Tag Archives: David B. Coe

Blogging, D.B. Jackson, David B. Coe, Not at all Writing Related

Monday Musings: Midterms Round-up — Orange is the New Blech!

This time last week, I was lamenting the what I saw as inevitable advances by anti-democratic forces in this year’s midterm elections. Yes, I was worried my party would take a drubbing, but more, I feared elections in Arizona, Nevada, Pennsylvania, and elsewhere might put in power election deniers, people more wedded to party and certain personalities than to the founding principles of our republic.

What a difference one week can make.

Incredibly, miraculously, astoundingly, this year’s midterms turned out to be a reaffirmation of America’s commitment to democracy and those aforementioned founding principles. Yes, Democrats are poised to lose control of the House of Representatives, though only by five seats or fewer. Republicans might — might — get to 221 seats (leaving Democrats with 214). But I think it’s more likely they’ll have 220 or 219, which would constitute a razor thin majority, one of the smallest in the last century. Actually, I just looked it up. It would be the smallest majority since the 65th Congress of 1917-1919. It would likely be a recipe for infighting, and for repeated failures and embarrassments for new Speaker Kevin McCarthy and his buddies.

The Senate remains in Democratic hands. Remarkably, incredibly, astoundingly, miraculously. By the time the Georgia runoff is done, Democrats might well have 51 seats, a PICKUP of one. Now this assumes that Joe Manchin (D-West Virginia) and/or Kyrsten Sinema (D-Arizona) won’t jump ship and switch parties to swing the majority to the Republicans. But I don’t believe either is likely to do so. Certainly Manchin won’t do that before the Georgia runoff. If the Democrats win in Georgia, he won’t switch at all. And Sinema has to be looking at fellow Arizona Democrat Mark Kelly’s reelection victory, at the Arizona Governor’s race, which Democrat Katie Hobbs currently leads, and also at other down-ballot races. Being a true Democrat in today’s Arizona has proven to be a pretty good thing electorally speaking. Moreover, as a Republican she would absolutely face a right-wing primary challenge. She would likely lose her seat months before the general election. I believe it’s more likely that over the next two years, her Senate voting will trend leftward — slowly, cautiously, but inexorably.

The most important results from Tuesday night, though, had far less to do with Congress, and far more to do with the sanctity of America elections. ALL the MAGA loonies who were running for Secretary of State positions in key battleground states lost. Every one. Including the biggest loony of all, Jim Marchant in Nevada. And with the temporary exception of Kari “Wackadoodle” Lake in Arizona, all the election deniers running for governor in key battleground states also lost. And Lake is trailing and may be on the verge of being declared the loser in her race.

Make no mistake, this election was a repudiation of a soiled Republican brand. It was a rejection of election denying. It was an endorsement of free and fair elections. And, by the way, it was also an expression of outrage at the overturning of Roe v Wade, the 1973 ruling that for nearly fifty years provided national legal protection for women’s reproductive freedom. Constitutional bans on abortion were defeated at the polls in the ruby-red states of Kentucky and Montana. Constitutional guarantees of abortion rights passed in California, Michigan, and Vermont. Opponents of the right to choose had a very, very bad night. Indeed, early evidence suggests that young voters, especially young women, were motivated to vote this year to an extent rarely seen in midterm elections, their activism fueled by outrage over the Supreme Court’s reversal of Roe as well as by opposition to anti-democratic candidates.

Most of all, last week’s election serves as a reminder that a certain former President is NOT the most powerful force in American politics. He is the loudest certainly, the most dangerous beyond any doubt. But he is weak, driven by ego and pique more than by any true political skill or insight. He is a drag on the Republican party. He is a has-been.

Already he is tearing his party apart from within, attacking both Florida Governor RonDeSantis and Virginia governor Glenn Youngkin, who have emerged as his chief rivals for the 2024 Republican nomination. (He said Youngkin’s name “sounds Chinese” — a quote. I swear to God. And he claimed he sent the FBI to Florida in 2018 to save DeSantis’s flagging gubernatorial campaign, which, if true, would be something worth investigating, to say the least.) The former guy intends to go ahead with an announcement of his 2024 Presidential bid, but now it will be welcomed only by his most rabid supporters.

Across the country, again and again in high profile races, his hand-picked candidates lost. More than anything else, this election was a repudiation of Trumpism. Twice now he has lost the popular vote while running for President, and now twice in midterm elections that were in large part all about him, the Republican party has underperformed. In 2018, the GOP suffered historic losses. And this time, in a midterm that should have provided his party with a bonanza, the country instead gave its votes to the party of an unpopular President who has (through no fault of his own, I should add) presided over high inflation and rising gas prices. The Republicans should have kicked butt this year. They didn’t, and it is largely because of the orange has-been. Everyone knows it. Even Rupert Murdoch is rethinking his support of the man. When a Republican leader has lost Fox News, he has lost everything.

I don’t know what will happen in two years. None of us knows. Two years in politics is like ten lifetimes. But I do know this: Donald Trump’s attempt to elect a state-level MAGA infrastructure that would steal the 2024 election for him has failed utterly.

Am I gloating? Yeah, a little bit. Where Trump is concerned, more than a little bit. But the fucker deserves it.

God bless America.

Have a great week.

Belle Books, Blogging, D.B. Jackson, David B. Coe, The Chalice Wars, Writing

Professional Wednesday: Another Celtic Urban Fantasy Teaser!

This is a busy week and I have a lot going on. No time to sit still and write a Professional Wednesday post. And why should I when what you REALLY want is another teaser from my upcoming Celtic urban fantasy release. This, like the first one I shared with you several weeks back, is from The Chalice Wars: Stone, the first volume of the trilogy. It picks up sort of where that last teaser left off. Enjoy! And rest assured: normal Professional Wednesday posts will resume next week.

Keep writing! And read on!

*****

All of these suburban streets looked the same. Treeless yards, soulless cookie-cutter houses, paved driveways with new, expensive SUVs. It was enough to make Marti throw up. And it was likely to make her and her beat up Ford wagon stand out like mutts at a dog show.

If she ever found her house. As far as she could tell Fairlea Lane didn’t exist, though that could have been her fault. She had no sense of direction. None at all. Lots of Sidhe had the same problem. At least Alistar said so. But she had never met anyone who was as bad with a map as she was. She could get lost on a one lane desert highway. She had, in fact.

She wasn’t good with cars, either. Especially new ones with computers in them. She didn’t drive this old junker because she wanted to. She would have loved a sleek new roadster, something shiny and fast. But magic and tech didn’t always mix well.

Reaching an intersection, she stopped and read the street signs. Classic rock blared on her lousy little radio—she hadn’t been able to find any indie stations, and she wasn’t going to listen to country unless she had no other choice. She turned down the music and looked around. She had been here twice already. She was driving in freaking circles. The directions from the real estate agent had sounded so easy. Directions always did.

She leaned out the open window—needless to say, she didn’t have AC in this thing—and called to a cluster of kids playing with sidewalk chalk in a nearby driveway. They stared back at her like she was the monster living under their beds, until one of them got up and ran into the house, probably to tell her mother some crazy woman in a car from Colonial times was trying to kidnap her. Marti thought about driving away, but figured that would freak out the kids and their mom even more. The last thing she wanted was for her first day in the new neighborhood to end with a 911 call.

A woman emerged from the house a few moments later, the little girl peering out from behind her.

The woman halted at the end of her driveway. “Can I help you?” she asked in a clipped southern drawl. She gave the car a quick once over and then fixed her glare on Marti again.

“I hope so,” Marti said, hoping she sounded friendly and helpless, or at the very least sane. “Can you tell me how to get to Fairlea Lane?”

“You here to clean someone’s house?”

No, I’m here to steal your television.

“Actually, I’m moving in.”

For just an instant, Marti expected the woman to call her a liar. She saw the thought flicker in the woman’s eyes. But then she ventured out into the street, closing the distance between herself and Marti’s car.

“You buy the Herrera place?”

Marti shrugged. “I don’t know. The address is 16 Fairlea.”

“Mm hmm,” she said with a nod, “that’s probably the Herrera’s house. They couldn’t make their payments.” I wouldn’t be surprised if the same thing happens to you.

The woman didn’t say it, but Marti could tell she was thinking it as she checked out the car again. Marti hadn’t been here ten minutes and already she hated the place.

“So,” Marti said after an uncomfortable silence, “how do I get there?”

“It’s right over there,” the woman said, pointing toward a line of houses that backed up against hers and her neighbors’. “I’m not sure how you missed Fairlea. You come in from town?”

Marti checked the printed directions lying on the passenger seat. “I turned left from Foster Boulevard onto Sawyer. Is that coming from town?”

The woman nodded again. “Mm hmm. Like I said, I don’t know how you missed it.”

“I’m talented that way.”

She smiled. The woman didn’t.

She pointed to the street in front of them, the one intersecting the lane Marti was on. “This is Greenvale. Follow it around this way.” She pointed to the right. “You’ll pass the playground on your left. Fairlea will be on your right. Once you’re on Fairlea, your house will be three or four houses down, on the left.”

“Thank you.”

Marti pulled forward into the intersection, made a right. She could feel the woman and those kids watching her, but she kept her gaze on the road. Already most of what the woman said was a garbled mess in her head. But there would be a playground, and then Fairlea, and she’d figure out the rest. Or she’d find someone else to scare.

The houses here might have been identical to one another, sitting on barren plots of grass, shrubs, and concrete, but they were good sized. No doubt hers was way too big for one person. She had made it clear to the agent that she needed a home right away—any home. Money, she’d told her, was not an issue.

The account in New York had been Alistar’s idea. He’d even seeded it for her—transferring eight hundred thousand dollars from his own accounts into hers, back when that was some serious money. “Magic is great,” he told her at the time. “But in this world, there’s no substitute for wealth.”

The balances in his accounts were proof that living for two hundred years and having access to divination magic, could make a man very rich. And over the forty-plus years Marti had been squirreling money away in her account, it had grown into a pretty impressive nest egg—mid-seven figures. Alistar’s account was worth more than ten times as much. The manager on their accounts, Michael Craig, was also Sidhe, and had helped them with whatever paperwork and bureaucratic hassles came up over the years. Marti had opened her account under her real name—Diana Taylor—and had transferred it several years back to a new name—Carolyn Taylor, claiming that she was Diana’s daughter.

Michael’s colleagues at the bank were more than willing to believe her; Diana was born in the 1940s and couldn’t possibly have looked as young as Marti did. Getting the necessary documents proved easy. Marti had at least half a dozen birth certificates and social security cards stashed away, as did Alistar, just in case. Just in case: That had been their mantra. The hardest part had been keeping up with who they were, seeing to it that each of their various aliases listed a different alias as his or her spouse. The last thing they needed was for all their meticulous planning to be undone by a careless foray into polygamy.

The point was, Marti could have held out for something nicer, even if it cost her twice as much. But she was more interested in quick than nice. She needed a home, for herself and for Alistar’s stone. And in this case, quick also meant cheap—foreclosed, the construction not quite complete. She’d been able to buy it outright, with a bank check. No waiting, no mortgage papers to sign. She didn’t know how long she would stay. If history was any guide, she’d be moving again within a year or two; maybe sooner. But she owned the paper on the house, and so could do with it as she pleased.

She rolled past the playground on her left, and saw the intersection with Fairlea coming up on the right. Another group of kids played kickball on Fairlea, and they scampered to the sidewalks when they saw her turn, then gaped at her as she crept by.

Aside from them, and a pair of lawnmower-wielding gardeners a few lots down, the street was deserted. Four in the afternoon on a Friday, and there was no one here at all. A couple of bicycles lay abandoned in driveways, and in the distance a sprinkler twirled lazily in the middle of an unnaturally perfect lawn. Dogs barked; a mockingbird perched atop a telephone pole went through its repertoire, mimicking a jay, a robin, a goldfinch.

Number sixteen was the fourth house on the left, just as the woman had told her. There was little to distinguish it from the homes on either side of it. Beige vinyl siding, black shutters flanking the windows, a brick walkway leading to the front landing, a door of polished wood, with narrow etched glass windows on either side of it, and a half moon of triangular glass panes above. Marti couldn’t decide if it all struck her as tasteful or tacky. Either way, Alistar would have hated it, if for no other reason than the siding.

“I will not live in a plastic house!” he’d once told her, when they were working out the logistics of one of their many moves. “If that’s my choice, the Fomhoire can kill me now.”

She remembered laughing at this at the time; both of them had. It wasn’t funny anymore.

Marti pulled into the driveway and shut off the engine. But she didn’t get out. She stared at the house, at the yard, at the houses around hers.

Her lawn had been cut within the last few days, apparently for the first time in ages. Long strands of dried grass littered the walkway. Even groomed, though, the yard didn’t look healthy. Large patches of brown, dead grass covered much of the lot, and the flower beds—if that’s what they were meant to be—were filled with wilted shrubs and dried leaves from the one tree, an oak, shading the front of the house. She had little hope the backyard would be in better shape.

“Not exactly the garden we left behind, old man.”

She hoped she’d find a place in back where she could put the stone without it being conspicuous.

She opened the door, the creak of metal loud and harsh, and climbed out of the car.

As soon as her feet touched the driveway, she felt it. It was as obvious as the breeze cooling her sweat-soaked back, as pervasive as the twined scents of gasoline and freshly-cut grass.

Power.

It hummed in the cement like an electric current, raising the skin on her legs, pulsing through her entire body. It frightened her, enticed her, aroused her even. She hungered for it. But feeling it here, now, after all that had happened, all she had lost . . . .

“Crap,” she breathed knowing a moment of panic.

She had no conduit, and so no access to her magic. A sachet of wolf’s bane, bay, dill, and anise—an odd-smelling but powerful combination of protective herbs—lay in her glove box, along with raw pieces of onyx and jasper. Those might have been enough to let her escape an attack if one had been imminent. They would have had to be. Her other herbs, crystals, and oils were packed away in the back of the car.

But she hadn’t sensed magic. This was power, which was different. Sidhe and Fomhoire possessed magic. Sluagh were creatures of magic. Power came from conduits, and allowed Sidhe and Fomhoire to access their spellcasting abilities.

She held herself motionless, closed her eyes, and tested what she sensed, her awareness flicking out like a snake’s tongue tasting the air for predators or prey. No doubt about it: power. Potentially a conduit. Strong, but not dark, not malevolent. Neutral. Unclaimed. This wasn’t Fomhoire or Sidhe. Not yet, at least. It could go either way.

Still, she couldn’t keep herself from opening her eyes and scanning above for winged demons. The sky was hazy, a faint shade of blue, and, for now, empty of Sluagh.

Relief eased through her, loosening tensed muscles, slowing her pulse. Mostly.

She had come here to get away. While on the road, she had managed to call one of the other Sidhe, to tell them of Alistar’s murder, to let them know she was without a conduit, that her part of the protective magical web—hers and Alistar’s—had been breached and would be out of commission for a while. Responsibility to her fellow sorcerers demanded no less. Beyond these warnings, though, she owed nothing more. She needed time—time to rest, time to grieve, time to find a new conduit.

This power she felt might allow her to bind again, but it didn’t promise rest or time. If she sensed it, someone else would, too. Fomhoire, Sluagh, others she didn’t wish to consider. It wasn’t a question of if they would find it—and her—only of when.

And yet, that wasn’t what bothered her most.

Marti didn’t believe in happenstance. The old gods didn’t simply allow things like this to happen; what others called coincidence a Sidhe knew for the machinations of the ancient ones. They delighted in bringing power to magic, power to power, magic to magic, for good or for ill. Which meant she was here because of this . . . presence. It had been waiting for her.

Blogging, D.B. Jackson, David B. Coe, Not at all Writing Related

Monday Musings: Elections, John Adams, and the Future of Our Republic

Back in September 2020, as we lurched toward the Presidential election, I wrote a piece for this blog on the peaceful transfer of power. In it, I warned of the dangerous path followed by the former inhabitant of the White House, who was already sowing doubts about the integrity of the vote and laying the groundwork for his unsuccessful coup attempt in January 2021.

My warnings were well-founded, of course, but I fear I was terribly naïve about how to combat the threat our former president posed. When I wrote the piece, I believed that once he was defeated and removed from office, his pernicious influence on American politics would fade. I was wrong.

Tomorrow is Election Day, and as of this date, a staggering number of Republican candidates at all levels of government have, like the former guy in 2020 (and 2016), refused to promise that they will honor the voting results in their races. To draw upon a turn of phrase used by President Biden in a speech last week, they have decided that they only love this country and its founding principles when they win.

If you will allow me to slip on my historian’s cap for a moment . . . . The most important date in the history of our republic is not July 4, 1776 or October 19, 1781 (the effective end of the War for Independence) or March 9, 1779 (the date on which our new nation started operating under the authority of the Constitution). To my mind, the most important date in our history is March 4, 1801. That was the day on which President John Adams relinquished power to his political rival, Thomas Jefferson, who had defeated him in the election of 1800.

Here is what I wrote in 2020 about that moment in our history:

This acquiescence to the people’s will, this statement of belief in the greater good, turned the ideal of a democratic republic into reality.

Over the past 220 years, our nation has repeated this ritual literally dozens of times. Democratic-Republicans have given way to Whigs, who have given way to Democrats, who have given way to Republicans, who, in turn, have given way once more to Democrats. And so on. The peaceful transfer of power lies at the very heart of our system of government. Declaring and winning independence was important. Creating a foundational document, flawed though it was, that spelled out how our government would work was crucial.

None of it would have meant a thing, however, if in actual practice America’s election losers refused to accept defeat, to acknowledge the legitimate claim to power of America’s election winners.

It was bad enough that a defeated President, driven by ego and pique and an insatiable appetite for affirmation and power, should imperil this foundational imperative of our system of government. But it is truly chilling to see one of our two major parties mimicking his behavior, adopting his model of petulance and self-interest as an across-the-board election strategy. Make no mistake: The future of our nation is under threat.

Our republic has endured for as long as it has because, with very few exceptions (Rutherford B. Hayes, Richard Nixon, and now Donald Trump), our leaders on both sides of the aisle have chosen to abide by the rules as laid out in the Constitution. Yes, politicians cheat. They wage dirty campaigns. They look for every advantage. This has been true for as long as our nation has existed. In the end, though, they have accepted voters as the final arbiters of their electoral fates. As soon as candidates refuse to do this, they expose the fragility and brittleness of our system. If enough politicians on either end of the political spectrum decide the only legitimate outcome of a race is their own victory, the entire system will collapse. Outcomes matter, of course. But the integrity of the process itself is what preserves democratic institutions. Take away that integrity, leave election outcomes to be determined by who can scream “fraud” loudest and longest, and we are doomed.

This is the future today’s GOP is embracing. They have chosen to place themselves and their party over the will of the people, and if they are rewarded for doing so, the American Experiment is over.

Let me be clear: When elections are close, there are going to be recounts. That is part of the process as well. No one disputes that. (It is worth remembering that in 2020 the Trump Campaign demanded and was granted multiple recounts in Georgia, Arizona, Michigan, Pennsylvania, and Wisconsin. And while a handful of votes shifted one way or another, not one of these recounts altered the final result.) One can demand a recount and then honor the decision of voters once the process is complete

What we are seeing this year is not the expression of legitimate concerns about close election results. The elections haven’t been held yet. Rather, this is a systematic attempt to sow doubts about the elections ahead of time and thus justify whatever shenanigans they intend to try next. It’s disgusting. It’s immoral and corrupt and corrosive.

There are other issues on voters’ minds this year, obviously. I would argue that the preservation of our republic outweighs all of them. Vote like democracy itself is at stake. Because it is.

Have a good week.

Baen Books, Blogging, D.B. Jackson, David B. Coe, Writing

Professional Wednesday: Special Guest Joelle Presby

Joelle PresbyI first met Joelle Presby several years back at a convention, and I was struck straight off by a number of things. 1) She’s just plain nice. That’s certainly not unheard of in the publishing world, but it’s also not routine. Many people are in the game for themselves. Others pretend to me something other than what they are. Not Joelle. She is genuine, kind, funny. 2) She is also crazy smart. Read her bio. Read her post. She is SMART. And 3) Everyone I talked to at that convention who  was familiar with her work had come to the same conclusion: She was a rising star. A few years later, she continues to dazzle with the release of her first solo novel.

Please welcome to the blog Joelle Presby. [Cue wild applause.]

*****

Professional Wednesday: On Hope

By Joelle Presby

There are a number of ways storytellers transition from folks who write because they have to into folks who write because they have to and also have deadlines and readers buying their work. Like many writers, I think of my transition as special and unique.

I was solidly on the path to never being published, when I stumbled into an opportunity. I was writing my seventh rough draft novel with every intention of finishing it and immediately setting it aside to begin an eighth never-to-be-revised novel. Editing is a lot of work. And I’d let my hopes shrivel too much to sustain me through the grind of reviewing an entire novel’s flaws with a clear eye and rewriting it to make the words on the page fully match the story in my mind.

The re-birth of hope was all my husband Andy’s fault.

Debare Snake Launcher, by Joelle PresbyDebare Snake Launcher, by Joelle Presby (back cover)We were both naval officers in the nuclear power pipeline, trained in engineering and managing complex technical projects, but my degrees were in math and his were in physics and spacecraft design. I got sick (nothing terminal) and had to accept a medical discharge. But my next job required fewer hours, so I could write more. And we could attend science fiction conventions and meet up with authors as long as I did the arranging and accepted that Andy might be at sea. Conventions were a lot more fun when Andy came too. Science fiction authors tend to be significantly more interested in chatting with folks who have space craft engineering backgrounds than talking to another would-be writer who happens to have only a math and engineering background.

But my hope was shriveled, not gone.

When Andy Presby had regular meetings with David Weber to provide Honorverse tech continuity support, I came along. Mostly, I sat in a corner working on a new first draft, but it was fun to eavesdrop on some of the detailed discussions around revising nearly-finished drafts with an eye to incorporating newly postulated science and also not breaking the story world. I began to think just a little about editing my own work. I did and it was hard. So, mostly I wrote first drafts again. But my hope was growing.

Andy and eight friends formed the company BuNine in order to sign a contract with Baen Books to produce a fictional nonfiction encyclopedia of the Honorverse to be released on the twentieth anniversary of the first publication of ON BASILISK’S STATION (Honorverse book 1). The group started strong with Andy agreeing to a leadership role and a primary technical role for the many planned space craft articles. Then the US Navy sent Andy to a new job. He had almost no time. The work wasn’t getting done. I started getting calls. I knew how to be a project manager and I could write. My husband and our friends had made this commitment. I didn’t want them to fail. I didn’t want them to fail David Weber or Baen Books. I wrote bad articles and good ones. I poked Andy to get from him the ship specifications we absolutely needed. I revised the drafts and took editorial correction and revised again. It was hard, but not that hard. I did a lot of nonfiction writing for work, and for a day job, you don’t get to only do rough drafts. Besides, I told myself, this didn’t count. It wasn’t real writing.

But my confidence, my hope, my willingness to dare and try grew anyway.

I heard that Toni Weisskopf was interested in a short story to be published on Baen.com during the month that our project, now titled HOUSE OF STEEL: THE HONORVERSE COMPANION, released. My hope wasn’t big enough to send anything to Baen, but it was enough for me to write a very small Honorverse short story, revise it, and share it with my husband. He gave it to our friends who, without asking me, gave it to Sharon Rice-Weber who, without asking me, gave it to David Weber who, without asking me, gave it to Toni Weisskopf who wanted to buy it if… I would revise it.

The Baen.com story was well received by Honorverse fans. It led to an invite to write for the BEGINNINGS (Worlds of Honor 6) anthology. That success led to having my first published novel be a collaboration with David Weber: THE ROAD TO HELL (Multiverse #3). And then Baen gave me a contract to write a solo novel, which I had to revise. A lot. And it was worth it.

The revised version of my ninth rough draft novel a.k.a. my first published solo novel, THE DABARE SNAKE LAUNCHER, comes out November 1, 2022.

I still go to science fiction conventions and talk to writers, and I’ve learned I’m not as unique as I first thought. If you want to stay on the path to never publishing, it’s dangerous to keep writing.

Though if anyone has access to a time machine, please tell younger me that there is joy in getting the revisions right, and the satisfaction of reaching the last page on the final polish far, far exceeds typing “The End” for a mere rough draft.

Beware. Opportunity might be just around the corner. May you have enough hope to make the attempt.

And, as David B. Coe says, keep writing.

*****

Joelle Presby is a former U.S. Navy nuclear engineering officer and recovering corporate consultant who grew up in West Africa. Her first reader husband works for NASA, but he has yet to build her a space elevator. She does not admit to arranging a book deal through a quid pro quo arrangement with Mami-Wata.
 
Joelle began her writing career publishing in David Weber’s Honorverse and joined him as a cowriter for the Multiverse series with the novel, The Road To Hell. Over a dozen short stories later, she is releasing her first solo novel, , in November 2022.
 
She lives in Ohio with her husband and two children.
Blogging, D.B. Jackson

Monday Musings: Memories of Halloweens Past

With much larger family neighborhoods, not to mention dormitories, only two miles away, in the village proper, the families with kids in our area tend to drive over to town for trick-or-treating. Certainly, that was what we did when our girls were young enough to go out in search of gobs of candy. Nancy and I don’t usually buy candy at all, knowing that whatever we buy we’ll wind up eating ourselves, since no one will be ringing our doorbell. Okay, some years we DO buy candy, knowing that whatever we buy, we’ll wind up eating ourselves . . . .

The larger point remains, though. For us, for many years now, Halloween has been a non-event.

Erin as kitty catWhen the girls were little, we used to take them into town, meet up with their friends and their friends’ parents, take a bunch of photos (all of them too cute for words), and then commence the hunt for goodies. We would actually bring a bag or two of candy to supplement what our friends were giving out, so that we wouldn’t be total freeloaders, and while half the parents (sometimes the dads, sometimes the moms) went out walking with the kids, the other half stayed, gave out candy, drank a bit of wine. Those were great evenings. Sadly, I missed out on trick-or-treating as often as I participated. Back then, World Fantasy Convention was held each year on Halloween weekend. If Halloween fell anywhere between a Thursday and a Sunday, chances were I’d be away. Sometimes, if the travel was complicated enough, I missed out on Halloween on other days as well. I considered WFC one of the most important professional events on my calendar — I still do — but looking back, I wish I’d skipped the convention more often than I did. I missed out by not taking my girls door-to-door more than I did.Alex as pirate

I grew up in a small suburb, a bedroom community of New York City. From an early age, my parents felt comfortable sending me out with my friends on Halloween night. Before then, I remember my sister, Liz, taking me trick-or-treating. She is older than I am by twelve years, and so by the time I was old enough to go out, she was old enough to have given it up. She was a good sport and always accompanied me for as long as I wanted, for as far as my little legs could carry me. Back then, we young-uns would be armed with two items: a brown paper shopping bag bearing the image of a ghost or a stylized witch or a spooky jack-o-lantern, and a small, orange, slotted cardboard box in which we were to collect pennies for Unicef. A quick internet search tells me that “Trick-or-Treat For Unicef” is still a thing, though these days the boxes have little handles and, yes, QR codes.

I judged the success of the night by the weight and jangle of that orange box, and the weight and sag of that shopping bag. Each year, the latter proved disappointing. Somehow, in the build-up to Halloween, I pictured myself filling my shopping back to the brim, which, of course, would have required a walk lasting days rather than hours, and covering leagues rather than miles. The truth was, I always returned with more candy than I could possibly eat (not that I didn’t make the effort). In one of those old paper shopping bags, candy piled two inches deep was a lot of candy.

My parents, of course, examined and culled my takings. My father loved Mary Janes — peanut butter flavored taffies that always threatened to tear the fillings from his teeth — and Bit-O-Honeys. My mother loved Good and Plenty and anything chocolate (though obviously she didn’t take ALL the chocolate, or anywhere near it). The inspection of our haul post trick-or-treat was, for my siblings and me, a bit like April 15th. We got to keep most of what we brought home, but the powers-that-were took their cut.

Any loose candies, home-packaged candies (like baggies filled with loose candy corn), or homemade treats we threw out. Our parents were not trusting. We threw away apples as well, our fears stoked by urban legends of people slipping razor blades into apples. Raisins we were allowed to keep, but honestly, what kid wants to get boxes of raisins on Halloween?

I remember several of my costumes — baseball player (in a vintage woolen Yankee uniform that I thought was very cool, until I put it on and found it itched like mad), hobo (with burnt cork rubbed on my face to make me appear unshaved), astronaut (this was at the height of the Apollo era, and my helmet “mask” had a tiny little lightbulb that flickered on when I pressed a control at the end of a thin wire that ran from the helmet, down my sleeve, to my hand), ghost (with a freaking scary rubber mask), Charlie Chaplin (I honestly don’t know why; I never was particularly fond of his movies). I think I went as a vampire one year, with those plastic teeth and my hair slicked, but I might be making that up.

All this by way of saying I miss Halloween. I miss the excitement I felt for it as a kid, I miss the anticipation I saw in my own kids as the end of October approached and thoughts turned to candy and costumes. (I remember a pirate and a tiger, a ballerina and a soccer star, a kitty-cat and a scarecrow, a froggy and a princess.) I would love another chance to savor the holiday . . . and I suppose that’s what grandchildren are for. Someday!!

Have a great week!

Blogging, Case Files of Justis Fearsson, D.B. Jackson, David B. Coe, editing, Radiants, Thieftaker Chronicles, Winds of the Forelands, Writing

Professional Wednesday: An Alternative to NaNoWriMo

First off, many thanks to those who offered feedback on last week’s post, in which I asked for input regarding what I might work on next. I appreciate your thoughts. The general consensus appears to be that there is no general consensus. Several people did express enthusiasm for more Thieftaker and more Justis Fearsson. A number were also interested in reading more in the Radiants supernatural thriller series, and a few fans from way back were excited to see an edited reissue of the Winds of the Forelands books. Others liked the idea of a new writing How-To as well as the space opera concept. Which is to say, there was at least some support for pretty much everything I’m currently considering, and that’s reassuring.

We are nearing the end of October, which means Halloween is almost here, elections are right around the corner, and NaNoWriMo is about to start. For those unfamiliar with the term, National Novel Writing Month began in November 1999 as a challenge to writers to write 50,000 words in thirty days. The challenge has grown in popularity each year, and now engages literally hundreds of thousands of writers, including kids, in creative writing. NaNoWriMo is also a non-profit that promotes literacy and creativity.

In many ways, NaNo is a positive force in our industry. It fosters community, by bringing together writers of different backgrounds and abilities in a simultaneous effort to be creative on demand. And as I have said in this space again and again, part of being a professional writer is learning how to produce on demand, without “waiting for the muse,” or some such. I have heard many stories of people finally being motivated to write by NaNo, by the communal aspect of the challenge. Knowing others are making the effort at the same time enables some people to write the story that has been burning inside them for so, so long. I think that’s great.

And yet . . . . From the time NaNo first began, I have had some qualms about the concept and the structure. I have written 50,000 words in a month; I’ve done it a couple of times. I know some professionals who write far more than that in 30 days. It can be done, no doubt. And if the challenge and group dynamics of NaNo get your creative juices flowing, more power to you.

But what I remember about those occasional months during which I churned out 50,000 words is that I was unable to sustain the effort. Each time, during the month that followed, I struggled to write half as much. I was burnt out. I know some people have gone on to publish novels they began during a NaNo November. But I wonder how many NaNo participants still have novel fragments of 50,000 words (or 40,000, or 30,000) on their computers, gathering virtual dust. I wonder how many did NaNo only to find themselves unable to sustain the effort beyond the month in question.

As I said, professionals, myself included, can and do write half a novel in a month’s time, but most of us write slower than that. My brother is a visual artist, a painter. And he will occasionally engage in exercises that force him to paint quickly. There is something freeing about turning off the inner critic and just painting fast, to see how an image turns out. Just as there is something freeing about blocking out our inner editor and writing swiftly and in volume. Most of the time, though, my brother’s process looks nothing like that. And I can promise you my writing process — and that of most of my professional colleagues — bears little or no resemblance to NaNo.

Yes, NaNo can jumpstart the creative process for some people, but I would offer this: If instead of trying to write 50,000 words in thirty days, an aspiring writer were to try to write 500 words a day for 100 days, that writer would wind up with the same volume. Yes, it would take more time, but in the snail’s-pace world of publishing the difference between one month and three isn’t so great. Plus, I guarantee you, the 50,000 word manuscript produced over three months will be far, far cleaner than the NaNo manuscript and will require a good deal less editing, thus narrowing the time gap.

Most importantly, while NaNo will leave many writers exhausted and unprepared to follow up and finish the manuscript in question, the 500-word-a-day writer will have developed a habit, a creative routine that is both manageable and sustainable. More than likely, that writer will be able to increase their production over those three months and beyond.

I’m not looking for a fight here, and again, if NaNo works for you, go for it. Enjoy yourself. But if you have considered NaNo, wondering if you might finally kick off a writing career by trying it, I would encourage you to try the slow-and-steady approach instead. As a model, it is much closer to the professional experience than NaNo will ever be and, to my mind, it is more likely to produce a) clean prose, b) a coherent narrative, and c) a completed manuscript.

Whatever you decide, keep writing!

Blogging, D.B. Jackson, David B. Coe

Monday Musings: Thoughts on Parenting

There is a great scene in the third Indiana Jones movie, Indiana Jones and the Last Crusade, in which Indy (Harrison Ford) and his father (Sean Connery) discuss their relationship aboard a blimp heading out of Nazi Germany. Indy is lamenting his father’s standoffish approach to fatherhood and the fact that they never spoke about much of anything.

To which his father replies, “You left just when you were becoming interesting.”

I was anything but a standoffish dad when my girls were young, and I certainly haven’t become one as they have entered adulthood. (Sometimes, I think, they might wish I was a bit more standoffish, but it’s not in my nature.) That said, I totally relate to the line quoted above.

Nancy provost installationI write about my girls a lot in this blog. Needless to say, I love them tons and tons, and I savor every opportunity to be with them, to talk to them by phone, even to exchange silly texts in the middle of a busy work week. I talked to Alex just the other night — she called out of the blue, which was lovely. No agenda. No big news good or bad. Just a chance to chat. And Erin was home this weekend for a quick visit. She needed a little Mom and Dad Time, and we were all for that. We had a wonderful time with her.

Parenting, I believe — and I say this as a professional creator — is the most creative, challenging, rewarding thing I do. This has been true since day one and it remains so even as my girls work their way through their twenties. A friend has recently had her first child, and like any older parent, I couldn’t resist dispensing a bit of unsolicited (unwanted? unwelcome?) wisdom. What I told her was fairly simple: Parenting is so much fun. It starts that way, and it keeps getting better. Yes, it’s exhausting and frustrating and just plain hard. We get as much wrong as right, and some of the mistakes haunt us. But while every stage has its peculiar difficulties, each one also has unique rewards that far outweigh anything else.

What I didn’t say, and what no one told me ahead of time, is precisely what Henry Jones, Sr. remarks upon aboard that blimp. If we do it right, if we do what we’re supposed to do as parents, and we give our kids the emotional and intellectual tools they need to succeed in the world, they leave us. That is the inevitable, and even desired outcome of good parenting. They strike out on their own, just when they’re getting interesting, and they embark upon their own lives.

I love that my daughters are out in the world living their best lives. They have their own places, they have jobs, they have friends and interests and ambitions. As they should. But I miss them. All the time.

Fortunately, the whole empty nest thing is a bit of an illusion. Yeah, sure, they don’t live here anymore (we didn’t even need to change the locks . . .). But (again if we do this right) they never stop turning to us for advice, for support (emotional and, on some occasions, material), for friendship. I remember when the girls were really young, one of them starting kindergarten, the other still in diapers, Nancy and I couldn’t wait for the time when going to the grocery store didn’t involve packing as if for a vacation: a change of clothes, extra diapers, extra pacifiers (yes, we used pacis — sue me), snacks, drinks, favorite toys, etc. A few years later, we couldn’t wait until both kids were old enough for us to say, “take a shower and get ready for bed. We’ll be up to say goodnight.” That level of self-reliance was like the Holy Grail. And so on. Every new level of independence, it seemed, gave us more freedom. And we loved that.

(In fairness, I should also add that sometimes — sometimes — I miss those early years, when mom and dad were the be-all and end-all of their worlds. Sometimes.)

Their relocation to their new lives was much the same as those early independence milestones. We love the freedom all of us have now. And we are deeply grateful that, having that freedom, the girls choose to see us, to call us, to rely on us. Like many families, we maintain an ongoing group chat — a continuous conversation among the four of us, a place to share news and funny stuff and photos of new dishes produced in our kitchens. It might well be the most active chat thread I have. It is certainly the one I treasure most.

Yes, this post is kind of all over the place. I miss my girls and I am so very appreciative that our family remains close and connected. I’m thrilled that Alex and Erin have moved out into the world, and I am delighted that they still come back to us. All of these realities can exist side-by-side. Monday Musings posts are about exactly what the title of the feature suggests: the stuff I’m thinking about as I emerge from another weekend. Today, my heart is full, my mind is aswirl with thoughts of my daughters, and I am feeling like a very lucky man indeed.

Have a wonderful week.

Blogging, Blood of the Southlands, Case Files of Justis Fearsson, D.B. Jackson, David B. Coe, editing, Invasives, LonTobyn Chronicle, Lore Seekers Press, Radiants, The Chalice Wars, Thieftaker Chronicles, Winds of the Forelands, Writing, Zombies Need Brains

Professional Wednesday: In Which I Ask You, What Should I Write Next?

As I discussed at length in last week’s Professional Wednesday post, I have recently completed a first draft of the third book in my contemporary Celtic urban fantasy, The Chalice Wars. The novel needs to sit for a while before I can do a final revise-and-polish and send it off to my editor — six weeks or so, I would think. And since the first book has not yet been copyedited and proofed, since the second book still needs to go through a round of revisions and then the entire production process, and since the third book is still wet behind the ears, I have plenty of work left to do on this series.

Thanks to the successful Kickstarter campaign Zombies Need Brains ran late in the summer, I also have a new anthology, Artifice and Craft, to co-edit with my good friend Edmund Schubert. We already have more than 150 submissions for the anthology, so that work is bound to keep me busy through the end of the year and well into 2023. I also have a short story to write for one of the other anthologies, and I have editing clients in my free-lance business queue.

But beyond the short story, which should only take me a week or two to complete, I have no idea what I am going to write next. None.

Yes, I have ideas. Many.

What are they? Funny you should ask.

The Loyalist Witch, by D.B. Jackson (Jacket art by Chris McGrath)One idea is to write my next Thieftaker novel, either in the form of a trio of novellas, like I did with The Loyalist Witch, or as a simple novel. In the Thieftaker novel timeline, the Revolutionary War hasn’t even started yet. There is lots and lots more I can do with Ethan and Kannice and Sephira.

I have also considered going back to the Case Files of Justis Fearsson series, another contemporary urban fantasy that I began in the mid 2010s with Spell Blind, His Father’s Eyes, and Shadow’s Blade. I LOVE these books and have missed writing in Justis Fearsson’s world. I have several ideas brewing for that world.His Father's Eyes, by David B. Coe

I have long wanted to return to my five book Winds of the Forelands series and the Blood of the Southlands trilogy, to revise and re-release those eight novels. They are among my best stories, and they have been out of print for far too long. I envision an “Author’s Edit” re-issue, along the lines of what I did with the LonTobyn Chronicle back in 2016.

INVASIVES, by David B. Coe (Jacket art courtesy of Belle Books)I want to write at least one more Radiants book. Actually, I would like to write several more. Radiants and Invasives are, to my mind, the two best books I’ve written to date, and I still would love to see these books gain come commercial traction so that I can justify writing more of them.

And then there are the new ideas . . .

I have one idea for a space opera series (yes, you read that right), set on a pair of terraformed planets. The plot involves intrigue, mystery, romance, and vengeance, and it is actually based on the work of a well-known, much-beloved, and for-now-secret 19th century novelist. I’m excited about this one. (Actually, I’m excited about all these ideas, which is why I’m considering them in the first place.)

I have a middle grade novel that I first wrote back in 2010 or so, when my kids were much younger. The idea still sings to me, though I know the book needs a good deal of work. But I love the concept and I adore the characters. And I think I would enjoy writing for kids.

My good friend A.J. Hartley has been trying for years to get me to write a non-fantasy, non-supernatural, straight-ahead thriller. He thinks I’d enjoy it. He thinks I’d be good at it. And I will admit I have some ideas percolating along these lines as well. Of all the projects I’m thinking about, this one probably has the most commercial potential, which is not the only consideration, but I do this for a living, so . . . .

And finally, I have considered taking all the Professional Wednesday and Writing Wednesday posts I have written since 2020 and collecting the best of them in a new writing how-to book. I have more than enough material, and I think some people would like to see the advice I have offered gathered in a single, convenient volume.

So there we are. Those are the things I’m thinking about right now. (I should add that I can’t guarantee I won’t have five more ideas tomorrow.)

What ideas appeal to you? Feel free to Tweet at me, or to comment in my Facebook Group! I look forward to hearing your thoughts.

In the meantime, keep writing!

Blogging, D.B. Jackson, David B. Coe, Not at all Writing Related

Monday Musings: Politics, Likability, and Beer

The other night in a Senate debate held in Milwaukee, Wisconsin’s Republican Senator, Ron Johnson, faced off against his challenger, Lieutenant Governor Mandela Barnes. At the end of the debate, which was, by all accounts, a brutally hostile affair, one of the moderators asked the candidates what, if anything, they found admirable about their opponent. Barnes answered by saying that Johnson was a devoted family man and he respected that. When Johnson had his turn he said that Barnes was raised well by his parents. “What puzzles me,” he went on, “is why did he turn against America?”

To their credit, the audience in the theater booed lustily.

Autumn has arrived in Tennessee, bringing azure skies, cool breezes, and crystal clear nights, and coaxing yellows and reds and oranges from our foliage. This time of year, my thoughts turn to bird migration, to baseball’s postseason, and, yes, to politics. I am reluctant to go there in a post, and yet I also feel I can hardly avoid it. We are living in such a fraught, dangerous time. In our current climate, I honestly believe the fate of our republic, not to mention our planet, is on the line each time Americans go to the polls.

I am old enough to remember when, during the 1980s, pundits speculated that part of Ronald Reagan’s incredible popularity was attributable to his down-to-earth demeanor. He was a candidate, analysts said, who people, regardless of ideology or party affiliation, would like to have a beer with. (One can only assume the poor grammar in this analysis was meant to reinforce the idea that people drinking beer with friendly politicians pay no attention to syntax.)

In contrast to the dispassionate, moralizing Jimmy Carter and the slightly dweeb-ish Walter Mondale, Reagan was cool, charming, charismatic, and other things that start with “c.” (Although, surprisingly, not “competent” or “coherent” or “compassionate.” But that’s a subject for some other post.) People liked Reagan, even if they didn’t always agree with his policies.

This likability, the “let’s have a beer with him” explanation for political success, came up again in 1988, not because anyone really liked George H.W. Bush, but because no one could imagine Democratic nominee Mike Dukakis even drinking a beer. And also, to be fair, because of the picture of Dukakis riding in a tank, wearing a helmet that made him look like Rick Moranis from that scene in Ghostbusters where he’s wearing a colander on his head.

Bill Clinton was seen as more likable than his Republican opponents: the elder Bush, and then, in 1996, the irascible Bob Dole. But nearly everyone in the country agreed that the candidate they really wanted to have a beer with was Ross Perot, the third-party gadfly who mounted insurgency campaigns in both ’92 and ’96. To be clear, it wasn’t that people really liked Perot, but given the crazy shit he said when sober, folks were eager to see what they could get him to say if they plied him with a few brews.

George W. Bush’s 2000 and 2004 campaigns fully revived the “who would you like to drink with?” conversation, in part because old George was a party boy in his younger days and likely would have known the best bars, and in part because his two Democratic opponents, Al Gore and John Kerry, were blue-blood scions of privilege and wealth, who came across as self-righteous, all-knowing prigs. (Understand, please, that I supported and voted for both of them. I say this from a place of love. Really.)

Barack Obama, with his effortless cool and star power, was the obvious choice in both 2008 and 2012. John McCain, his first opponent was a war hero, but he had nearly as little charm as Bob Dole. And Mitt Romney was and is Mormon, meaning he doesn’t drink at all, rendering moot the question of who was likely to be the better bar mate.

Finally, we come to the election of 2016. Trump against Hillary. Both candidates were deeply unpopular. Neither candidate engendered much enthusiasm in the “who would you like to have a beer with?” measure. And in 2020, the idea that anyone not ideologically aligned with one of the candidates might deign to have a beer with him . . . well, that was pretty much unthinkable. Which kind of brings me to the end of my joking and to my actually-rather-serious point.

Politics have long divided Americans from one another. A glance at popular vote margins through our history show a nation that is more often than not split fairly evenly between (or among) Presidential candidates. Yet today’s America feels particularly tribal. It’s hard to imagine any MAGA Republican setting aside partisanship to say, “Yeah, I’d love to have a beer with Joe Biden.” And no Democrat I know would willingly sit at a bar with Donald Trump.

I will admit that I have always thought the so-called “have a beer” test a foolish way to choose a President (or a Senator, Governor, or Representative). I vote on the issues, and I look for candidates who have gravitas, who are thoughtful, erudite, and analytical. I really couldn’t care less if they seem like a fun drinking companion. Sure, it might be a bonus, but that’s all.

But given the state of our body politic, I’m wondering if I have been too quick to dismiss the value of this other approach. Not because it’s a great way to choose our leaders, but rather because just being able to think in such terms suggests a healthier state of politics than the one we’re in now. Maybe if all of us could once again imagine clinking glasses with a politician from “the other side,” our country might be better off.

Sadly, I don’t see that happening soon.

And so, I would very much like to sit down and have a beer with Ron Johnson. Not because I think he’d be a fun drinking buddy, but because when he’s not looking, I’d very much like to spit in his glass.

Have a great week.

Belle Books, Blogging, D.B. Jackson, David B. Coe, editing, The Chalice Wars, Writing

Professional Wednesday: Finishing a Book Actually Means More Work

As I mentioned last week, I have recently finished the third book in my new contemporary Celtic urban fantasy, The Chalice Wars. This book, The Chalice Wars: Sword, will be out sometime fairly early in 2023. Book I, The Chalice Wars: Stone, is currently in production, and book II, The Chalice Wars: Cauldron, is with my editor. The art work for the first book should be ready soon. I’ll share it the moment I can. I’m excited about these books. They are filled with tension and suspense, but also with humor, and they are quite different from other work I’ve done. And I am proud to add that when this third volume is published, it will be my 30th book.

For today’s post, though, I want to focus on the mechanics of finishing a book, and precisely what that means for me in terms of work and process.

I know. It seems like finishing a novel should be fairly straightforward. We type “The End” and then we drink whisky. Right?

Turns out it’s not that easy.

First of all, I NEVER type “The End.” If we as authors have to tell our readers when a book has reached its end, we haven’t done a very good job with our ending. Just saying.

More to the point, finishing the first draft of a novel is just one step in a significantly longer process. Yes, it’s an important step, but it certainly does not mean the book is anywhere near “done.”

When I work on a book, I have a separate file open on my computer, which is usually called “[Book Title] Edit Notes.” This is a file filled with reminders to myself of things I need or want to change in the book. While writing my first draft I don’t want anything to stall my forward momentum. The most important thing we can do with a book draft is finish it. Let me say that again. The most important thing we can do with a book draft is finish it. Finishing a book is hard to do, and it is all too easy to retreat into edits and rewrites rather than move on toward those looming scenes we haven’t quite figured out how to write. It is also tempting, upon noticing in earlier chapters imperfections of prose or character or plotting, to fix them immediately, to make the manuscript as perfect as possible.

But here’s the thing: No first draft is ever going to be perfect. In fact, I would argue that no finished novel has ever been or ever will be perfect. That, though, is a conversation for another time. The point is, finish your book. It is much easier to edit a finished manuscript than it is to complete said manuscript in the first place. And so, when I think of changes that need to be made, I jot them down in a different file for later, thus preserving my momentum.

Fast forward to that glorious day when we actually finish the first draft. Well, now we have to deal with that file filled with edit notes. Working through my edits can take anywhere from one day to one week or even more, depending, obviously on how much work I’ve left for myself.

After I finish the edits, I next tackle my crutch words. Crutch words are verbal mannerisms unique to our writing, words or phrases that we tend to overuse or fall back on when in the midst of composing our stories. We all have them — I see them when editing the work of others, and I see them in my own rough drafts. I even see them in the published volumes of colleagues. My crutch words will be different from yours, which will be different from your writing-group buddy’s, which will be different from those of your favorite writer. But as I say, this is something all writers have to watch out for. I keep a running list of my crutch words in (another) word document on my computer desktop. And after completing any book or story, I work through this list, checking to see if I have overused any of the usual suspects. How do I know if I have overused them? I do a universal search of each word or phrase, which gives me a count of occurrences. And then I compare that number to the number of occurrences of the same word or phrase in several of my other completed, edited manuscripts, ones I know I have checked for crutch words. If the numbers are about the same, if figure I’m okay. If the number for the new book is a good deal higher, I have some work to do. Dealing with crutch words can be a slow, tedious process. It can take me several full days. Slow, tedious days . . . .

Finally, after seeing to my edits and getting my crutch words under control, I put the newly completed manuscript away for several weeks and start work on something else — short fiction, a new novel, editing projects. It doesn’t matter what. After about four to six weeks, depending on how soon the book is due, I pull out the manuscript again and read it through a couple of times start to finish, doing a full edit of the manuscript, looking for any and all problems — stylistic, narrative, structural, etc. Everything. Only after doing this, when I am convinced the manuscript is as good as I can make it at this time, do I send it on to my editor, or my agent, or my Beta readers. (At some point, I’ll have their suggested edits to deal with. And after that there will be copy edits and proofs. But that is part of the production process and is another subject entirely.)

By this time, of course, I’m in the middle of whatever project I’ve started next, so I’m no longer in the mood for celebrating the completion of the manuscript. But that doesn’t mean I can’t have a wee dram of whisky. . . .

Keep writing!