely, as ethereal as she was solid. It appeared to be little more than a cloud; shapeless, smoke grey, undulating. What might have been eyes shone dully from within the shadow, like stars partially obscured by a nighttime haze. Its lone substantial feature was a mouth at its very center, nearly round and armed with several rows of spiny teeth.

Two demons. One ghastly, the other lovely. Both deadly, no doubt.

None of the people passing by took note of them. Sara sensed that she, the Fomhoire, and the cloud demon were invisible to all.

Creative Friday: About That Celtic Urban Fantasy . . .

The Chalice War-Stone, by David B. CoeRight around the holidays, I was shouting from the virtual rooftops about my new Celtic urban fantasy trilogy, The Chalice War, which would be coming out early in 2023. The first book, I bellowed (virtually), would be coming out in February, and it would be called The Chalice War: Stone. It would be followed, a month or so later, by The Chalice War: Cauldron, and then a couple of months after that by the finale, The Chalice War: Sword.

So, about all that . . . .

Life happens. Lately it’s been happening to me. A lot. In this case, though, it happened to my editor/publisher at Bell Bridge Books, through no fault of hers, or really anyone’s.

The books are still coming. Really. Stone will be out in May. That’s the current plan. It will be followed a month or so later by Cauldron. Sword should be out by midsummer. The first book is ready to go. We have art; the manuscript has been revised, copy edited, polished to a high shine. We’re just scheduling it in a way that allows us to follow it quickly with Book II, which has now been through revisions and will soon be copy edited.

I apologize for the delay, but I assure you the books are on their way. And, as a way of thanking you for your patience, I offer another teaser from Book I. Enjoy!!

*****
While the woman’s heels still clicked on her walkway, Marti sensed a second source of power. The energy from this one was as turbid as the woman’s was clear, as tied to darkness as hers was wild. It took Marti several moments to spot this second presence, and when she did, she had to bite back a shouted warning.

A large animal—a cat of some sort from the look of it—crouched by the side of the woman’s house, partially concealed by the bushes growing there. It followed the woman with its eyes and the gentle swivel of its massive head, but it made no move to attack her.

Marti watched them both, motionless, holding her breath. The cat had to be a conduit, bound to a Fomhoire sorcerer. She swept the street with her eyes, not daring to turn her head, wondering if the sorcerer was close by or had sent the cat to scout. Or to hunt. If that last, was it after the woman or Marti herself?

After watching the cat for another few seconds, Marti convinced herself the creature was intent on her neighbor, not her.

For now, Marti had no access to her magic, and the stone was shielded. Power called to power, Alistar used to say. That cat—a panther by the look of it—would be drawn to a conduit as potent as itself, not to an unbound Sidhe sorcerer.

Marti stood smoothly, taking care not to make any sharp movements. She picked up the bottle and cup, tiptoed into the house, and locked and bolted the door. She lingered by the window, eyes on the cat. Her neighbor had made it inside; lights went on downstairs and, minutes later, on the second floor. Marti didn’t think the woman was in danger, at least not this night. But she had drawn someone’s interest, which promised to make Marti’s life even more complicated than it was.

After some time, the panther emerged from the bushes, padded out into the street, and with one last backward glance at the house next door, prowled off into the night. Marti remained at the window until the creature had reached the corner and trotted off of Fairlea.

Then she retrieved her protective herbs and stones, and went after it.

She understood the risks, but she wanted to find out who the cat belonged to. Having no conduit herself, and carrying the sachet and crystals, she didn’t think another sorcerer, even a Fomhoire, would sense her. Of course, having no conduit, if she was wrong about this, she would die.

She slipped back outside, locked the door behind her, and eased down the road. She made not a sound, kept to shadows, avoided the light that pooled beneath streetlamps the way she would patches of quicksand. At the corner, she caught a glimpse of the panther loping off the road into what appeared to be another yard.

Marti followed, and soon realized the cat had led her to the community playground she’d passed when driving in earlier. It was darker here; there were no streetlights or houses near the play area. But by the light of a half moon, she spotted two figures standing near the swings, one a good deal taller than the other.

The panther trotted to the shorter of the two, lay down at this person’s feet, and began to lick one of its paws. Marti crept closer, hoping to overhear something of value. She placed each foot with care, eyeing the ground in front of her for dry leaves, twigs, children’s toys—anything that might give her away. With fewer shadows here, she had to follow a line of trees—a less direct route than she would have liked. At one point, the cat raised its massive head and stared in her direction. She froze, deciding she had gotten close enough.

She couldn’t hear their conversation, but as her eyes adjusted to the darkness, she was able to see the two figures in greater detail. The cat had lain at the feet of a man. He had dark hair and wore dark slacks and a pale dress shirt. The other figure was murkier, as if obscured by a black veil. She couldn’t imagine why, at least not until it raised an elongated arm to point at something above them. Marti suppressed a cry.

The moonlight revealed a translucent membrane of flesh underneath its arm, broadest at the shoulder, tapering to the wrist. No wonder it appeared to swallow light; no wonder it was so freaking tall. A Sluagh.

With nightfall, the air had grown stagnant, but in that moment, the smell reached her and her stomach heaved. Decay, disease, death. Smells, she’d read somewhere, could kindle memories that transported a person to different times, different places. This stench carried her to the old house, to Alistar’s brutalized corpse in the garden, to Burl’s blood-matted carcass in the kitchen.

Marti searched the sky and street for more of the demons—they rarely traveled alone. She saw none, but that did nothing to put her mind at ease. She resisted the urge to run—if the demon didn’t hear her, the cat would. Either would kill her.

Indeed, if not for the Fomhoire and his cat, the demon would have found her already. The panther couldn’t sense her talent for magic because she didn’t have a conduit, but the Sluagh could. It hadn’t because—only because—the Fomhoire stood beside it, no doubt reeking of magic. She shuddered.

A moment later, matters grew far, far worse. The Sluagh pointed skyward again and let out a rasping screech that made Marti flinch. From above came two answering cries, as harsh and chilling as the first. Two more Sluagh circled over the playground, their wings luminous with moon glow, the webbing between their long legs making them look like huge swallows. They wheeled, swooped toward the ground, and pulled out of the dive at the last instant, cupping their wings like billowing sails and landing near the other Sluagh.

The cat scrambled to its feet and bared its teeth. The Fomhoire caressed his conduit’s head and said something to the creature. The panther nuzzled the side of his leg, but it kept its bright eyes on the Sluagh and remained standing. For his part, the sorcerer had shifted his stance so that he could watch all three of the demons. He had also edged away from them; he would be no more immune to the fetor than Marti was. Likely he had a spell at the ready, just in case. Sluagh might serve the Fomhoire, but they would prey on any magical creature.

She almost hoped they would turn on the man and his conduit. Almost. The problem was, when they finished with him, they would sense her magic, and have her for dessert.

The Sluagh didn’t linger for long. The Fomhoire and the first demon spoke for another few seconds before the three demons leapt skyward and soared off.

The sorcerer watched them go, absently petting the panther’s head. When the Sluagh had vanished from sight, he glanced around and left the playground.

He headed straight toward Marti.

Professional Wednesday: The Chalice War, Book I Cover Reveal!!

For some time now, I’ve been writing about and teasing my new Celtic urban fantasy, The Chalice War. The series is part thriller, part comedy, part myth, part urban fantasy, part mystery. It is set in our modern world — all over it, in fact: book I takes place in the U.S.; book II shifts the action to Australia, and book III is set in Ireland — but the series also draws heavily on Celtic lore. It is unlike anything I’ve written before. Each volume was a ton of fun to write, and will be, I hope, just as much fun to read. I love these books and I am incredibly excited about their upcoming release.

The first book, The Chalice War: Stone, should be out from Bell Bridge Books in February 2023. The second book, The Chalice War: Cauldron, will follow within a month or two, and the trilogy’s finale, The Chalice War: Sword, will drop not too long after that.

Today, I am delighted to share with you the incredible jacket art for book I, which was created by my brilliant editor and publisher, Debra Dixon. Drumroll please . . . .

The Chalice War-Stone, by David B. Coe

Professional Wednesday: Top Ten Reasons You Need INVASIVES!!

INVASIVES, by David B. Coe (Jacket art courtesy of Belle Books)

In case the daily teasers and cover art reveals and previous blog posts all failed to tip you off, this is release week for Invasives, the second Radiants novel. It comes out on Friday, February 18! Yay!!

Release weeks are a big deal and we authors depend on early sales of new books to maintain series momentum and to get the new book front and center in the attention of the reading public.

And so, here are my top ten reasons why you need to buy INVASIVES!

10. I’m a good guy, and you want to help out my career!

9. Have you seen the jacket art?? I mean I know: book, cover, ixnay on the udgementjay. But this is a seriously cool cover, and, I have to say, it is quite representative of the story contained within.

RADIANTS, by David B. Coe (Jacket art by Belle Books)8. You read Radiants, right? Right? And so you know how good that book was. Why wouldn’t you want to read this one, too?

7. Along similar lines, I love this series, and I think if you give the books a chance, you’re going to love the series, too. And if the second book doesn’t sell, there won’t be a third. That is simple publishing industry arithmetic. Good sales mean a series continues. Bad sales not so much.

6. My lead characters are homeless teens living in the New York City subway tunnels. I’ve written about an entire underground culture and society — the Below — invisible to those of us in the Above. That alone should be pretty intriguing.

5. You’ve seen the teasers I’ve been putting up daily on social media. Tell me those haven’t whet your appetite for the story.

4. All kidding and promotional enthusiasm aside, this is the book I wrote during the time when I was first dealing with the news of my older daughter’s cancer diagnosis. Without this story, I’m not sure how I would have made it through those dark, difficult days. All my books mean a lot to me in one way or another. But this book in particular is one that I cherish and love, in part because the emotions of my journey as I wrote it come through in the narrative, the prose, the character arcs. This is, to my mind, a very special book.

3. As I mentioned in a recent post, the three lead characters came to me long, long ago — a decade ago, or more — and they have haunted me ever since. Their backstories are complex, as are their conflicted interactions with one another. This is some of the most intricate character work I’ve done — I’m quite proud of it actually.

2. My agent, the fabulous Lucienne Diver, told me when she first read the manuscript that this might well be her favorite of all the books I’ve written. Don’t you want to know why?

And my number one reason why you should buy this new book . . .

1. It really is a fun read, a moving read, an exciting read. The story includes characters with cool Radiant powers, assassins who will chill you to the core, and heroes who will make you stand up and cheer. The narrative will grab you on page one, and it won’t let go. Trust me on this.

You can order Invasives from:

Amazon | Barnes and Noble | Kobo | Google Books

 

 

Some Thoughts on Release Day for “The Witch’s Storm”

"The Witch's Storm," by D. B. Jackson (Jacket art by Chris McGrath)Today is release day for “The Witch’s Storm,” the first installment in my new trilogy of Thieftaker novellas, The Loyalist Witch — Thieftaker, Fall 1770. For more about the release, you can read the interview I did with Faith Hunter yesterday, which appeared here (Part 1) and here (Part 2). You can also find more information about the novellas here.

And you can buy “The Witch’s Curse” here!

Usually, release day posts are all about getting readers excited about our books or stories, “pumping up the volume,” as the expression goes. And certainly I want you all to be psyched about the Thieftaker releases — not just “The Witch’s Storm,” but also “The Cloud Prison,” which will be out in another four weeks or so, and “The Adams Gambit,” which comes out four weeks after that. The novellas turned out well, I think. I love the stories, I’ve enjoyed writing the new characters I’ve introduced, and I was thrilled to return to old character arcs — Ethan, Janna, Diver, Kannice, and, of course, Sephira Pryce.

"The Cloud Prison," by D. B. Jackson (Jacket art by Chris McGrath)The fact is, though, as many of you already know, this release comes at a difficult time for my family and me. I have only recently returned to social media after a much-needed hiatus, and while I have adjusted to the new realities we face, they weigh on me still. And so I find myself in the position of wanting to be enthusiastic about the new stories, but also NOT wanting to be falsely positive and happy-go-lucky.

Look, it’s easy to gloss over this stuff. Plenty of writers deal with difficult times and manage nevertheless to put on a smile and sell their books. But I’ve been open about the simple truth that this is a hard time for us right now. I’ve been private about the exact circumstances, but I’ve been up front about the rest. And so it feels odd to pretend for this week that nothing is wrong, that I’m focused entirely on promoting the new project.

By the same token, I don’t want to wallow. I don’t want to be the guy who can’t take pleasure in the day-to-day because he’s too focused on His Problems.

"The Adams Gambit," by D. B. Jackson (Jacket art by Chris McGrath)There is, of course, a larger point here. As I say, other writers deal with these questions, too. Really, all of us do. Part of being a professional in any field is being able to set aside the personal to meet our work obligations. We compartmentalize. Our emotions have their time and place, as do the qualities that make us good at our jobs. I am married to someone who excels at compartmentalizing. I am just okay at it. I can set aside my worries, fears, sadness, etc. and write for hours at a time. As long as I remain alone, in my office, with just my plot lines and worlds and characters, I’m fine.

This sort of thing, though — interacting with real people, whether remotely, virtually, or in person during times of crisis — gives me more trouble. I’m not entirely sure why. I suppose I don’t like to put on a façade, and I’m not particularly skilled at doing so. That’s not a bad thing, per se. I like to think that I’m genuine. But it’s also not an unalloyed good. I think at times I would be happier, and more pleasant to be around, if I was better at setting aside my emotions temporarily.

We are, nearly all of us, struggling with one thing or another at any given moment. I know precious few people who are purely happy for any length of time, and those I have known who are tend to be blissfully lacking in self-awareness or compassion for others. Social media has a way of smoothing over the bumps and bruises life metes out, and making us all appear to be content, confident, stable, and thriving. But really my current struggles have much in common with things all of you are dealing with in your lives. Yes, the crisis impacting my family right now is particularly difficult, but I’m far from alone in that regard as well.

And so allow me to say that I wish all of you well, and that I appreciate the kindness and support so many of you have shown me in recent weeks and months.

Yes, I have a new novella out today, with two more on the way in the near future. I hope you’ll check them out. I won’t insult you by saying that reading the novellas will improve your lives, but they might be diverting for a time. Just as they were a ton of fun to write.

Best wishes,

David