Tag Archives: D.B. Jackson

Blogging, D.B. Jackson, David B. Coe, Writing

Writing-Tip Wednesday: Whither This Blog? I Need Your Help

I’m taking a break from dispensing advice for this week — well, mostly: Don’t eat too much, take a walk after your Thanksgiving meal, and never, ever pick the Lions to win on Thanksgiving Day.

Instead, I am seeking advice from you. At the beginning of 2020, I decided that I was going to be more intentional about blogging. Monday Musings, Writing-Tip Wednesdays, and Photo Fridays were the result. I haven’t missed a post all year long, and, more to the point, I have enjoyed blogging. It has allowed me to chronicle this terrible, remarkable, consequential year. It has forced me to take photos more regularly. And it has allowed me to offer what I hope has been helpful writing advice.

The thing is, I’m not sure what to do about blogging in 2021. I intend to continue the Monday Musings feature. I’m sure there will be plenty to chronicle in the year to come, and while the balance of the posts will likely skew less to the political than it has this year, I have no doubt that I’ll have plenty of material. Likewise, the Friday feature will probably continue in some similar form. I got a great response to the musical post I did a few weeks ago, and so I might mix in more of that in the new year. And I might post a couple of short readings as well. So rather than limiting myself to Photo Fridays, I might expand it to Creative Fridays. But in a loose way, I’ll keep it going. At least that’s my thinking. I would welcome feedback on this.

Mostly, though, I need your help with Wednesdays. The truth is, I am just about out of topics for Writing-Tip Wednesdays. There are a few more things I can do that will get me through the rest of this year. But there is no way I can sustain the feature for all of 2021, much less in years beyond, at least not without repeating myself conspicuously. And so I would love to know what you would like to see in my Wednesday feature. I am happy to keep the focus on writing — the craft and the business. I’m just not certain how to do that.

One thing I have thought of is keeping a sort of professional journal — keeping track of the things I do to complete and market and promote my work. This would no doubt lead to lessons, advice, insights into the craft and business, etc. But I fear it would be terribly boring for you.

I could also use Wednesdays for professional musings — something like the Monday posts, but focused entirely on writing issues. I’m not entirely convinced that I can fill this space week after week with that, but it’s possible. I can certainly see where thoughts on writing might be helpful or illustrative, even if they’re not “how-to” in orientation. But again, I don’t know if this would be interesting for my readers.

I could also blend different ideas, add in a how-to post here and there if something comes to me that I haven’t yet covered, add in as well book recommendations or observations on storytelling I’m experiencing in movies, TV, books, articles, etc. In other words, have a sort of catch-all “Professional Wednesdays” that covers a host of stuff. The trouble I foresee with this is simply that I will, each week, be scrambling to think of SOMETHING I can do for my Wednesday posts. Not necessarily much fun for me. On the other hand, with a more open format for Wednesdays, maybe I’ll find that it’s easier to think of topics. I honestly don’t know.

It doesn’t help that none of us has any idea what 2021 is going to look like in terms of travel, conventions, the marketplace, etc. Another year of limitations and isolation like this one, and I could see all of these Wednesday ideas running out of steam pretty quickly.

So, what do you all think? Do you like any of the ideas I’ve offered here? Am I missing something obvious that you think would make for an interesting feature? If so, PLEASE tell me what it is.

I really do want to keep the Monday-Wednesday-Friday structure going. I’ve enjoyed it. I’ve seen a dramatic uptick in traffic on my sites. And I’ve enjoyed the responses my posts have evoked from all of you.

But I need your help to keep it going. So please comment on my Facebook page or my FB group, or on my Twitter feed. I’m looking forward to your advice and input. Thanks!

Blogging, D.B. Jackson, David B. Coe

Monday Musings: Random Thoughts About Thanksgiving

I love Thanksgiving. It is, and has long been, one of my two favorite holidays of the year, along with Passover, the Jewish holiday that marks the coming of spring. I don’t think it’s a coincidence that both occasions revolve around family-style meals that are steeped in tradition.

In the interest of full disclosure, I should probably admit that I didn’t always love Thanksgiving so much. When I was a kid, Turkey Day seemed nothing more than a gift-less dress rehearsal for Christmas. The food was similar, we saw the same relatives. The chocolate treats on the table were basically interchangeable, except for being shaped like turkeys rather than Santa. But, again — and I really can’t stress this enough — there were no presents! And also no tree.

Somehow it became a tradition in our family to pull the same prank on my poor, beleaguered mother year in and year out: At some point during the meal, one of us — usually my sister or me — would go over to speak with her about something we had contrived. And in the course of the conversation, we would slip a dinner mint into the cranberry sauce on her plate. Don’t ask me why we did it; I honestly don’t know. But we did it every year.

By the time I was in high school, we were having our Thanksgiving and Christmas celebrations either at our house, or at my aunt and uncle’s house — Turkey Day at one, Christmas at the other. (Yes, we celebrated Christmas, despite being Jewish. A lot of Jewish families did — it was a form of assimilation rooted in social pressure and prejudice.) But in the earliest years of my childhood (and in the years before I was born — I am the youngest child in the family, even the extended family, by quite a few years) we used to drive into New York City to celebrate both holidays at my grandmother’s apartment. Our Gram was a pistol. Funny, irreverent, fiercely loving, independent, strong-willed. She was all of 4 foot 10, but she dominated any room she was in. Even after all these years, when I think of Thanksgiving, the first image that pops into my head is that of our family gathered around her table.

Gram had a few friends who used to join us for Thanksgiving each year. Many of them had been friends of the family for so long that we were expected to call them “Aunt so-and-so” even though there was no actual blood relation. One of these friends was widowed, and she had remarried to a man named Milton, whom we were to call Uncle Milton. Uncle Milton was… Well, how do I describe him? He was old, as one would expect of the friend of a grandparent. But he was also somnambulant. And, looking back on it, I think he used to get pretty hammered at these dinners. We would arrive after he and his wife did, and he would already be well into his cups. We would go to say hello to him and, invariably, he would say, “David. Good to see you. Mind if I don’t get up?” He said this to everyone (although, as far as I know, he didn’t call everyone David…). He never got up, at least not until it was time to transfer from his comfortable chair to the supper table.

Milton became the butt of many, many family jokes. I am not proud of this. None of us are. But it’s true. When we would play 20 Questions, one of us would always devote a round to the poor man. “Is he dead or alive?” “Yes.” “Uncle Milton!” At some point we heard that Milton had fallen and broken his hip. His wife had called him for dinner and he had, against his own better judgment, gotten up. He pushed himself out of his chair and just sort of kept going… When sometime later, we got the sad news that Milton had died, we all wondered how anyone had been able to tell. I know — this is just terrible. Cruel, disrespectful, inappropriate. But, again in the interest of full disclosure, I’m laughing as I type it all out.

Nancy and I have had extended family to our home for Thanksgiving now and again, and for a while we used to share the holiday with another family here in our little town. But our favorite Thanksgivings have been the ones we’ve had with just our daughters, and there have been too few of those in recent years. Our older child has lived in New York since going there for college in 2013. We’ve probably had only two or maybe three Thanksgivings with her since, and we miss her every year. Our younger daughter is still in college and will be coming home this year, with her boyfriend. They both had Covid earlier in the semester and, according to the public health experts Nancy works with at the University, should still be immune and will present no threat to us. It will just be the four of us for the holiday. Quiet, safe. We’ll Zoom with our older daughter at some point, and also with my brother and his wife, who are alone as well, and will be Zooming with their children and my sister-in-law’s parents. Needless to say, this is a strange year.

Which brings me full circle. Thanksgiving is my favorite holiday, even under these extraordinary circumstances. I find the concept behind it, simple though it is, remarkably affecting. Of course we should take a day to ponder those things for which we are thankful. Yes, we should do this daily, but the fact is we are too often consumed with the demands of the day-to-day, the fraught emotions of a world that seems to careen from one crisis to another, the necessities of work and the obligations that sometimes keep us from appreciating fully the importance of family and friendship. A day of Thanksgiving is, it seems to me, just the tonic we need, this year especially, even as the exigencies of the pandemic limit how many we ought to have seated around our tables.

And so please allow me to close by thanking all of you. Whether you are a stranger who has read one of my books, or a friend I have known for years, or a relative who sat with me at our Gram’s table, I am glad to have you in my life. I wish you a joyous, safe holiday.

Blogging, D.B. Jackson, David B. Coe, Winds of the Forelands, Writing

Writing-Tip Wednesday: The Quickening

Okay, writers, raise your hand if any of your characters have ever done things you didn’t expect. Yeah, I figure that’s most of us. Now raise your hand if your characters have ever done things you really didn’t want them to do. Yep. Also most of us.

Of all the things I tell non-writers about what I do for a living, this is the one that always draws the most interest, surprise, and skepticism.

“But they’re creations of your imagination! You control them. How can they surprise you, much less disobey you?”

I control them?! Hah!

At the end of the first book of Winds of the Forelands, a series I intended at the time to be four books long (it wound up being five), one of my characters told me she was pregnant. I swear. I typed the words, sat back, and said aloud, “Freaking hell, she’s pregnant.” Except I didn’t say “freaking.”

I had the other books planned out. I knew where the plot was going and what the character arcs for the rest of the series were supposed to look like. There was no room in there for a kid. None.

“So,” a non-writer might ask, “why not delete that sentence from the manuscript and write something else? They’re your characters, inhabiting your world, right?”

Well, yes, but no.

Because while I didn’t want her to be pregnant, I knew as soon as I typed the words that she had to be, that it made far more sense with all that had come before. And the rest of the series, as eventually written and published, bears this out. It was a much better story with the child than without her. I just needed to be led there, and my character did that for me.

There is an old term, coined originally by midwives — the quickening. This is when a fetus begins to move, showing its first signs of life in the womb. And that is the term I use to describe the evolution of a character from a creature purely of our imagination, to a person capable of making decisions that surprise us and help to shape our narratives.

At my very first DragonCon some twenty-plus years ago, when I was still the newbiest of newbies, I got into an argument with a VERY famous fantasy writer about this very thing. (We were on a panel — this was in front of a crowd.) I won’t give this person’s name. Some of you have heard me tell the story, and so know. The rest of you have my apologies. But this was a BIG name, one of the very biggest. And this person swore up and down that we are the gods of our worlds, the masters of our stories, and if our characters were doing things we didn’t expect then we were doing this wrong. And at last, in my frustration, I said what I believe to this day to be the single wisest thing about character development I have ever offered: If you write them like puppets, they’ll read like puppets. (I patched things up with the Big Name afterwards. This person was gracious and kind, which is why my vehemence, and the implied criticism in my remark, did not wind up ruining my career.)

The quickening is a good thing, a great thing. When our characters begin to behave in a way that feels independent, as if they have agency and will and spirit, they become more real to our readers. They go from being words on a page to being three-dimensional beings.

Now, of course, they really are words on a page. And I have no doubt that someone versed in the workings of the psyche would tell me what is happening has nothing to do with the characters and everything to do with the mechanics of my imagination. At the moment of the quickening, they would likely say, my belief in my characters and my comfort with them reaches a point where they begin to work on my subconscious and influence my thinking about my narrative and my world. Whatever. It’s much easier to say that my characters are surprising me and guiding me. Because that’s how it feels, and in all ways that matter, that’s what’s happening.

I can’t think of any advice that will help you get to this moment with your characters. I would guess that most of you get there on your own, in the normal course of writing your stories. The truth is, the moment when our characters begin to surprise us is the moment when writing becomes really fun. When I’m writing and enjoying the process most, I don’t think so much as I describe things my characters are seeing, and document things they’re doing and saying. Writing dialogue becomes more like stenography — I’m writing down the conversations I hear in my mind.

But I will offer this — to carry the childbirth analogy a bit further…

Dealing with characters who have come alive in our minds is a bit like parenting. We want to give them the freedom they need to become the literary equivalent of living, breathing people. We want them to grow, to be independent, to have that agency I mentioned before so that the stories we’re telling feel organic and true and immediate. At the same time, though, as with real children, we don’t want to give them absolute free reign. That big name author was right in part: This is still our creative work, and while characters have to be allowed to take our stories in unexpected directions, they shouldn’t take over entirely. We wouldn’t want a five-year-old running our household, and we don’t want a fictional character, or even a set of them, making every meaningful decision in our narrative. Put another way, we don’t want to stifle the character’s growth, but by necessity we have to maintain some control.

The quickening is magical and affirming and inspirational. It’s that moment in Frankenstein (or, if you prefer, Young Frankenstein) when the doctor cries out “It’s alive!” It carries our storytelling to another level, transforming writing into something akin to discovery. But we must always remember that it does not absolve us of our creative responsibilities.

Enjoy! And keep writing!

Blogging, D.B. Jackson, David B. Coe, Not at all Writing Related

Monday Musings: A Nation In Need of Common Ground

A video surfaced on Twitter and social networks over the weekend. It came out of D.C. and the demonstrations there, and in its first iteration, slowed down for effect, it appeared to show a left-wing demonstrator sucker-punching a Trump supporter, who goes down in a heap on the street, unconscious, his phone falling to his side.

A second version of the video emerged soon after, this one longer and in real time. It begins with the Trump supporter attacking a counter-protester who holds a bullhorn and who is obviously saying stuff the Trump supporter doesn’t like. The Trump supporter punches the man, rips the bullhorn from his hand and then knocks the man down and tries to stomp on his head. Other counter-protesters come to the aid of their comrade, a lot of pushing and shoving and punching ensues, and THEN the demonstrator lands his sucker punch.

Finally, a third version of the video, also in real time, longer still than the second, shows that after the Trump supporter is knocked out, another counter-protester, darts in, grabs his dropped phone, and hurries away, bearing a mischievous grin, as if enjoying the violence and also the theft of the phone.

So who is in the right? Who is in the wrong?

The answer, of course, is that none of them is in the right, and that our country is verging on a very dangerous partisan dynamic.

I have struggled with today’s post, going back and forth between my own outrage and resentment, and my deeper fear that our divisions are insurmountable and are bound to spark more and more violence.

I am sick and tired of the extreme political right in this country denying reality in pursuit of their ideological agenda. They don’t want to wear masks or make any meaningful sacrifice that might impact their daily lives. So their answer is to call COVID a hoax and endanger the rest of us. They don’t want even to contemplate long-term changes in their social or economic activity. So they deny that climate change is real and doom our planet to a bleak, likely devastating future. They don’t want to admit that their incompetent, race-baiting President lost. So they call into question the integrity of an election that everyone, from election officials of both parties to international observers brought in by the Trump Administration to Bill Barr’s own selected investigators agree was fair and honest. And in doing so, they imperil our republic.

But I am also pissed off at the activist left. This weekend’s “Million MAGA March” on Washington was a total bust. The event attracted all of 17,000 people. It was a blip, an event worthy of ridicule, despite the laughable attempts of White House Press Secretary Kaleigh McEnany to claim that a million people really did attend. At least it should have been all these things. Lots of people warned counter-protesters away from the city. “Let them have their little protest,” people said. “It will be small, a non-event, and it will make them look that much more foolish.”

But no. Counter-protesters had to show up anyway, leading to brawls like the one caught on camera, and turning the event into something else entirely. Now the story, at least in some circles, is about violence in the streets, about the poor Proud Boys, who came for a simple protest and were attacked by BLM and ANTIFA. That’s a ludicrous narrative, of course. But they have video, which can be manipulated and made to fit their story, as the first version of the fight was.

So, how do we return tolerance, civility, and compromise to our politics and society? Seriously, I’m asking. Because I’m not sure I know.

I want to believe that some of the tension we see boiling over will ease as the passions of the campaign recede. I am fairly confident that certain elements of our nation’s political life will improve, approaching something we will all recognize as normal, once the current occupant of the White House is gone and Joe Biden assumes the duties of the office. Really, though, I’m not entirely convinced.

I hear many on the right say that Democrats and progressives spent four years challenging the legitimacy of the current Administration, and so we should expect them to do the same. Yes, they ignore Russian meddling in the 2016 campaign, and Trump’s illegal solicitation of aid from Ukraine, AND the simple fact that Joe Biden won the election. But they’re not likely to be swayed by my arguments. I understand that.

I also know that these divisions pre-date this Administration. I remember during the Clinton Administration hearing Rush Limbaugh rail against the President, questioning his legitimacy, running a nightly feature called “America Held Hostage.” Democrats still carry resentments from the 2000 election, which was a historically close election. To this day, many on the left believe the White House was stolen from Al Gore. And I still remember the pain of the 2004 election, which I was convinced would rectify that previous injustice.

Most of all, I remember the eight years of Barack Obama’s Presidency, during which he was badgered, insulted, and obstructed non-stop by Republicans in Congress. To my mind, whatever indignities Trump has endured are nothing compared to what Obama faced, in part because Obama did nothing to deserve them. Like a Black motorist being harassed by police, Obama’s only “crime” was governing while Black.

The resentments exist on both sides, and I know that my recitation of grievances could be countered by those on the other side of the political spectrum. There are slights and bruised feelings aplenty throughout the body politic.

The question is, how do we move past them? Or do we not? Are we doomed to spiral on and on into deepening hostilities and civil unrest? Are we witnessing the final years of the American republic as we know it? I don’t want to believe that, but when we can’t even agree on basic facts, like vote totals and election winners, or whether a deadly disease is actually real, what kind of future do we have?

I didn’t mean for this post to be quite so bleak. I take hope from nations that have faced divisions far more serious and lethal than ours. Northern Ireland has enjoyed two decades of relative peace and stability, after a violent conflict that seemed too bitter ever to be resolved. The divisions in the U.S. are not yet that bad. Surely, we can find a way forward as well.

First, though, both sides must commit to finding common ground. And it seems to me that we should begin with the pandemic. COVID is now attacking rural America with the same merciless ferocity it unleashed on New York and other urban areas earlier this year. The red state/blue state divide some sought to exploit for political gain back in the spring and summer doesn’t exist anymore. This disease is attacking everywhere, which means we need a national solution.

Wouldn’t the energy and ingenuity we currently pour into partisan bickering be better spent combating COVID and saving lives in all fifty states? Can’t we agree that dying from a virus is bad, that keeping people alive and healthy is good?

Seems pretty basic to me.

 

Blogging, D.B. Jackson, David B. Coe, Thieftaker Chronicles, Writing

Writing-Tip Wednesday: Goals Revisited Again, End of Year, and NaNo

That is what the last month or so of most years is about. I want to set myself up to be organized, motivated, productive, and successful in the year to come.

First let me wish a peaceful, healthful Veterans Day to all who have served. Our deepest thanks to you and your families.

The year is winding down. Thanksgiving is just two weeks away, and after that we have the sprint to the winter holidays and New Year’s. For those of us who still have a good deal to get done before the year is out, whether to meet external deadlines or self-imposed ones, time is slipping away at an alarming pace. And in my case, I haven’t been at my best the past several weeks and have not been nearly as productive as I would have liked. All of which leaves me feeling rushed and a little desperate to get stuff done.

Early in the year, I wrote a couple of posts about setting goals for myself. I’m a big believer in doing so, in setting out a professional agenda for my year, or at the very least for a block of months. Often as we near year’s end, I will go back and check on my goals to see how I’ve done. Not this year. This year has been too fraught, too filled with not just the unexpected, but the surreal. The goals I set for myself in January were upended by March. And that’s all right. Sometimes it’s enough to say, “I want to be as productive as I can be, and with any luck I’ll get this, and this, and this finished.” That’s the sort of year I’ve had. I did what I could (the month of October excluded…) and I am poised for a productive year in 2021.

And in a sense, for me at least, that is what the last month or so of most years is about. I want to set myself up to be organized, motivated, productive, and successful in the year to come. The last several years, this one included, that has meant reading a ton of short fiction for the anthology I’m editing. For the third year in a row, I am co-editor (with Joshua Palmatier) of an upcoming Zombies Need Brains publication. This year’s anthology is called Derelict, and I have only just started reading submissions. These will make up the bulk of my workload through the end of December.

But I’m also finishing up a novel, and thinking about how to write the next one (the third in a trilogy). I am working on the production of the Thieftaker novellas, working out artwork and such with my publisher. I am preparing for the re-issue of the third and fourth Thieftaker novels, A Plunder of Souls and Dead Man’s Reach. And I’ve got a couple of other projects in mind. My goal for these last weeks of 2020, aside from reading as many short fiction submissions as I can, is to plot out that next novel, settle the production questions with the Thieftaker projects, and, I hope, figure out how one other project can fit in with these plans. As I have said, for the last month I’ve been less productive than I should have been. I want to turn that around before the year is out so that next year I can start fast and keep moving.

Which brings me to a question I have been asked many times. Readers want to know what I think of that November literary tradition known as NaNoWriMo — National Novel Writing Month. For those not familiar with this, it is a now two-decades old tradition that sees writers trying to write a 50,000 word manuscript in the month of November. The idea is to get writers to write, to turn off their inner critic and put words to page, with the understanding that they will edit and polish when the month, and the manuscript, are done.

I have never done it. I’ve written 50,000 words in a month on several occasions, but usually these are words in the middle of a longer project. And I’ve been writing for long enough that, when things are going well, 50K a month is about my normal pace.

Even so, I’m not sure I’ve ever written 50K words for more than two months in a row. Usually one such month leaves me feeling a little spent. Writing so much in so little time isn’t easy. At least it isn’t for me. I know fellow professionals who write at that pace or faster all the time. Each of us has a process and a pace that comes naturally. Writing quickly isn’t for everyone. Which is kind of my point.

Look, if you do NaNoWriMo, that’s great. Good for you. I hope you find it satisfying and fun and helpful. I know many writers swear by it. They like the focused work period. They like the challenge. They like to feel that they’re working virtually alongside a community of like-minded writers and making their writing part of something bigger than themselves.

It’s not for me. And if a young writer came to me seeking advice, I would probably tell them not to do it. I would suggest that they focus instead on making of writing a daily or weekly habit, at a pace and under conditions that are sustainable for the long term. It’s not that I doubt November will prove productive for them. It’s that I worry about the effect of that sort of effort on December and January and the months to come. Again, if it works for you, or if it’s something you really want to try, by all means, go for it. Overall, though, being a productive, successful writer is about maintaining a steady pace for months, even years, at a time.

Which is why my year will end with me finishing some projects, laying the groundwork for others, and, of course, reading short story submissions. I will, as I usually do, start working out a task calendar for the coming year, prioritizing projects and allocating time to them. I actually find the process exciting. It’s a chance for me to visualize the coming work year and to imagine where my new projects might take me.

In the meantime, I have stuff to finish up before the ball drops.

Best of luck, and keep writing!

Blogging, D.B. Jackson, David B. Coe, Not at all Writing Related

Monday Musings: Breathe

Breathe.

In and out. In and out.

It’s finally over.

I am relieved, elated, a bit nervous about the shenanigans yet to come from the White House. Not because I believe they will succeed, but because I believe that even in failing, they could do lasting damage to our republic.

Many of my friends on the Left, while sharing my relief, remain unnerved by the relative closeness of the vote. To be honest, I’m disappointed, too. I hoped for a landslide, for a decisive repudiation of this Administration. I am horrified by the fact that more than 70 million people, 47% per cent of this year’s electorate, cast votes for a man who coddled White supremacists, flouted the norms of our democratic republic, and utterly failed to lead the nation safely through a devastating and deadly pandemic. How, I keep asking myself, can so many people not see him for what he is? How is it possible that, relative to 2016, the President gained support among Latino voters, among Black voters?

I have no certain answers to any of these questions, but I can offer a few thoughts, starting with a couple of obvious ones: First, Trump remains to many Americans a symbol of defiance against institutions that they despise — the mainstream media; Congress; faceless, poorly defined “bureaucracy.” These people see his outrageous pronouncements not as offensive, they way I do, but as a righteous response to what they call “political correctness” — a changing standard of speech and action and thought that challenges assumptions they have embraced, and privilege they have enjoyed, all their lives. They care less about the substance of what he says than they do about his willingness to say it. They see him as courageous and authentic. Even after four years as President, he still seems to them the outsider, the guy who isn’t a politician and who therefore can be trusted to do the right thing.

Second, people really do vote based on their wallets, and rightly or wrongly they believe that he would have been better for the economy than Joe Biden will be. I think this was especially a factor in the shift in the vote among people of color. Trump’s claim that he has done more for Black voters than any President since Lincoln is, of course, laughable. But before the pandemic hit, the economy was doing well. He inherited a strong economy from Obama, and for the first three and a half years of his Presidency didn’t screw it up. And related to this, I believe a lot of people think he has handled the pandemic poorly, but don’t actually blame him for the devastation. To my mind, the staggering numbers of infections and deaths, and also the catastrophic collateral damage caused by COVID, are all directly attributable to Trump’s inaction, denials, and incompetence. But to many, these are things that happened, rather than something he did.

People talk about the level of support Biden enjoyed among women — and it needs to be said that without the gender-gap, we would have a very different outcome. But the gender-gap cuts both ways. Lots of men, including many men of color, like Trump because they see in him a brand of (toxic) masculinity that remains popular with a segment of the population. The whole America-first, go-it-alone, screw-the-rest-of-the-world vibe is very attractive to some people, just as Ronald Reagan’s John-Wayne-esque masculinity was forty years ago. In my view, his actions have made our world less safe, our country less influential, our planet’s future less certain. But some folks, including a lot of men, like that he “stands up for America.” They credit him for taking on China in a trade war, and for removing the U.S. from the climate treaty, the World Health Organization, the Iran deal. Where I see recklessness, they see strength.

Certainly there are people out there who voted for Trump because he spouts racism and homophobia and sexism, because he calls the pandemic a hoax, because he incites people to violence. But I know a lot of Trump voters. I’m even related to a few. None who I know support him because of these things. None of them are bad people. They voted for him despite all of this.

And — plot twist — that disturbs me even more than if they supported his extremism.

If they shared his views, then at least I might explain to myself how they could vote for the man. But I can’t help feeling that by caring about these other things and ignoring the ugliness of Trumpism, they make themselves complicit. They may not hate, but they voted for hatred. They may be patriots, but they voted for a man who is still trying to undermine the pillars of our republic. They may lament the damage done by COVID, but they rewarded with their vote a President who made the pandemic infinitely worse than it needed to be.

Hence my bewilderment and dismay at the level of support he received. It will take some time before I can reconcile myself to how close we came to having four more years of this President.

But that is not how I wish to end this post. Because the fact is, Trumpism has been rejected. And while it felt close, in large part because Republicans in Pennsylvania and other states wanted it to feel close and arranged the counting procedures accordingly, the fact is that this was a broad and impressive victory.

Joe Biden’s popular vote margin is likely to exceed five million votes. He has already received more votes than any candidate in U.S. history, and will easily clear 75 million before the counting is done. His margin will also likely be in excess of four per cent, making it the second largest margin in this century (after Obama ‘08). He is the first candidate to defeat a sitting President since Bill Clinton in 1992. His electoral vote total, while not huge, should wind up north of 290, and (depending largely on the vote in Arizona) could reach 306, which is exactly the number won by Trump four years ago — a unique historical oddity were it to occur.

And, of course, thanks to his courageous and wise choice of Kamala Harris as his running mate, Biden has given us our first woman Vice President and our first person of color in that position. We are, we can hope, that much closer to having a woman as President. I still remember vividly the campaign of Shirley Chisholm for President in 1972. She was dismissed as a sideshow, a curiosity. A Black New York Congresswoman running for President? Absurd! And I remember as well the excitement of Walter Mondale’s selection of Geraldine Ferraro as his VP candidate — the first woman to appear on a major party ticket. Today, finally, the promise of those two pioneers has been realized. More cause for celebration.

Finally, I should point out that Donald Trump has made history as well. As the folks at CBS News pointed out this past weekend, just after the race was called, he is the first President in United States history to lose the popular vote twice.

Have a good week, all. Breathe.

Blogging, D.B. Jackson, David B. Coe, Writing

Writing-Tip Wednesday: Waiting…

[11/4 Edit:I went to bed last night thinking all was doom and gloom. This morning I see rays of hope. This isn’t over, and counting votes doesn’t happen according to ANYONE’S timetable. Hang in there folks. We are living in Interesting Times.]

I am writing this, as I do most of my Writing-Tip Wednesday posts, ahead of time, a couple of days before election day. Naturally, I have no idea what the world will look like Wednesday morning. I am at times deeply afraid; at other times I’m hopeful, even confident.

Whatever happens, though, I know that I will soon need to get back into my work rhythm. For so long, I have been too distracted to concentrate on my writing. I have forgiven myself for lost days and low word counts and procrastination. I haven’t even started to read through the submissions for Derelict, the anthology from Zombies Need Brains that I am co-editing with Joshua Palmatier. The deadline is still more than eight weeks away, but already the submissions are piling up. It’s time for me to start reading through them.

I have a novel to finish, and projects that need shepherding toward release. I have stuff to do, and I am sick to death of being trapped in my own head, debilitated by my anxiety, obsessed with things I can’t control.

More, I remain uncertain as to how I will deal with these tasks and projects going forward. That comes, I suppose, from still being in the dark about how events will unfold.

But I know that one way or another, I have work to do. If the worst happens on Tuesday, I will still wake up Wednesday a writer and editor with stuff to get done. As I said in Monday’s post, this week will be one of brief, inadequate posts. A week from now, I hope to be able to tell you much more about where I am and what I’m doing to close out this year.

Until then, if you can, keep writing.

Blogging, D.B. Jackson, David B. Coe, Not at all Writing Related

Monday Musings: Please Vote

Honestly, I have nothing to offer today. I have been on edge about tomorrow’s election for too long. I have had trouble sleeping, my stomach has been in knots, I’ve struggled to concentrate on my work. I haven’t liked myself very much over this period. I have wished again and again that I might find some way to overcome my anxieties and just accept that whatever will happen will happen. I haven’t been able to, and I doubt very much that I’m going to find the secret to inner peace in the next thirty-six hours. So, for this week, please accept my apologies for a set of short and grossly inadequate blog posts. I hope to be back to my normal output next week.

For today, I urge you to vote. If you’ve voted already, please urge your friends and loved ones to vote, or help someone you know get to the polls.

This will all be over soon, one way or another. As far as I’m concerned, it can’t happen soon enough.

Take care.

Blogging, D.B. Jackson, David B. Coe, Islevale Cycle, Thieftaker Chronicles, Time's Assassin, Time's Children, Time's Demon, Writing

Writing-Tip Wednesday: Plotting Or Not — Doing Away With a Dumb Debate

This is my forty-second Writing-Tip Wednesday post of the year, and somehow I have gotten through forty-one posts without addressing that age-old writing question, “Do I or do I not outline?” Or put another way, “Plotter or pantser?”

First, a word on nomenclature. “Pantsing” and “being a pantser,” as in “writing by the seat of one’s pants,” have come to be seen by some as demeaning and denigrating terms. As if those who plot, who outline their books and stories ahead of time, are creating “the right way,” as opposed to those who “write organically,” who are just sort of winging it. Frankly, I hate ALL of these terms, because I think all of them make assumptions about process that are unfair and unsupported. This, to be honest, is why I have avoided this particular topic for most of the year.

Having used the term “pantsing,” I am going to avoid it for the rest of this post. Because I do agree that it sounds demeaning. I am also going to avoid the word “organic” when describing how people write, because I don’t think it applies to one side of the debate any more than to the other. Even those books I have outlined extensively have come to me “organically.” Neither side owns the term.

Two hundred words into the post, and already I’m exhausted. The Outline vs. Don’t Outline debate is one that inspires a good deal of passion on both sides. I have seen discussions of the topic break down into ugly arguments. And I believe this is because many of us, myself included, have in the past been far too prescriptive in articulating our positions. Too often, we have said, “This is how I do it, because this is the way it’s supposed to be done.” Again, I have been guilty of this myself. For a long, long time, I have self-identified as someone who outlines, as a plotter. Thinking about that now, I’m reasonably sure that I have never actually been that writer.

You’ve heard me say this before, but it seems especially important to repeat it now: There is no single right way to do any of this.

Full stop. Period.

I have friends who outline in great detail. Their outlines are pages and pages long. I know of writers who outline to such a degree that writing the book basically consists of filling in description and dialogue in order to turn their outlines into finished novels.

And I also have friends who don’t outline at all. Not a bit. They have an idea, they sit themselves in front of a keyboard, and they start to compose.

The Thieftaker Chronicles, by D.B. JacksonThen there are people like me. Some books, I outline in a good deal of detail. The Thieftaker novels demand preparation of this sort because I am tying together fictional and historical timelines, trying to make my story meld with established events. The Islevale books — time-travel epic fantasies — should have demanded similar planning. But for reasons I still have not fully grasped, all three books defied my efforts to outline. I simply couldn’t plot the books ahead of time. I tried for months (literally) to outline the first book, Time’s Children, and finally my wife said, “Maybe you just need to write it.” Islevale compositeThat’s what I did, and the result was a first draft that needed extensive reworking. When I began book II, Time’s Demon, I ran into the same problem. I didn’t even try to outline Time’s Assassin, the third and final volume. I knew it would be a waste of time. All three books needed extensive editing, more than I usually need to do. But they wound up being far and away the finest books I’ve written.

Yet, I wouldn’t want to write future books that way. The process for all three was tortuous and frustrating, and I know I don’t HAVE to suffer through that in order to write successful stories.

The truth is, like so many writers, I work on an ever-moving continuum between the extremes of creating hyper-detailed outlines and not outlining at all. With some projects, I lean one way, with other projects I lean the other way. Neither approach is right or better. As with so much else in this craft, we have to understand that the exigencies of each project will shape our process. Let’s go back a moment to the writer friends I spoke of earlier. Even the most detail-oriented outliners I know admit that their outlines change as they move through a novel, because almost invariably something happens in the book that surprises them and takes them away from their original vision. And even the most outline-adverse writers begin with ideas of where they intend to do with their characters, their setting, their narrative. They might not write it down and color-code it, but they have a sense of what path their story will follow.

This debate has, for too long, shed far more heat than light. I have yet to meet a pure outliner OR a pure non-outliner. And I know precious few writers who would say they write all their novels exactly the same way. We reinvent ourselves and our process each time we begin a new project.

So, my advice to you is to not worry about whether or not you consider yourself a plotter, or how others define your approach. Write your book. Plan it to the extent you wish to. Dive into it when you feel you’re ready. You can always pause to outline if you need to. And you can always crumple up or burn or shred the outline you’ve already done. It’s your book. It’s your process.

Keep writing.

Blogging, D.B. Jackson, David B. Coe, Not at all Writing Related

Monday Musings: Feeding Birds, How to Get Started

Earlier this year, in the midst of spring bird migration, I wrote about my lifelong love of birding. I shared with you what birding has meant to me over the course of my life, and at the end I made a half-hearted attempt to encourage those interested to start birdwatching.

The truth is, though, that’s a pretty heavy lift. I love birding and I’ve

been doing it long enough that I’m pretty good at it. But for most people, finding the time in their lives for a new hobby, one with a fairly steep learning curve, can seem a bit intimidating. Fortunately, this time of year there’s an easy way into the hobby, one that helps the birds AND offers hours of entertainment.

To quote from Mary Poppins, “Feed the birds!” (“Feed the birds and what have you got?! Fat birds!”)

With the arrival of fall, usually around mid-October here on the Cumberland Plateau, I put out our various bird feeders and fill them with sunflower seeds and suet blocks. I have several feeders mounted on poles in the back yard, and often within a few hours of putting out seed for the first time, my feeders become an all-they-can-eat buffet for titmice, chickadees, cardinals, woodpeckers, wrens, finches, sparrows, and others. From October until mid-spring, our yard is filled with birds darting to the feeders, taking a seed and flitting to a branch to break it open and have at the morsel inside.

You can find simple feeders in the garden sections of most home and hardware stores (Lowes has a decent selection) and even in the pet sections of most grocery stores. You can also find them online. Duncraft, Wild Birds Unlimited, Backyard Chirper, and BestNest.com all sell a wide variety. Some can be pretty pricey, but the truth is, the cheap ones often don’t last long. To my mind, the best feeders for those looking for something durable and low-maintenance are the No/No Steel Wire Mesh collapsible feeders. They hold black oil sunflower seed, which is popular with a wide variety of bird species, they’re tough (I have a couple and one is at least ten years old at this point) and won’t be chewed up and ruined by squirrels, and the larger ones hold a good amount of seed, so I only have to fill mine once a week or so.

I also have a small plastic satellite feeder (it is shaped like Saturn, with a small opening), which is nice because only small, acrobatic birds can access it. Due to its size, it runs out of food too quickly, but it attracts titmice, chickadees, finches, and nuthatches. Larger birds can’t perch on it.

Titmouse on Feeder, by David B. Coe
A Tufted Titmouse on my modified hopper feeder.

And I have a hopper feeder which basically looks like a small house. It’s made of wood and has one big compartment that I fill weekly. The feeder is mounted on a pole, and I have modified it slightly since buying it. I removed the cheap plastic sides that held the seed in place, and in their place attached metal mesh — also known as hardware cloth. I used a staple gun to set the mesh in place. The result is a more durable feeder that holds slightly more than it would have otherwise.

This feeder attracts everything from the smallest species — chickadees, wrens, titmice, finches, and wrens — to larger birds like woodpeckers, Cardinals, and Blue Jays. In the spring I often get flocks of Rose-breasted Grosbeaks on the hopper feeder.

All my mounting poles are equipped with squirrel baffles, which do a decent, if not perfect, job of keeping the critters off the feeders. Don’t worry: the squirrels don’t starve. The dirty little secret of feeding our feathered friends is that birds are slobs. For every seed they get from a feeder, they often knock two or three to the ground. Squirrels get plenty of food just from the spillage, as do ground feeding birds like sparrows, juncos, and doves.

Wrens and Feeders, by David B. Coe
Carolina Wrens and a Carolina Chickadee on suet and seed feeders.

Finally, I also have a suet cage on one of my feeder poles. A suet cage is essentially a rectangular wire box that holds those suet cakes you can buy at grocery stores, hardware stores, and garden centers. The cakes are not perfect, but they’re cheap, they’re easy to load into the feeders, and the birds seem to like them. My brother, who lives far north of me, uses actual suet from the meat department of his grocery store. We can’t do that here in the Southeast. Even in winter, we have too many warmish days. The fat would turn rancid. The cakes are a good compromise. They attract a variety of woodpecker species (Downy, Hairy, and Red-bellied Woodpeckers, Yellow-bellied Sapsuckers, even the large, crested Pileated Woodpeckers — think Woody Woodpecker) as well as nuthatches, wrens, and others.

I should also mention that starting in April and continuing throughout the spring and summer, Nancy puts out hummingbird feeders in her garden. This is a more work intensive endeavor than seed feeding. She blends water and refined sugar at a ratio of about 3 1/2 to 1, boils it to make it safe and to fully dissolve the sugar, and then lets it cool before filling the feeders. She has to do this three or four times a week, sometimes more. We go through a lot of sugar (we buy two kinds of sugar during the warm months — sugar for baking and such, and cheap, store-brand “bird sugar” for the feeders), but we usually have at least two pairs of hummingbirds breeding in the yard. At times, we’ll have as many as ten or fifteen birds fighting for access to the feeders.

For more information on feeding birds, please visit All About Birds, the website of Cornell University’s marvelous ornithology lab. They are a great resource and do wonderful work protecting birds.

I wrote about this today, because our feeders have been up for about two weeks and already I have derived so much pleasure from all the birds hanging around in our backyard. Putting out feeders is great way to start learning about birds — keep a pair of binoculars and a simple field guide handy, and you’ll soon be identifying all of your hungry visitors. And, of course, you’ll also be helping the birds endure the cold months.

Wishing you a great week.