Summer is speeding by, and I have been terribly remiss in keeping up with my blog. For those who have reached out to me in recent weeks, asking if I am okay, the short answer is, “Yes, I am.” I won’t claim to be wondrously fantastic, because you wouldn’t believe me if I did. But I am well.
Our new house continues to feel more and more like home. The house itself is pretty much where we would like it to be at this point. A few more doors, door frames, and window frames need painting, but that can wait for cooler weather. We have found a couple of pieces of furniture to fill gaps in the three-season room on the back of the house, and we now have outdoor furniture for the backyard patio. All we need now is a fire pit for the fall. The yard looks great — Nancy has been planting and transplanting and weeding, and I have been keeping the grass under control with my new (used) standing mower. (If you don’t know what a standing mower is, look them up. This thing actually makes cutting the lawn sort of fun.)
We have a large flock of Wild Turkeys that walks through the yard a couple of times each day. How large? Five hens and twenty-two growing chicks. The young were adorable when they were little fuzzballs. Now they’re bigger, more awkward — like adolescents — but still dependent on their moms. Apparently it really does take a village… We also have a White-tailed doe and two fawns who show up most evenings while we’re eating dinner in the back room. And there is a young buck, with velvet still on his antlers, who appears to be shadowing them. Add to that our hummingbird family, the Indigo Buntings and Chipping Sparrows, and our local Cooper’s hawk, and we have a nice selection of wildlife paying us visits on a daily basis.
I have recently finished reading slush for the Skulls X Bones anthology I am editing with Joshua Palmatier for release from Zombies Need Brains. Soon, we will be making our final choices of which stories to include and will begin the actual editing of the manuscripts. And already I am working on my next editing project, which will be for Falstaff Books with the fabulous Sarah J. Sover. More details to come.
As for writing, I have still not done much at all. But that might be changing soon. There are a lot of moving parts to this development, and nothing is set in stone yet, but for fans of the Radiants books, who have wondered if I ever planned to go back to those stories, stay tuned . . . . Yes, I know that I have promised a return to the Thieftaker universe as well, not to mention a reissue of Winds of the Forelands, which I have had on the back burner for years now. Those will be coming eventually as well. I am slowly working my way back into a writing mindset. I would ask for your patience, as I continue to heal and find my emotional footing again.
Nancy and I have been out to see Erin in Colorado, and will be seeing her again before too long. We have plans for multiple trips later this summer and into the fall, and are also looking forward to welcoming some guests to our home.
Other than that, life has been sailing along. We see family and friends. We watch our favorite shows and listen to music. We cook fun foods and taste new whiskeys. I have been playing music as well, polishing long-neglected guitar skills and trying to retrain my voice.
Alex, of course, is a constant presence in my thoughts. I am learning to live with my grief, to honor her memory in ways that do justice to the loss while also allowing me to function and breathe and be thankful for all that we still have in our lives. At the risk of misspeaking for Nancy and Erin, I believe it is a journey for all of us. There’s no real end point. It is just the reality of our world now, and always will be. Not long ago, I shared a song with my guitar buddy and dear, dear friend, Alan Goldberg. It was a tune I first heard on a mix CD Alex made for me when she was in high school, a tune I hadn’t listened to in several years, since well before her death. I knew he would love the song, but I was also afraid to play it for him. I didn’t know how I would feel upon hearing it again.
I needn’t have worried. It brought a smile. It made me feel close to her, thankful for this tiny gift she had given me — one gift among so, so many. Did it make me miss her? Of course, but it’s not like I need help in that regard. And the sweet memories that came with the melody were a balm.
Here is the song. Enjoy your weekend. Hug those you love.
What qualities make a villain compelling? I intend to dive into that. Who are some of my favorite villains? I’ll get into that, too. But let me offer a few quick points up front. I don’t think much of the all-powerful-evil-through-and-through villains one often encounters in the fantasy genre. Sauron, for instance — the evil god whose world-conquering designs lie at the heart of J.R.R. Tolkien’s The Lord of the Rings — is, to my mind, a very boring villain. He’s really powerful, and he’s really, really evil. And yes, he’s cunning, which is a point in his favor, and he’s scary (or his minions are). But beyond that, and unless one has gone back and read all his backstory in The Silmarillion, there isn’t really much to him. He lacks dimension and complexity.
Some of my favorite villains from my own work? Quinnel Orzili from the Islevale Cycle (Time’s Children, Time’s Demon, Time’s Assassin), Saorla from the second and third books in The Case Files of Justis Fearsson, and, my absolute favorite, Sephira Pryce from the Thieftaker books. Yes, she later become something other than a pure villain, but that was basically because she became SO much fun to write that I had to find a way to keep her around and relevant.
My favorite villains in the work of others? I already mentioned Brandan of Ygrath. John Rainbird, from Stephen King’s masterpiece, Firestarter, is a terrific villain. Smart, brutal, and yet also human. In Catie Murphy’s marvelous Negotiator trilogy there are two supernatural “bad guys,” Daisani and Janx, whose personal rivalry threatens the fabric of the mortal world. Their mutual animus and their own needs and desires humanize them and make them terrific foils for Magrit Knight, the series’ protagonist. And I would add that a certain writer I care not to mention in light of recent revelations has created some truly amazing villains. Too bad he wound up being a villain worthy of his own undeniable storytelling talents.
And in part, this is the fault of professionals like me, who talk about our work habits and, perhaps, create unrealistic expectations that writers with less experience then apply to themselves. I write full time. I demand of myself that I write 2,000 words per day. I am asked often how long it takes me to write a book, and the honest answer is that it takes me about three months, which is pretty quick, I know. Writers who are at the outsets of their careers should not necessarily expect to do the same.
We’ll begin with the assumption that the book we’re writing will come in at around 100,000 words, which is the approximate length of most of the Thieftaker books, the Chalice War books, and the Fearsson books. Epic fantasies tend to be somewhat longer; YAs tend to be shorter. But 100K is a good middle ground.
Feeling more ambitious? Say we can write for ninety minutes each weekday, and can manage to average 500 words a day, while taking our weekends off to recharge. Well, now we’re writing 2,500 words per week, and that novel will be done in less than nine months. Willing to write on weekends, too? Now we’re down to seven months.
What about the rest of my life? What’s next in other realms?
But the media work I have done in the past wasn’t like that. Back in 2009-2010, I wrote the novelization of Ridley Scott’s movie Robin Hood, starring Russell Crowe and Cate Blanchett. The movie wasn’t out yet — I worked from a script — and I didn’t know whether or not I would love it. (I didn’t.) In 2018, I wrote a novel that tied in with the History Channel’s Knightfall series about the Knights Templar. In this case, I got to see all the episodes of the first season before the series was aired. I liked the show well enough.
With the Knightfall book, I had a good deal more freedom and control, and so I enjoyed the process much, much more. But still I was mostly writing from the viewpoint of someone else’s characters. There is one point of view character, though, who I made my own — a child who appears later in the series as an adult. But her childhood POV was mine and gave me that sense of ownership, of personal investment in the book.
I have written a lot of books and stories over the years. The truth is, I love all of them. I can tell you a hundred things I like about every book I’ve published, and I believe if I could convince people to read each of them, the books would be very popular. But the fact is, as is true with most authors, some of my books have done far better commercially than others. And, as it happens, the ones that have tended to do well are those that are most easily and succinctly described. The Thieftaker books are my most successful. How do I pitch them to interested readers? “These are magical mysteries set against the backdrop of the American Revolution.” The new series, the Chalice War, is also easy to describe — “It’s a modern urban fantasy steeped in Celtic mythology.” These books, I have found, are as easy to sell as the Thieftaker books, and that is saying something.
The three books of the Case Files of Justis Fearsson and the Radiants duology might well be my favorites of all the books I’ve written. They are exciting, emotional, filled with great characters, and paced within an inch of their lives. But they are far more difficult to describe in a single sentence than other books and, likely as a result, they have never done as well commercially as I hoped they would.
You see, I wrote the first iteration of book one, Stone, more than a decade ago, when I was in a lull in my career and was looking for something to write for the fun of it. I loved that first draft, but it needed work, and around the time I finished it, I signed my first Thieftaker contract, putting an end to the aforementioned lull. I started work on the second book, Cauldron, about seven years ago, hit a wall, put it away, came back to it four years later and finished it. Now, usually when I write a series, I know as I begin book one how the last book will end. Not with this series, because when I wrote that first book, I was playing around. I had no idea what it would become. So even after I finished the second book, I still wasn’t sure what to do with the series, because I had no idea how to write the third book without making it simply a repeat of one of the first two.
Those are not easy questions to answer. As with beginnings and middles, there are as many ways to approach an ending as there are stories to be written. Different authors like to do different things with their closing chapters. And so, again as with the other parts of story structure, we can learn how to write good endings, in part, by reading as many books and stories as possible. Guy Gavriel Kay’s stand-alone fantasy novel, Tigana, has one of the finest endings of any book I’ve ever read. It is haunting and beautiful and — surprisingly — uncertain. But it is incredibly effective. Of all the endings I’ve written, I believe my favorite is the closing to Time’s Assassin, the third and final book of The Islevale Cycle, my time travel/epic fantasy trilogy. Why do I think it’s the best? Because it ties off all the loose ends from my narrative. It hits all the emotional notes I wanted it to. My characters emerge from those final pages changed, scarred even, but also in a place of growth and new equilibrium. Also, it’s action-packed and, I believe, really well-written.
First, though, it occurs to me that in writing about openings last week, I left out one crucial, but easy-to-describe story element: “the inciting event.” The inciting event of your narrative is, quite simply, the thing that jump-starts your story, that takes the characters you have introduced in your opening lines from a place of relative stasis to a place of flux, of change, of tension and conflict and, perhaps, danger. It is the commencement of the narrative path that will carry your characters through the rest of the story. In his description of the Hero’s Journey, Joseph Campbell referred to the inciting event as the “Call to Adventure.” If you’re looking for examples, think of the arrival of the first letter from Hogwarts in Harry Potter and the Sorcerer’s Stone, or the appearance of Gandalf at Bilbo Baggins’s door in The Hobbit. In pretty much all the Thieftaker books and stories, it is the arrival of whoever Ethan’s new client will be for that episode.