Tag Archives: blogging

Blogging, D.B. Jackson, David B. Coe, Writing

Professional Wednesday: What Holds Me Back, part II — Building a Platform

Last week, I started my newest series for the Professional Wednesday feature: “What Holds Me Back.” My first entry was on life in general, and the ways in which we learn to cope with life’s intrusions on our creative output.

This week I would like to shift my focus a bit to more writing-specific obstacles that can hold us back in one way or another. As it happens, there are a lot of them, so it may be this series will stick around for a while. But let’s begin with all those things that fall under the heading of “building our platform.”

Children of Amarid, by David B. Coe (jacket art by Romas Kukalis)I’ll preface this discussion with the obvious: I’m old. I’ve been in this business for a long time — it’s been nearly three decades since I signed my first contract. When I got started in the business, publishers were just beginning to expect that writers would maintain websites. Websites! Facebook and Twitter and the rest didn’t even exist. And when we signed contracts, writers could rightfully expect that our publishers would handle the bulk of the necessary publicity, which consisted mainly of taking out ads in journals, sending review copies to print magazines (kids, ask your parents) and other critical venues, setting up newspaper, radio, and television interviews, and arranging signing tours and individual store events.

My point being that the days of publisher-centric publicity have long since passed. Our jobs as writers have become far, far more demanding in so many ways. In the age of self-publishing, many of us are now required to get our own jacket artwork, to arrange for our own editing, to typeset our own books. But in today’s marketplace, ALL of us are responsible for creating audiences for our books. We are the ones who advertise our releases, who set up events, who make our marketing decisions. And social media gives us the opportunity to interact with and get to know our fans in ways I never would have dreamed possible at the outset of my career.

More than ever, we are not just writers. We are publicists and advertisers. We maintain our social media presence, and many of us also create additional content for blogs. All of these things can be time-sinks, and therein lies the danger. I know of many writers who, at the outsets of their careers, become so obsessed with “building a platform” or “establishing a fan base” or “finding their readership” that they leave themselves no time to do the one crucial thing all writers have to do to be successful: write their stories.

Yes, I am aware of the irony. Here I am blogging about the perils of spending too much time on one’s blog (among other things). But the danger is real, and it can become a trap for many. After so many years as a professional writer, I have gotten to the point where I can be productive on demand. I can turn out two one-thousand-word blog posts in a day and still have time left over to edit a couple of story manuscripts for the anthology, or I can get a couple of thousand words written on a work-in-progress and then write a thousand words more for the blog. I couldn’t have done this early in my career; writing in volume and switching gears among various professional tasks are skills I have developed over years. I think if I had started my career ten or fifteen years later, I would have struggled mightily to build my audience and simultaneously write my novels.

I have managed to maintain the regular Monday and Wednesday features of this blog, to turn out material on a regular basis, by making blogging a habit. I devote one day a week — usually the same day each week — to getting the posts written. Yes, I am sorry to blow-up such a carefully maintained illusion, but I DON’T write my blog posts on the days they go up. Sometimes, when I know I’ll be traveling during a given week, I will have posts, particularly the Professional Wednesday entries, scheduled a week or two in advance. I try not to allow post deadlines to loom. Why? Because currently I enjoy maintaining this blog and I don’t want it to become A Thing I Dread. And more to the point, I don’t want it ever to get in the way of work I have to do.

The Chalice War-Stone, by David B. CoeBlogging and social media are extras. Yes, in this day and age, they are important extras. Crucial, some might say. We have to publicize our books, or no one will buy them or read them. But as vital as this part of the job might seem, I would once again turn the previous phrase on its head: We have to publicize in order to be read? Yes, we do. But more important by far is this: We have to write the books in order for any of that publicity to be worth a damn.

Writers write. As I said earlier, the single most important thing we can do to further our careers, to build our audiences, to draw the notice of the industry, is write our fiction (or non-fiction, if that’s your thing). If you can maintain your output while also spending time each day blogging and feeding the social media beast, good for you. You’re more accomplished than I am. But if you find that you’re not getting as much done on your stories and books as you would like, check to see if maybe you’re spending too much time on the other stuff. And if you are, make the adjustment.

Platforms are great. But if you don’t have books to sell from them, all you’ve got is a flat expanse of wood.

Keep writing.

Blogging, D.B. Jackson, David B. Coe, Writing

Monday Musings: About That Birthday I Was Dreading . . . .

“You want to complain about a birthday?” Life said. “I’ll give you a birthday to complain about.”

Last week, as usual, I wrote two posts. On Monday, I ruminated about my approaching birthday, making it clear that I was feeling a bit down about growing older and was having trouble putting myself in the birthday spirit. And then, in my Professional Wednesday post, I began a new series of posts — “What Holds Me Back” — about the things that sometimes limit my productivity. And I began the series with an entry about coping with life issues in general.

As it happens, I managed to write both posts ahead of time. I had them ready to go before the weekend was over. And boy did those posts come back to bite me in the ass.

In the Wednesday post, I wrote this about life, or rather Life, which I anthropomorphized to make a point:

“Life is a fickle bastard, with a cruel streak a mile wide, a perverse — at times evil — sense of humor, and a preternatural knack for intruding at the absolute worst moment. But Life can also be charming, deeply attractive, kind, generous, and downright fun . . . . Life is as changeable as March weather, as unpredictable as the best storyline, and as relentless as time itself. Life happens constantly; Life will not sit quietly in a corner reading a book and respecting our need for calm just because we have a looming deadline or a new idea we are eager to explore. Life lives to mess with us.”

Given how well I seem to understand Life’s perverse nature, you’d think I would have known what would happen if I complained about an upcoming birthday.

My birthday was yesterday. I have spent the last week sick with Covid. Nancy and I made plans to travel for the weekend, to get down to St. Marks National Wildlife Refuge to do some hiking and birdwatching and photography. We had to cancel the trip. She made me a cake last weekend, while I was writing the aforementioned posts. We wound up freezing it, because with Covid stealing my sense of smell, I couldn’t taste it at all.

“You want to complain about a birthday?” Life said. “I’ll give you a birthday to complain about.”

Jokes and sarcasm aside, I have to say, “Message received.”

Birthdays, someone once said, are the price we pay for growing older. We love them as kids, of course. We want nothing more than to add to the running total, to get Older, because with Older comes perks, not to mention presents. The presents get better with age. The perks too, for a while, and then less so. But my dad always used to say about getting older, “it’s better than the alternative.”

I won’t spend a lot of time on the “yes, life is hard, but I have so much to be thankful for” thing. I touched on this last week and it remains true. My life IS hard these days. I know precious few people who have it easy. And I am deeply grateful for the life I have, private and professional. But reading back through last Monday’s post, I realize I wasn’t complaining so much as struggling to accept what I couldn’t and wouldn’t want to prevent. I was down, and I wrote about it.

And again, Life was, like, “You’re think you’re down now? Hold my beer.”

So, here I am, on the day after my birthday, at the end of a truly crappy week of fever and coughing and isolation and in-home masking and tasteless, aroma-less food . . . and I feel much better about turning a year older than I would have imagined possible when writing last week’s post. Like some Jimmy-Stewart-from-It’s-A-Wonderful-Life wannabe, I have seen that things could be substantially worse than they are, that being a youthful (not to mention immature) 60 is really not half bad. It’s not that I was imagining myself as a Covid patient forever, but rather that I was made hyper-aware of all the things I value in my routine, all the things I love to do — things that were denied me by the fever and taste-loss and social distancing. My morning workout, my walks, my regular work schedule, relaxed time with Nancy, get-togethers with friends, bird walks and photo walks and signing along with my guitar (my voice is still recovering), good wine and good whisky and all the wonderful foods Nancy and I make and eat.

The everyday, the humdrum, the same old same old — it turns out, I love that shit. My routine is pretty darn good, and the little things I enjoy each day — my morning smoothie and afternoon iced coffee, our household guac recipe — mean more to me than I realized, at least until I couldn’t taste them anymore. Life’s challenges remain, and, yeah, I’m sixty fucking years old. But I’m good, thanks. And when I’m not, I know that the people I love have my back. There are far, far worse things.

Wishing you all a wonderful week.

Bell Bridge Books, Belle Books, Blogging, D.B. Jackson, David B. Coe, Invasives, Writing

Professional Wednesday: What Holds Me Back, part I — Life Issues

As we turn the calendar to March, I thought I would turn to a new series of posts in my Professional Wednesday feature. This month, as I struggle with a bit of work-related inertia, I have decided some might find it helpful to read about “What Holds Me Back.” Because let’s be honest — those of us who seek to make a living as professional creators face no shortage of obstacles to productivity. We have to be self-motivated, we have to be disciplined, we have to be imaginative and prolific on demand. None of this is easy and at times it seems hobgoblins lurk in every corner, threatening to undermine even the most sincere determination to get stuff done.

What — or who — are my hobgoblins? How do they disrupt my work patterns, and what do I do to keep them at bay? These are the questions I hope to address in the next several Wednesday posts.

This week, I address perhaps the most obvious and formidable hobgoblin of them all: Life.

Life is a fickle bastard, with a cruel streak a mile wide, a perverse — at times evil — sense of humor, and a preternatural knack for intruding at the absolute worst moment. But Life can also be charming, deeply attractive, kind, generous, and downright fun. This is part of what makes Life such a difficult opponent in the battle over productivity. Life is as changeable as March weather, as unpredictable as the best storyline, and as relentless as time itself. Life happens constantly; Life will not sit quietly in a corner reading a book and respecting our need for calm just because we have a looming deadline or a new idea we are eager to explore. Life lives to mess with us.

All strange metaphors aside, in my experience, relating to my own work output and also my interactions with other professionals, general life disruptions are responsible for the vast majority of missed deadlines and punted obligations. Sometimes it’s the (relatively) small stuff — a kid with a bad cold or stomach bug, a blown car engine or flat tire, a flooded basement or loss of power. Sometimes it’s more serious than that — an ailing elderly parent, a dire illness in the family, a failing marriage, the death of a friend or relative. I’ve faced my share of such things — not all, but enough; every one of us has.

And in the short term, there is nothing we can do about them. Life imposes its own exigencies. When our kid is sick or our parents are fading or a relative or friend is in need, we have no choice but to prioritize the people we love and the obligations we’ve taken on as parents and partners, offspring and siblings and friends. No one with a thread of compassion or decency should punish or blame us for this. Those who would, do so at their own risk, because eventually they, too, will be on the receiving end of Life’s caprice.

The problem comes later, after the crisis has passed, but while the aftermath lingers. Nearly two years ago, when our daughter received her cancer diagnosis, I withdrew from . . . well, pretty much everything. I told my agent and editor that I wouldn’t be able to make a deadline that was still a couple of months away. I stopped seeing friends. I hunkered down with my fear and my grief and my anger, and I essentially surrendered to this terrible thing Life had done to my family and me. I was sure I couldn’t work through it, and so I didn’t even think it worthwhile to make the attempt.

Nancy responded differently, not because she is better or stronger than I am (although she might well be both . . .) but because she deals with emotional strain differently. She is great at compartmentalizing, which is good, because at the time she had a high-stress, high-profile job. In the time since, she has advanced to a position that is even more high-stress and high-profile. Her ability to compartmentalize has served her well.

I don’t have that ability. I can’t compartmentalize. But, I realized, I had a different ability I could harness. I had learned years ago — when we lost my parents, and later when we lost my eldest brother — to channel my grief and pain into my art. And it didn’t take me long after hearing the news of our daughter’s illness to understand that was precisely what I needed to do. Within a week of calling my agent and editor to tell them I was pulling back, I sent them new messages. I am working through this. I will make my deadline.

INVASIVES, by David B. Coe (Jacket art courtesy of Belle Books)And I did. The book was Invasives, by the way. It contains the best character work I’ve ever done, and that is no coincidence.

I suffer from anxiety and panic disorder. I sometimes walk the edge of depression. I know as well as anyone that coping with life is hard, and that glib, easy-fix solutions to the shit life throws at us are worse than useless. Such facile responses can actually hurt, because they suggest to those of us who struggle that the problem isn’t the circumstance but rather our inability to deal with it.

But I know as well, from my own experience, that we don’t have to be whole to create. Life elicits emotion and those emotions can overwhelm and paralyze. The thing is, though, we’re creators, and emotion is our bread and butter. Yes, at times the emotions we feel in life’s rawest moments are like a downed electrical wire. We touch them at our own risk. As I found a couple of years ago, however, we can be resilient in the face of the worst circumstances. Long before I was ready to interact with other people, I was ready, even eager, to take hold of that live wire and use it for something constructive and healing.

Life can disrupt our art. We all know this. But we are alchemists at heart. We can turn grief and hurt and fear and anger into golden moments on the page (or the canvas or the guitar or the stage — whatever). And, for me at least, that is how I keep life from holding me back.

Keep writing.

Blogging, D.B. Jackson, David B. Coe

Monday Musings: Facing Down a Big Birthday

I am staring down the barrel of a big birthday. This time next week, I’ll have passed a dubious milestone, and the fact is, right now I’m struggling a bit with the whole getting older thing.

Yes, I know the clichés. Even on my birthday, I only get a day older. Age is a state of mind. Growing older beats the alternative.

None of them is helping right now.

I remember feeling similarly ten years ago, as I neared my last milestone birthday. I was (and am again) acutely aware of being far closer to my dotage than to my youth. Since that last big birthday, I’ve lost a brother, watched as my older daughter battles serious illness, lost my mother-in-law and a brother-in-law, and more friends than I care to count. Life has been challenging, and at the same time wondrous and fun and rewarding, making it feel all the more precious.

Sometimes I write posts with a lesson in mind, or as a way of dispensing what little wisdom I might have. Other times, I write searching for answers. This post doesn’t fit neatly into either of those patterns. I have no wisdom today. I don’t know what lesson I might offer to myself, much less to someone else. And, frankly, I am not seeking advice from others. As I say, I know the platitudes. I am deeply grateful for all I have and all I have accomplished. And I am certain the answer for what ails me right now lies entirely within.

I think in part I am eager — impatient, even — to get on with the next phase of my life. Nancy and I have raised our children, we have enjoyed our careers, we have worked hard to set ourselves up financially for what we call “retirement,” although I don’t think it will really be a retirement in any traditional sense. I don’t intend to stop working, and while Nancy is ready for whatever might be next, she is also open to any and all possibilities in that respect. All I know is that I am looking forward to changing the pace of the life we share so that we can enjoy each other and the things we love doing together.

And so in a way, my resistance to this birthday is rooted in that impatience, but also in the understanding that the work we did to get to this point in our shared life took thirty-plus years and swooped by in a flash of laughter and love, struggle and grief. The time we have left to enjoy the fruits of that work feels potentially too brief by comparison.

When Nancy and I started dating (in our mid-late twenties), we told each other we would give the relationship eighty years, and if at the end of those eighty years together we felt the relationship wasn’t working anymore, we’d go our separate ways. Obviously, we said this with tongues firmly in cheek. But in all honestly, I want my eighty years. Every one of them. Right now, that romantic fantasy is bumping up against the reality of my 60th birthday.

I have written before of my emotional health issues. I have been candid about my struggles and also about the comfort and growth I have found in therapy. I have learned that whatever I am working on at a particular moment rarely impacts my mood and health in a vacuum. It’s all connected, even if I don’t always see the connections right away. I am certain my current hyper-awareness of my own mortality is tied to my brother Bill’s death five years ago, and also to my ongoing worries about my daughter’s health. I know it is connected as well to lingering professional ambitions and dissatisfaction with elements of my career path.

This is what I meant when I said the answers lie within. I know that next week I will only be seven days older than I am now, not a year. I know as well that the coming decade will be filled with . . . well, with life — with pleasure and pain, joy and sadness, good days and bad. Many have told me that they have LOVED life in their sixties. I intend to as well.

But to draw inspiration from the incomparable Ned Ryerson, I also know that first step is going to be a doozy . . . .

Have a great week.

Blogging, D.B. Jackson, David B. Coe, LonTobyn Chronicle, Tor Books, Winds of the Forelands, Writing

Professional Wednesday: My Best Mistakes, part IV — Managing Expectations

The Outlanders, by David B. Coe (jacket art by Romas Kukalis)For the past several weeks, I have been sharing “My Best Mistakes,” which have included inappropriate remarks at a convention, poor business decisions, and replies to reviews. This week’s “Best Mistake” is a little different, in that it’s less about interactions with others and potential damage to my career than it is about self-care and maintaining equilibrium in a difficult profession.

I started my career as a complete unknown in fantasy and science fiction. This was before Amazon had ever turned a profit. It was before ebooks had really become a thing. If one aspired to a notable writing career, New York traditional publishing was essentially the only game in town. So when I sold my first novel to Tor Books, one of the top names in speculative fiction, I was excited. My first advances, I now realize, were actually pretty decent, although at the time they felt small. But I dreamed of bigger things to come.

Jacket art for Bonds of Vengeance, book III in Winds of the Forelands, by David B. Coe (Jacket art by Romas Kukalis)My first series, the LonTobyn Chronicle, did well. It won the Crawford Award as the best fantasy by a new author, and my sales grew steadily. Children of Amarid would eventually go through six printings. When I signed contracts for my second series of novels, Winds of the Forelands, Tor gave me significantly higher per-book advances.

I say all of this not to brag, but rather to set up a discussion of my expectations at that point in my professional development. Up through the releases of the first couple of Forelands books, my career had followed a steady upward trajectory. And — my big mistake — I began to assume that this was simply the way of things. I was climbing, just as I had hoped. My career, I thought, would build and build and build. Maybe I would never be a huge seller, but I would improve my sales with each publication, and improve my advances with each new contract.

It never occurred to me that the industry would undergo a set of seismic transformations, impacting everything from publishing’s corporate structures to the way we read books, and undermining all assumptions about the publishing business. On a personal level, it never occurred to me that certain mistakes made by others would have profoundly negative consequences for my sales. Nor did it occur to me that my luck — and yes, luck plays a large role in all of this — would turn on a dime from terrific to terrible.

To be clear, I wasn’t wrong to hope for progress. Ambition is good. Dreams of growth are good. Rather, my mistake lay in expecting that everything would keep getting better, in assuming that I could anticipate what the publishing industry would look like five years after I started or ten years after. I won’t even say I thought books would always be made of paper, or that the traditional New York publishing model would always remain ascendant. If someone had asked me if I believed such things I would have said no. Change is inevitable. But I certainly didn’t imagine such dramatic transformations would come so quickly.

I also should be clear in saying I know how fortunate I have been to have the career I’ve had. I love what I do. I get to play “let’s pretend” every day and I get paid for doing so! No, my career hasn’t followed the path I had hoped for. But twenty-five-plus years on, I am still writing, still selling novels and stories to publishers.

More to the point, I still love the work I’m producing. While my commercial performance might not improve with every novel, the quality of my writing and storytelling does. I am still learning my craft, and I take great satisfaction in the progress I make as a writer from one project to the next.

But the consequences of my mistake, of my unrealistic and unrealized expectations, were severe and long-lasting. It’s easy to look back now and see the magnitude of those changes in the industry, or appreciate the part chance can play in any writer’s fortunes. But in the moment, I blamed myself for things over which I had no control. I saw the vicissitudes of the business as personal failure. I convinced myself that instances of bad luck were an indication that on some level I didn’t deserve the success of which I had once dreamed. And I grew bitter with each new disappointment. So many times, I considered giving up on this job I love.

It took me years to come to grips with things I probably should have understood sooner. That in any profession, hard work doesn’t always guarantee success; that what we achieve and what we convince ourselves we “deserve” are often not the same; that in business, as in life in general, there is no point in complaining about what is “fair” and what isn’t; and that all any of us can ever do is work to the best of our ability, and treat people with respect and courtesy. The rest is in the hands of fate, or the divine, if that’s your thing.

In the years since those first books had me believing I was on a professional escalator to the proverbial heavens, my career has had plenty of ups and downs. I have had no choice but to adjust to the fact that there is no guarantee of more and more and more success. Waves and troughs, I now know, are the norm. And one of the reasons I am so happy in my work these days — happier than I’ve ever been — is that I have internalized these realizations. I write the stories I want to write, the books I know I would enjoy reading if they weren’t mine. And while I still do what I can to make my books successful, I no longer live and die with sales figures and reviews and such. I do the best work I can do, and that’s enough. It has to be enough. Because that’s life.

Keep writing.

Blogging, D.B. Jackson, David B. Coe

Monday Musings: Our Best Former President

Carter-Mondale 1976 Campaign pamphletIn 1976, I was thirteen years old. I couldn’t vote, obviously, but I could work for candidates I liked, passing out pamphlets and such. That’s what I did in my little (at the time) moderately conservative (at the time) hometown in suburban New York. I stood on street corners in the commercial district of our village and I handed out leaflets for the Carter-Mondale ticket. “Leaders For A Change,” they read. A message that resonated after Watergate and the hapless administration of Gerald Ford.

Four years later, as a more rebellious seventeen-year-old, I made phone calls for the insurgent primary campaign of Teddy Kennedy. My father didn’t approve.

I would be the first to admit that Jimmy Carter’s presidency was not a successful one. I won’t go so far as to say he was a bad President, because he did some very good things while in office, including trying to move the country toward energy independence and setting aside huge swaths of wilderness for preservation. He brokered the Camp David Accords with Anwar Sadat and Menachem Begin, ending the state of war between Egypt and Israel. And he created the Department of Education, which, despite right-wing complaints, has done much in the four decades since to improve education in the United States.

But Carter could be prickly with the press and with other politicians. He refused to play the sort of games Washington likes to impose on new Presidents. Unlike Ronald Reagan, who defeated him, and Bill Clinton, who would win back the White House for the Democrats in 1992, Carter could be pedantic, taciturn, moralizing. Rather than being a happy warrior, he was more a grim crusader, deeply convinced of his own righteousness and uncompromising in his principles. In a way, he was too honorable a person, too unwilling to mince words, and also too nuanced in his thinking to be an effective leader. He came to office in the midst of an economic crisis that he was unable to ease, and he could do nothing to prevent the seizure of the American embassy in Teheran, Iran. The subsequent hostage crisis really wasn’t his fault, but it made him appear weak and ineffectual. It’s not surprising that he lost the 1980 election in a landslide, nor is it surprising that he’s remembered as a failed President.

Carter only began to flourish as a national leader after he left office. First, it should be noted that he never disputed his electoral loss or attempted to subvert in any way the transition to the Reagan Administration. A few years ago, that wouldn’t have been noteworthy. Now . . . .

More to the point, freed by his defeat from the constraints of electoral politics, he was able to focus on what he did best: advocating for social justice and casting himself as the moral conscience of an increasingly divided nation. The Carter Center, a non-profit founded after he left office, has worked across the globe to alleviate poverty, advance health care in under-developed economies, and advocate for human rights. Carter and his wife, Rosalynn, have been steadfast supporters of Habitat for Humanity, working tirelessly to build homes for those in need. And he has helped several of his successors in the White House by serving as a roving diplomat.

While many (but not all) of our ex-Presidents have spent their post-Presidential years playing golf or painting or burnishing their legacies or even trying to redeem themselves and repair their reputations after repeated failures, ignominious electoral defeats, and illegal and immoral assaults on our republic, Carter has devoted himself to the humane causes in which he believes. He is a crusader for social and economic equity. He speaks his mind, calling out those in power who fail to live up to their oaths of office. He carries himself with dignity, humility, and grace. And he has set an example every day, showing us all what it means to be a public servant.

I believe a case can be made that regardless of who the best President in our nation’s history might be, Jimmy Carter has been the best former-President we’ve ever had.

Last week, the Carter Center announced that Carter, now 98 years old, was going into Hospice Care rather than continue to pursue medical treatments for his various ailments. He has lived a full and incredible life, realizing lofty ambitions, traveling around the world, and touching literally millions and millions of lives. In the time he has left, I have no doubt he will continue to speak on behalf of those whose voices don’t reach the ears of the wealthy and powerful.

And when he is gone, when we no longer hear his gentle Georgia drawl speaking truth to the better angels in each of us, he will leave a void in America’s ongoing political and social dialogue.

Wishing you all peace, the comfort of loved ones, and a good week ahead.

Bell Bridge Books, Blogging, D.B. Jackson, David B. Coe, editing, The Chalice War, Writing

Creative Friday: About That Celtic Urban Fantasy . . .

The Chalice War-Stone, by David B. CoeRight around the holidays, I was shouting from the virtual rooftops about my new Celtic urban fantasy trilogy, The Chalice War, which would be coming out early in 2023. The first book, I bellowed (virtually), would be coming out in February, and it would be called The Chalice War: Stone. It would be followed, a month or so later, by The Chalice War: Cauldron, and then a couple of months after that by the finale, The Chalice War: Sword.

So, about all that . . . .

Life happens. Lately it’s been happening to me. A lot. In this case, though, it happened to my editor/publisher at Bell Bridge Books, through no fault of hers, or really anyone’s.

The books are still coming. Really. Stone will be out in May. That’s the current plan. It will be followed a month or so later by Cauldron. Sword should be out by midsummer. The first book is ready to go. We have art; the manuscript has been revised, copy edited, polished to a high shine. We’re just scheduling it in a way that allows us to follow it quickly with Book II, which has now been through revisions and will soon be copy edited.

I apologize for the delay, but I assure you the books are on their way. And, as a way of thanking you for your patience, I offer another teaser from Book I. Enjoy!!

*****
While the woman’s heels still clicked on her walkway, Marti sensed a second source of power. The energy from this one was as turbid as the woman’s was clear, as tied to darkness as hers was wild. It took Marti several moments to spot this second presence, and when she did, she had to bite back a shouted warning.

A large animal—a cat of some sort from the look of it—crouched by the side of the woman’s house, partially concealed by the bushes growing there. It followed the woman with its eyes and the gentle swivel of its massive head, but it made no move to attack her.

Marti watched them both, motionless, holding her breath. The cat had to be a conduit, bound to a Fomhoire sorcerer. She swept the street with her eyes, not daring to turn her head, wondering if the sorcerer was close by or had sent the cat to scout. Or to hunt. If that last, was it after the woman or Marti herself?

After watching the cat for another few seconds, Marti convinced herself the creature was intent on her neighbor, not her.

For now, Marti had no access to her magic, and the stone was shielded. Power called to power, Alistar used to say. That cat—a panther by the look of it—would be drawn to a conduit as potent as itself, not to an unbound Sidhe sorcerer.

Marti stood smoothly, taking care not to make any sharp movements. She picked up the bottle and cup, tiptoed into the house, and locked and bolted the door. She lingered by the window, eyes on the cat. Her neighbor had made it inside; lights went on downstairs and, minutes later, on the second floor. Marti didn’t think the woman was in danger, at least not this night. But she had drawn someone’s interest, which promised to make Marti’s life even more complicated than it was.

After some time, the panther emerged from the bushes, padded out into the street, and with one last backward glance at the house next door, prowled off into the night. Marti remained at the window until the creature had reached the corner and trotted off of Fairlea.

Then she retrieved her protective herbs and stones, and went after it.

She understood the risks, but she wanted to find out who the cat belonged to. Having no conduit herself, and carrying the sachet and crystals, she didn’t think another sorcerer, even a Fomhoire, would sense her. Of course, having no conduit, if she was wrong about this, she would die.

She slipped back outside, locked the door behind her, and eased down the road. She made not a sound, kept to shadows, avoided the light that pooled beneath streetlamps the way she would patches of quicksand. At the corner, she caught a glimpse of the panther loping off the road into what appeared to be another yard.

Marti followed, and soon realized the cat had led her to the community playground she’d passed when driving in earlier. It was darker here; there were no streetlights or houses near the play area. But by the light of a half moon, she spotted two figures standing near the swings, one a good deal taller than the other.

The panther trotted to the shorter of the two, lay down at this person’s feet, and began to lick one of its paws. Marti crept closer, hoping to overhear something of value. She placed each foot with care, eyeing the ground in front of her for dry leaves, twigs, children’s toys—anything that might give her away. With fewer shadows here, she had to follow a line of trees—a less direct route than she would have liked. At one point, the cat raised its massive head and stared in her direction. She froze, deciding she had gotten close enough.

She couldn’t hear their conversation, but as her eyes adjusted to the darkness, she was able to see the two figures in greater detail. The cat had lain at the feet of a man. He had dark hair and wore dark slacks and a pale dress shirt. The other figure was murkier, as if obscured by a black veil. She couldn’t imagine why, at least not until it raised an elongated arm to point at something above them. Marti suppressed a cry.

The moonlight revealed a translucent membrane of flesh underneath its arm, broadest at the shoulder, tapering to the wrist. No wonder it appeared to swallow light; no wonder it was so freaking tall. A Sluagh.

With nightfall, the air had grown stagnant, but in that moment, the smell reached her and her stomach heaved. Decay, disease, death. Smells, she’d read somewhere, could kindle memories that transported a person to different times, different places. This stench carried her to the old house, to Alistar’s brutalized corpse in the garden, to Burl’s blood-matted carcass in the kitchen.

Marti searched the sky and street for more of the demons—they rarely traveled alone. She saw none, but that did nothing to put her mind at ease. She resisted the urge to run—if the demon didn’t hear her, the cat would. Either would kill her.

Indeed, if not for the Fomhoire and his cat, the demon would have found her already. The panther couldn’t sense her talent for magic because she didn’t have a conduit, but the Sluagh could. It hadn’t because—only because—the Fomhoire stood beside it, no doubt reeking of magic. She shuddered.

A moment later, matters grew far, far worse. The Sluagh pointed skyward again and let out a rasping screech that made Marti flinch. From above came two answering cries, as harsh and chilling as the first. Two more Sluagh circled over the playground, their wings luminous with moon glow, the webbing between their long legs making them look like huge swallows. They wheeled, swooped toward the ground, and pulled out of the dive at the last instant, cupping their wings like billowing sails and landing near the other Sluagh.

The cat scrambled to its feet and bared its teeth. The Fomhoire caressed his conduit’s head and said something to the creature. The panther nuzzled the side of his leg, but it kept its bright eyes on the Sluagh and remained standing. For his part, the sorcerer had shifted his stance so that he could watch all three of the demons. He had also edged away from them; he would be no more immune to the fetor than Marti was. Likely he had a spell at the ready, just in case. Sluagh might serve the Fomhoire, but they would prey on any magical creature.

She almost hoped they would turn on the man and his conduit. Almost. The problem was, when they finished with him, they would sense her magic, and have her for dessert.

The Sluagh didn’t linger for long. The Fomhoire and the first demon spoke for another few seconds before the three demons leapt skyward and soared off.

The sorcerer watched them go, absently petting the panther’s head. When the Sluagh had vanished from sight, he glanced around and left the playground.

He headed straight toward Marti.

Blogging, Case Files of Justis Fearsson, D.B. Jackson, David B. Coe, LonTobyn Chronicle, Writing

Professional Wednesday: My Best Mistakes, Part III — Reviews, Damn Reviews, and More Reviews

Continuing the “My Best Mistakes” series of blog posts . . . .

Children of Amarid, by David B. Coe (jacket art by Romas Kukalis)Very early in my career, when my first book, Children of Amarid, was the only one I had out, I responded publicly to a online review from a less-than-delighted reader. Amazon was still a novelty (no pun intended) as was the notion of online reader reviews. (Hard to imagine, right? That the idea of readers offering reviews of the books they’d read should have been new and different and even a bit odd?) I don’t remember what the reader in question objected to about the book, nor do I remember what I said in my public response. The original book is out of print now — only the 2016 reissues are available on the site, so our exchange is lost to the ages. All I know is that someone criticized the book, I didn’t take the criticism well, and I took it upon myself to write a reply and post it to the Children of Amarid Amazon page.

But that’s not quite what this post is about.

SPELL BLIND, by David B. Coe (Jacket art by Alan Pollack)Some years later, soon after the release of Spell Blind, the first book in The Case Files of Justis Fearsson, another Amazon reviewer panned the book because my book was “a blatant rip-off” of Jim Butcher’s Harry Dresden books, “a ludicrous case of copycatting.” For the record, I didn’t copy Dresden at all. I had only read the first two books of the series, and the “copycatting” the reviewer claimed I’d done amounted to using tropes of the genre, not elements of Butcher’s work. And so I responded to the review, wanting to set the record straight.

But that’s not quite what this post is about.

At this point, you might have sensed that I have a problem. There are writers out there, I know, who couldn’t care less about bad reviews of any sort. Clearly I am not one of them. It’s not that I’m thin-skinned. Well, not really. If people don’t like my books, so be it. I write for me, because I understand that we can never please every reader. Even if ninety-nine readers out of a hundred love our book, there will always be that one reader for whom something just doesn’t work — the characters or the setting or the magic or the prose. Something.

My problem, and I know I am not alone in this regard, is that I can get all those nice reviews, but the one on which I’ll fixate, the one I’ll remember, is the lone bad one. I think it’s tied to imposter syndrome, and to every other insecurity I have as a writer. And as I say, I know I’m not the only professional who is like this. Certainly, when I see a review that misrepresents my work, or impugns my professional integrity, I can’t help but obsess over it a little. That’s what happened with both of the examples I’ve already cited.

That’s what happened with another book in another series, which was reviewed in a fairly high profile publication. As it happens, this third review was mostly positive. The reviewer liked the book. But they also said something about the book, a mild criticism, that I felt was simply untrue. I didn’t respond publicly. I sent the author of the review a private message, thanking them for their kind words about the book, but pointing out that they had gotten it wrong in this one regard.

Why did I do this?

Because I’m an idiot. Because despite my protestations before, I AM thin-skinned about my books. I take editorial feedback really well, but I respond terribly to public criticisms that I feel are unjust or inaccurate. To my mind, reviewers — professional reviewers, those who merely comment on bookseller sites, and all in between — ought to keep in mind that their words can have an impact on people’s livelihoods. If they have legitimate criticisms, so be it. But they need to take care to get their facts straight. Okay, off my soap-box.

Where was I? Oh, right. I sent a private message to the reviewer. I never heard back from this person. But they reviewed my next book, and they took their revenge. Publicly. Brutally. Cruelly. Their review of that next book was one of the most humiliating things that has ever happened to me in my career. It was unfair. It was relentless. It misrepresented the book. The review left me heartbroken, because I loved the book. Still do. And I am certain this review came about as a direct result of that message I sent after the first review. It was my fault. True, the reviewer didn’t have to take their revenge in the way they did, but still, I should have known better.

Because writers are told again and again never to respond to reviews. Most people will tell writers that they shouldn’t even read their reviews. Clearly, I have struggled throughout my career to follow both these bits of advice. In fairness, I have finally gotten better about all of this. I do not respond to reviews anymore. I rarely read them. But as mistakes go, this was a big one, and it is one I’ve made too often.

Don’t do what I did. Write your book and move on to the next. Promote the hell out of every publication. Pay attention to your sales numbers. Don’t worry about your reviews. Don’t go to your Amazon pages and scroll through the ratings. If you have to read your journal reviews, so be it. Who am I to criticize? But don’t obsess over them. Don’t fixate on the negative phrases. And for God’s sake, don’t respond to them.

And if you can do all that, you’re a better person than I am.

Keep writing.

Blogging, D.B. Jackson, David B. Coe

Monday Musings: Title IX, Soccer, and My Family

This past weekend, Nancy and I went up to Nashville to see the U.S. women’s national soccer team play Japan in a group stage match of the She Believes Cup. The tickets were a gift to us from our younger daughter, who knows how much we love soccer, who shares that passion with us, and who has, since she was tiny, loved, loved, loved the U.S. women’s team.

When our daughters were nine and five years old, we took them to Birmingham, Alabama to see the women’s team play a “friendly” against Brazil. The teams have been arch-rivals forever and no game between them is ever actually friendly, but we’ll leave that for another day. Both girls has already been following the U.S. team for a while. They idolized the stars on that team — Julie Foudy, Abby Wambach, and, of course, the incomparable Mia Hamm. In fact, both girls played youth-league soccer in their respective age groups, and both girls wore number 9, which was Hamm’s number. They would both continue to wear number 9 through middle school and high school.

That day in Birmingham, they were in for a treat. We’d told them they would be seeing the U.S. women’s team, but somehow they had convinced themselves and each other that we were going somewhere to watch them on a big screen, or something. Honestly, Nancy and I weren’t certain what they thought. But when we got to the stadium, and they saw their heroes right there! — On the pitch! In the flesh! — they kind of freaked out.

The women won that game against Brazil 5-1. Mia Hamm assisted on three of the goals (including two by Wambach) and scored one herself. The girls were in heaven.

I bring all of this up by way of getting to the main point, which is this: Title IX of the Education Amendments Act of 1972 turned fifty years old last year. Title IX is a broad, wide-ranging law that prevents sexual discrimination in any and all private and public educational institutions, at any level, that receive federal funds. The law is designed to prevent harassment and violence, as well as discrimination, and it provides for mechanisms to combat these things. But for much of its history, Title IX has been most well-known — and, at times, most controversial — for its impact on school athletics.

For the record, here are some things Title IX does NOT do. It doesn’t require that men and women’s sports in various schools be identical, or even that they have the exact same budgets. It doesn’t require that women have a football team if the men do, or anything of the sort. Rather, it demands proportional equity. If men playing football have access to state-of-the-art safety equipment, then women playing field hockey must have access to the same. If both men and women are playing soccer at a certain school, then yes, the teams should have access to equal facilities and equipment.

It is, contrary to what many critics have said over the years, a fantastic law, one that has empowered generations of girls and young women with athletic ambitions. Like the stars on the U.S. women’s soccer team, and the stars in the Women’s National Basketball Association, and female U.S. Olympians in just about any sport. And like my daughters.

My sister, Liz, whose birthday it is today, was always a terrific athlete. She LOVED baseball as a kid and still does to this day. By the time Title IX became law, she had graduated from high school. She missed out on playing organized sports during her school years, and she wasn’t allowed to play Little League. If she had been, she would have been a star player in our small town. Title IX changed not only the rules surrounding educational institutions, but also our culture at large.

My daughters grew up playing soccer and also swimming competitively. Erin played volleyball for a while in middle school. Both girls were accomplished athletes (something they got from their mother, not me). But more than that, thanks to their involvement in team sports, both girls grew more confident, more resilient, more community-minded. Athletics made them into their better selves.

Nancy and I grew up in the early years of Title IX, when schools across the country were scrambling to catch up with the requirements of the new law. Nancy probably would have been more active in team sports as a high-schooler had the law come along a few years earlier.

Which might have been why last year she presided, as acting president of her university, over a singular celebration of Title IX’s 50th anniversary. At the university athletic hall of fame induction ceremony, her school recognized women sports pioneers — women whose matriculation preceded the passage of Title IX, but who nevertheless fought for inclusion in university athletics. Many of them trained with the men’s teams in various sports, and organized unofficial competitions with like-minded women from other schools. They had no official statistics with which to establish their credentials for the school hall of fame, so Nancy and others at the school involved current undergraduates in an oral history project that was designed to enshrine the stories of these women in the annals of university lore. What a worthy endeavor.

Title IX has done wonders for our educational institutions in many ways — preventing discrimination, addressing incidents of harassment and assault that years ago would have gone unnoticed or unacknowledged. And yes, we need to make far more progress in this regard. But the law has had an impact.

And with regard to women’s sports, it has inspired and enabled and drawn national, even global, attention to the athletic achievements of so many deserving women. I know from personal experience that in households like ours across the country it has enriched the lives of young athletes and of the parents who cheer for them.

By the way, at this weekend’s tournament, we watched the U.S. beat Japan 1-0, in a hard-fought match. We also saw the first half of the Canada v. Brazil match, which Canada won 2-0.

Have a great week.

Blogging, D.B. Jackson, David B. Coe, Writing

Professional Wednesday: My Best Mistakes, Part II — A Bad Contract Is Worse Than No Contract

Last week, I kicked off the latest Professional Wednesday blog post series, “My Best Mistakes,” with a humorous story about my behavior at a convention early in my career. I hope you enjoyed it.

This week, I turn to more serious matters, because the fact is certain mistakes can have serious consequences for our careers. Before I begin, let me reiterate something I wrote in last week’s post: Some of the stories I tell in this series of posts will include other people in the business and/or will touch upon published works of mine that I am still seeking to market. In the interest of discretion, I will be keeping some details purposefully vague.

The events I’m going to describe took place many years ago, as I was putting the finishing touches on one of my early epic fantasy series, and I was looking forward to my next project or projects. This is common for writers even today. We are often a book or two ahead of the publishing schedule, particularly if we publish traditionally. And so as we are waiting for the last book or two of a series to wend its/their way through the production process, we are usually turning to the new shiny. And this was especially the case back in the years I’m talking about here, when self-publishing was not yet a Thing, and big-house traditional publishing was excruciatingly slow.

I had recently met a small press publisher at a convention, and this person expressed interest in publishing my next work. This publisher was ambitious, articulate, charming, and seemed to know the business. Put another way, they talked a good game. They had some big name authors writing for them already and they made it very clear they wanted to add me to that mix. It was flattering really, and they probably knew it.

To that point in my career, I had only written for Tor Books. Tor was and is a great house. Their reputation is global, as is their marketing reach. They brought me out in hardcover with all of my early books, as they did almost all their writers. They put out a beautiful product, they took out big, glossy ads in Locus and the Science Fiction Chronicle. They hosted THE big party at WorldCon each year. There was, in short, a certain cachet that came with being a Tor author. And I liked that. On the other hand, even as my star was rising early in my career, I remained a small fish in the big pond that was Tor.

And so, being a relatively big fish in the pond of this small publisher had some appeal. Add to that the fact that this publisher offered to match or beat the numbers in my most recent contracts with Tor, which had been generous, and I was eager to give working with this person a try. Never mind that all of it sounded too good to be true. I wanted in.

I signed a contract for several books. And if the publisher needed a little extra time to come up with the promised advance . . . well, it was a small press after all. It was understandable, right?

No, not right. That was our first warning that all was not as it should be, although it shouldn’t have been.

So far, I have made it seem the only problem with the contract I signed was that the small press publisher couldn’t do all they promised financially. But there was more to this episode than that. The books I sold them weren’t ready either. The concept needed a ton of work, something I didn’t realize at the time, didn’t WANT to realize at the time. But it’s true. I would later publish a much-changed iteration of this concept with a different publisher, but back in the mid-2000s, when all of this took place, the books were a shadow of what they could and should have been. The publisher’s failure to see the flaws in the original concept should have been a warning as well.

All of that said, I eventually did get my initial advance, and I eventually turned in the first book. When I got it back from the publisher, who was now also my editor, the manuscript was very nearly unmarked. “Looks great. Found a few typos and phrases that don’t quite work. Get the revisions back to me as soon as possible.” That’s a paraphrasing of the feedback I received, but it’s an accurate one and it set off alarm bells in my mind. I knew the book needed more. I didn’t yet know how much work it needed, but I knew it wasn’t essentially publication-ready. As it turned out, this was another sign that my publisher’s resources — financial, yes, but also in terms of time and human resources — were spread way too thin.

Within eighteen months of my signing the contract, the small press was on the brink of bankruptcy. We managed to get back the rights to the series, but only because my agent and I acted quickly and decisively. The series could have gotten caught up in the bankruptcy proceedings and then we might never have been able to sell the later iteration of the books to a different publisher. The publishing company folded not too much later. As far as I know, the publisher/editor I worked with briefly is no longer connected to the publishing world.

So, what are the lessons here? Let me start by saying that the lesson is NOT to avoid working with small presses. I have worked with several in recent years and, with one other notable exception, have had great experiences. Small presses are, to my mind, the future of the industry and a wonderful option for writers of every experience level.

No, the lessons are these:

1) If the promises made to you by a publisher (or, for that matter, by an agent) sound too good, too optimistic, too perfect, take a long, close look at the contract and at all the information you can find about the enterprise. Talk to other authors who have worked with them. Learn all you can. We all like to be told what we want to hear. We all want to feel wanted by our publishers. But flattery and rosy scenarios are no substitute for solid information. Because the old adage holds true: If it seems too good to be true, it probably is.

2) Don’t rush into anything. Don’t rush to get that first contract signed, unless you’re truly confident you’re a good match for the publisher. Don’t rush to bring a book or series to press unless you’re certain it’s ready. Don’t hurry into any publishing arrangement because you need the money quickly. Actually, that’s probably good advice for any business venture in any field. But it’s particularly important when we’re peddling our intellectual and creative property. If we rush into selling, say, a car, we might not get as much as we should. But if we rush into a publishing contract we can lose access to our artistic creation. If my agent and I had waited another month or two, that’s what would have happened with this series of books. Better to be patient. Better to delay the realization of our ambitions than to destroy any chance of realizing them.

And 3) Beware, beware, beware. The vast majority of the people I know in the publishing industry — writers, editors, agents, publishers — are honest and hardworking. They are in the business because they’re passionate about books and stories, and they want to do good by the people with whom they work. But there are a few — yes, I could drop names; I won’t — who are in it to make a buck, and don’t care who they hurt along the way. There are others who through malign intent or sheer incompetence seem to turn to shit everything they touch. Before you sign to work with anyone, make certain you know what category they fall into.

Keep writing!