Blogging, Case Files of Justis Fearsson, D.B. Jackson, David B. Coe, Islevale Cycle, Writing

Writing-Tip Wednesday: Let’s Talk Trunk Novels

A good idea remains such, regardless of the market and our inability to execute that idea when first it comes to us. Sometimes we need to grow into the ambition of certain projects.

Let me tell you about my trunk novels. Not all of them – that would take a while. But I have two in particular, the first two books of what I once thought might be a three- or four-book series, that I have been working on for the past week or so.

Many of us have trunk novels and don’t even know it. For those unfamiliar with the term, a trunk novel is a book – complete or partial – that we worked on for a time and then put away, for any number of reasons. The idea is, we shove them in a trunk somewhere – metaphorical? Metaphysical? – and try to forget about them.

Sometimes we put these projects away because we can’t sell them. Sometimes, we are so convinced that the books are deeply, deeply flawed, that we don’t even try to sell them. Sometimes we get feedback on the books – suggestions for revisions – that we’re unwilling or at least not ready to implement. Sometimes we write something, but the market is not right at that moment for the book in question.

I put these books away for several of those reasons. I LOVE the first book, but the market wasn’t right for it. And while I thought it had some great moments, I also knew that it needed serious revision. The prose needed tightening. It had too much exposition, which was slowing down sections that should have been punchy and concise. The second book… well, the second book was a hot mess. Again, I liked elements of it, loved certain passages and plot twists. But I never did figure out the ending. I knew it needed to be torn apart and put back together and I had neither the patience to undertake such a massive rewrite nor a concrete vision of what I wanted the book to look like.

I wrote these books several years back, and around the time I might have forced myself to tackle the revisions, we sold the Justis Fearsson series. Into the proverbial trunk they went. I got them out a couple of years later, but then we sold the Islevale novels and I shut the lid on the trunk once more.

Now, though, with the Thieftaker novellas in edits, with other projects lurking but failing to excite me, I have opened the trunk once more and taken out the books, determined this time to do something with them. My old impressions of the novels remain intact. I still love the first book, but see serious problems with the writing and the excess exposition. And I still see potential in the second book, but it remains a train wreck.

What are the books about? Well, they’re sort of a blend of Celtic fantasy and urban fantasy. Hence the marketing issues. Urban fantasy is well past its peak, and Celtic stories have long since flooded the market. There is no strong demand for either. That doesn’t mean, though, that there won’t be again. Or that my readers wouldn’t be interested in new novels, even if they are not on the cutting edge of what New York publishing considers “hot” and “trendy.” Self-publishing and small press publishing make it easier than ever to bypass the marketing gatekeepers and reach our readers.

Because, while the books need work (I’m about 20% through the revisions on book I), they are engaging and fun. I love my characters, I love the magic. I love the snark in the dialogue and the relationship between my two heroes (both women, one looking to rebuild her life, one bored to tears with hers). There is lots here to like. And the books might make a very nice premium for readers if I wind up creating a Patreon.

These posts are supposed to include tips for those of you trying to establish yourself as writers, and so here goes:

Chances are, you have trunk novels, too, even if you didn’t know them by that name. As writers we ought never to throw anything away. Yes, there are books and stories in my trunk that are irretrievably bad, that will never, ever see the light of day. But there are others that, despite their flaws or lack of market viability at a given time, represent quality work. I’d wager you have books like those, as well.

Don’t give up on those books. I know plenty of people who have sold trunk novels five or ten or even fifteen years after they first wrote them. A good idea remains such, regardless of the market and our inability to execute that idea when first it comes to us. Sometimes we need to grow into the ambition of certain projects. Sometimes it just takes time to figure out where a story ought to have gone.

And in the meantime, reading those old stories and books can tell us things about ourselves as writers. We can see our own growth, recognizing the mistakes and shortcomings of things our younger selves did. And we can also see, from the distance of years, with fresh eyes, the raw potential and effective moments of stories we soured on long ago. Those insights have value in and of themselves, even if we decide in the end that those trunk stories still belong… well, in the trunk.

Do you have trunk stories and books? Might it be time to dig them out and take a look?

Best of luck, and keep writing!

Blogging, D.B. Jackson, David B. Coe, Writing

Monday Musings: How Are You Doing? How Am I Doing?

How are you holding up?

No, really. I’m asking. I’m asking you, and I’ve been asking myself over the past week or so.

This is a remarkable time we’re living through. Obviously, I don’t mean remarkable as in “This is great!” But remarkable as in, “We’ll be talking about this, and recovering from this, for years to come.” It is fraught and troubling and disorienting and challenging and, well, insert your own adjective here. I tend to be a news junkie; I rarely tune out the world. But I know many people who do, who prefer to keep politics and social issues in the background except for those moments – Election Day, for instance – when they feel they need to tune in.

Right now, though, we are living the news on a daily basis. There is no escaping it. There seems to be no distance between the world and our lives. There’s a direct line from those Covid maps on CNN and MSNBC and the cloth masks we put on to shop or go to the bank. Nor does it help that the Administration, which has failed utterly to develop a strategy for combatting the pandemic is, nevertheless, more than happy to exploit it in the most cynical ways possible for political gain.

But I have addressed those issues in past Monday Musings, and I’m sure I’ll do so again in future ones. Today, I’m focused more on the personal costs.

How am I doing? Thanks for asking. As I say, this is something I’ve been asking myself recently.

I’ll start with this: In all ways that matter I’m fine. My family and I have been fortunate so far and have avoided the virus. I am also fortunate in that I’m self-employed and have resources to fall back on even as the publishing industry has ground to a halt. I’m white, upper-middle class, and I live in a relatively isolated area. For those who are non-white, who lack financial security, who live in cities or crowded suburbs, all of this is far, far worse.

That said, I find that I’m struggling. I miss my kids, who I haven’t been able to see in months because of Covid concerns. Our older daughter is supposed to come pick up our old car tomorrow – our first time seeing her since December – but even this visit will be brief (just the evening) and distanced. Our other daughter we haven’t seen since March, and even that is far too long. I also miss my brother and his family, who we likely would have seen at some point this summer or fall.

I honestly don’t mind masking at all, but I miss seeing people – friends and even strangers. I miss going to a restaurant or bar. I miss travel. Problems of privilege, I know, but I’m being honest here. I really miss conventions – hanging out with friends, talking shop with fellow writers, interacting with fans. This past weekend, I was supposed to be in Calgary for a writing festival. A couple of weeks from now I am supposed to be in Atlanta for DragonCon, a highlight of my professional year. I work alone, and most of the time I enjoy delving into my imagination each day. That’s my job. These days, though, it feels particularly lonely.

I walk every day, but I miss my more vigorous workouts at the gym. And because I’m dealing with an unrelated medical issue that is affecting my shoulder, I have had to cut way back on my home workouts as well, which I find deeply frustrating, even depressing.

Mostly, I am weary of thinking about the pandemic, about the politics of the pandemic, about the logistical gymnastics we all have to go through for even the most mundane of errands because of the pandemic. This is exhausting – and way more so for those who have compromised immune systems and/or belong to at-risk groups. It would be terrifying if we had no health insurance, or lacked faith in the medical professionals in our area. Again, I recognize that I am very fortunate.

(And this, by the way, is what makes the Trump Administration’s mail-system machinations and its blindly foolish insistence on opening schools — just to name two of its worst offenses — so insidious. We are, all of us, dealing with heightened emotions, tensions, apprehensions. I can hardly imagine being the parent of school-aged children and, on top of everything else, worrying now about sending them to school.)

I get mad at myself when I am less productive in my work than I would like to be, or when I let everyday chores slide. The truth is, I should be cutting myself a bit of slack. We all should. The stress induced by this particular moment in history in unlike anything I’ve experienced in my lifetime. To my mind, it is rivaled only by the aftermath of 9/11.

I am, in the end, tired of it all. And I’m tired of whining about it. But for all of us who care, who take the threat as seriously as it merits, this is hard. I have no answers, no wisdom to dispense. As I said, I’m struggling, too. I do believe life will get better. I won’t say I expect us to go back to the old normal, but I expect the new normal – whatever that looks like – to be far more enjoyable than this.

Until then, please know that I am wishing all of you good health, simple joys, moments of peace and laughter and love. Stay well, be safe, take good care of one another. We will get through this.

Blogging, David B. Coe

Photo Friday: Thinleaf Coneflower

Happy Friday, all. Another week has drawn to a close — another spate of news, some of it maddening, some of it tragic, some of it uplifting. And another set of work tasks — editing, writing, revising, online convention panels. Even stuck at home, with the pandemic continuing to tightly circumscribe my life, I feel that from week to week I’m doing different things and struggling with new emotions.

The one constant in my routine is my morning walk. A bit over three miles on the rails-to-trails path not too far from our home. This week, I found a bloom I hadn’t noticed before. Superficially, it resembles the Black-eyed Susans blooming in Nancy’s garden, but it’s substantially smaller — the plant itself and the blossoms. A bit of research leads me to believe this is Thinleaf Coneflower, but I could be wrong.

Whatever it is, it’s beautiful.

I wish you a wonderful weekend. Stay safe, be good to one another.

Thinleaf Coneflower, by David B. Coe

Blogging, D.B. Jackson, David B. Coe, Writing

Writing-Tip Wednesday: Short Fiction Anthologies — When Does an Idea Become a Story?

Galactic Stew, edited by David B. Coe and Joshua B. Palmatier What is the difference between an idea and a story? It sounds like a basic question, but we have just begun the Zombies Need Brains Kickstarter for the coming year’s anthologies, and once again I am hoping to co-edit one of the collections. (This year, I co-edited the Galactic Stew anthology; last year it was Temporally Deactivated. I also had stories in both, writing as D.B. Jackson.) In past years, one of the most common issues we have found with submitted stories is that they fail to move beyond being an idea. They introduce a concept, often an intriguing one. But that is all they do.

Hence today’s post.

Temporally Deactivated, edited by David B. Coe and Joshua B. Palmatier I have touched on the subject of creative ideas in other Writing-Tip Wednesday posts this year (here and here), and I have also spent a bit of time on tips for short fiction writers (here). Today, though, I would like delve in a bit deeper, in order to spell out what distinguishes a story from a partially developed idea.

Let me begin with this: Every successful fictional story blossomed from an idea. Not every idea yields a story. That’s just fact. Some of the “best” ideas I’ve had kind of fizzled out before becoming anything close to a story. I find this frustrating of course. I expect all writers must. But, as I say, it’s simply the way it is. Some ideas “have legs,” while others don’t.

The problem comes when we write an idea and submit it as a story. Not to be too simplistic, but a story has a beginning, middle, and end. It involves characters and emotion, and it carries those characters through changes that a reader can trace. Too often when reading through submissions for past anthologies, I have encountered pieces that introduce a concept and a set of characters, but do no more than that.

Let’s take a for instance: The theme for this next anthology I’ll be co-editing is “Derelict.” We are looking for stories about abandoned or wrecked ships, be they sailing vessels, spacecraft, or something else that we haven’t even considered. Someone might come up with an idea for, say, a haunted shipwreck (and I would urge you to look beyond this for an idea — we are going to get LOTS of haunted shipwreck stories) that traps the unwitting and makes them permanent members of the ghost crew still onboard. Cool idea, right? But what are we going to do with that idea? It’s not enough simply to show us a character being ensnared in this way. That is no more than an illustration of the idea.

It becomes a story when we follow a character through that transformation in a way that dips into emotion and creates a true character arc. Perhaps an elderly woman has come to an island from which her grandfather once sailed a hundred years before. She was estranged from her parents while they were alive, and has lost her siblings to age and disease. She seeks some connection to the family she has lost. Knowing that her great grandfather died here on the island in a storm a century ago, she goes out to the site of the wreck. While there, she realizes that ghosts still inhabit the ship, and venturing closer, she sees a man she recognizes from ancient family photos or portraits. She makes contact with him, but that isn’t enough for her. In the end, she chooses to join that crew and become a wraith like her grandfather, seeking in that ghostly partnership solace for all she lost in life. THAT would be a story. (In fact, maybe that will be my story for the anthology…) We have taken an idea and turned it into a narrative that has emotional weight, that allows our point of view character to develop and progress.

Coming up with the idea is only step one in a far more complex process. We want to think of the most unusual, emotionally potent way to express that idea. And, I would add that this is not something we can usually do in five hundred words, or a thousand, or even two thousand. I don’t like to say that word count is essential to a story, but the fact is true flash fiction is VERY hard to do well, particularly with intriguing speculative fiction ideas. It CAN be done, of course. But generally speaking, full development of an idea for a themed anthology — into a story that touches on emotion, that traces a meaningful arc for our main character or characters — demands that we write more than a couple of pages.

I would urge you to think about this as August gives way to September, and the open call for the Zombies Need Brains anthologies approaches. In the meantime, the Kickstarter is well underway. In our first week, we have already funded well beyond the halfway mark, which bodes well for the ultimate success of the campaign. But please consider helping us out. We have a great roster of anchor authors, and our list of authors chosen from open submissions could include you!

Best of luck, and keep writing.

Blogging, D.B. Jackson, David B. Coe, Not at all Writing Related

Monday Musings: Lightning Round!

Sometimes my Monday Musings posts are pretty easy to write – a topic comes to me and I riff on it or rant about it. Other times, nothing comes to me at all, and just getting started is next to impossible.

And there are days like today, when I have about 20 things to say and not a lot to say about any of them.

So, welcome to the Monday Musings Lightning Round!!

This coming week, Joe Biden is expected to announce his running mate, and in the lead-up to the announcement, things in the upper echelon of the Democratic Party have been getting surreal. Seriously. First of all, why Biden would have angry old white men on his VP selection committee is beyond me. Don’t get me wrong. I like Joe. I will vote for him with conviction if not enthusiasm. But doesn’t he pretty much have the angry old white man demographic covered on his own? Does he really need Ed Rendell and Chris Dodd to be part of this conversation?

And what the hell is the matter with those two? Rendell complains that Kamala Harris, a leading candidate for the VP slot, and my personal favorite, is “too ambitious,” a charge only ever leveled at women. Ambition in men is seen as a good thing. Why not Kamala? And excuse me, but every person who has ever run for President or announced their willingness to be VP is, by definition, ambitious. What the hell am I missing here? This would be the stupidest thing I’ve ever heard, but sadly Dodd has him beaten. Old Chris has been complaining that Harris hasn’t been “contrite” enough in conversations about her primary campaign attacks on Biden. When in the history of politics has any male candidate for ANYTHING ever had to express contrition as a prerequisite for a political post? I’ve been a Democrat all my life, and so I feel funny saying this, but Chris Dodd and Ed Rendell need to shut their fucking mouths.

The other night, Donald Trump announced that he was going to issue an executive order requiring that health insurance companies cover pre-existing conditions. He called this “a big deal” and said it had never been done before. Which, of course, is not at all true. This was, and still is, a cornerstone of Barack Obama’s Affordable Care Act, a law that even now the Trump Administration is trying to convince the Supreme Court to overturn. Is he just that ill-informed? Is he just that cynical? Is he both? Is he just a moron? Inquiring minds want to know.

The continued viability of Major League Baseball’s abridged 2020 season is balanced on a knife’s edge. Outbreaks among several teams, most recently the St. Louis Cardinals, have caused game cancellations across the league. This abbreviated season, scheduled for 60 games rather than the usual 162, is only about two weeks old, but already I find it hard to imagine how it lasts more than a month. Other professional sports leagues, notably the National Basketball Association and National Hockey League, have created “bubbles” in single venues – places where players, team staff, and press are isolated from anyone else. MLB, on the other hand, has allowed its teams to travel to their home cities. The results have been predictably poor. Seems like it’s just a matter of time before the season is called off.

As you might have guessed, I’m a baseball fan, and I am getting my baseball fix not from watching games on TV, but from playing in an online Stratomatic league with a group of friends and acquaintances. Basically, we all get to draft our teams from a large pool of all-time greats, our choices limited by a strict salary cap, and then the computer plays out the season while we tinker with our lineups, pitching rotations, and strategies. SO MUCH FUN! I know: It’s entertainment for nerds. But I love it. This is our second league since the pandemic began. In the first, my team was middle of the pack. Not great, but not terrible. I was in the hunt for a wild card playoff spot until the last two weeks, when the proverbial wheels came off. This new season, with all new teams, is going pretty well for my crew (which includes Ted Williams, Tom Seaver, and Joe Morgan), but it’s too early to draw any conclusions.

Like all of you, I’m sure, the pandemic is getting to me a bit. I would love to go out for dinner, or have a get-together with a bunch of friends. I miss my daughters terribly, having not seen either of them for way, way too long. But I count myself so fortunate for the simple reason that I love my spouse and she, for reasons surpassing understanding, seems to love me back. She goes to work every weekday, and I am working on stuff at home, but in the evenings and on weekends we basically have each other. And that’s enough. We cook together, watch TV or movies together, sip wine or Scotch or beers together. We talk a lot. We also sit next to each other on the couch reading our books or playing on our phones, saying not a word. And that’s nice, too. Here’s a phrase I never thought I’d type: There is no one with whom I would rather endure a pandemic…

I’m writing this outside on our porch (she’s working on the porch as well). It’s hot, but the breeze is picking up. We have one hummingbird feeder in the garden fronting the porch and another hanging off the porch to the side. And there must be at least ten hummingbirds harassing and chasing each other around the feeders, facing off in midair like hovercraft, buzzing past us at breakneck speeds, their wings whistling. I’m no more than ten feet from the nearest feeder, and they’re so intent on one another that they couldn’t care less about me. It’s quite entertaining, although now and then they buzz by so close to my head, that I duck belatedly.

And with that, I will wish you a wonderful week. Thanks for playing Monday Musings Lightning Round with me!

David B. Coe, Not at all Writing Related

Photo Friday: Fifteen Years Ago Today

Today’s Photo Friday images were captured exactly fifteen years ago — August 7, 2005. We had moved to Australia for the year only days before, leaving the States on August 1 and arriving at Sydney Airport August 3 (it’s an International Dateline thing). After taking a few days to settle into our home in Wollongong, along the Illawarra Coast south of Sydney, we went up to the big city to explore.

Erin, our younger daughter, who was all of six at the time, wanted to touch the Sydney Opera House. It wasn’t enough to see it, we had to touch it. Hence the picture of Nancy, Alex, and Erin doing just that. And, I’ll admit that, after snapping the photo, I touched the Opera House as well. It would have been bad luck not to.

We had a glorious day in Sydney — we visited museums, shopped, ate out, got ice cream, walked across the Harbour Bridge. Several months later, as our memorable year Down Under was drawing to a close, we returned to the Opera House to see a magnificent production of Mozart’s The Magic Flute.

Honestly, I can’t believe it’s been fifteen years.

Wishing you all a wonderful weekend. Stay safe. Be kind to one another.Family at the Sydney Opera House Sydney Opera House and family

Blogging, D.B. Jackson, David B. Coe, Writing

Writing-Tip Wednesday: The ABCs of Character

Last week, I wrote about befriending our characters, as a way of using empathy to improve our character development. This week I would like to continue the discussion of character work by taking a slightly different approach to creating and enriching the people we write about in our books and stories.

I first came up with this formulation about a decade ago, while preparing to teach at the South Carolina Writers’ Workshop, which then took place at Myrtle Beach. I have since used it at conventions, in workshops, and in an Odyssey Online course I taught several years ago. I refer to it as “The ABCs of Character,” because it gets at the basics, and because it uses a handy mnemonic.

The ABCs are “Attributes, Backstory, and Circumstances,” and they cover the elements of character that I like to think about as I “build” the person in question.

Let’s start with Attributes: These are basic facts that define who the character appears to be to the outside world. They include, but are not limited to, the following: name, age, gender identity, racial identity, national and religious identities, occupation, family/partnership situation (single, married, married with children, widowed, etc.), appearance (eye color, hair color, body type, etc.) socio-economic status, education level, and pretty much anything else we deem essential to identifying this person. If our world is a magical one, and this person has access to magic, or if it’s a tech world, and our character has special techie abilities, then that information would fit here as well. This is important stuff, but it’s fairly superficial. The deeper issues come next.

Backstory: This is where we start to delve into our character’s past. What has happened to her so far in her life? Where is she from? What kind of childhood did she have? Was she happy? Did she have lots of advantages growing up? Or was hers a more difficult upbringing? Were her parents around? Were they kind? Abusive? Indifferent? What has she survived? Is there darkness in her past?

Backstory is where our character’s secrets lie. And in those secrets may lie the seeds of conflict that will inform our story. This is also where we might find the roots of our character’s strengths and weaknesses. It doesn’t take much imagination to see how very important backstory can be to all that will happen to our character and, even more to the point, how she might respond to adversity.

Finally, we have Circumstance: This is the immediate situation our character finds herself in as our story begins. This is where attributes and backstory meet our inciting event. Perhaps something has happened to change a key attribute. She has lost a job. She has found out her partner is cheating on her. A beloved friend or relation has died. Or… She has won the lottery, gotten her dream job, or discovered that she is the true heir to the throne of Whatever-Land. You get the idea. Big things have happened and her life has changed.

This event, for good or for ill, has dredged up some key element(s) of her backstory — a rivalry with a sibling, a dynamic in her relationship with her family, a buried memory that circumstance uncovers. Or this new circumstance calls on her to draw upon those strengths and weaknesses that are rooted in her life experience. This change, this inciting event, is where our story begins. This is where our character begins to figure out what motivates her, what she wants, and what obstacles she will face in trying to attain her goals.

Pretty straight-forward, right?

Let’s put this technique to use by using Gollum, from J.R.R. Tolkien’s The Hobbit and The Lord of the Rings as a case-study.

Gollum’s Attributes: Gollum is several hundred years old. He is basically bald, he has overlarge blue eyes. He is small, wiry, very strong for his stature. It would be generous to say that he dresses poorly and in a minimalist way… He likes to eat fish. And he has this Ring that he just loves. A lot. I mean, he really, really loves this Ring. He calls it “Precious” for God’s sake. You might say he’s a little obsessed with it. He has no friends. And he likes to talk about himself in the second person, like royalty. Except he calls himself “Precious,” too. He has issues.Gollum, Lord of the Rings

Gollum’s Backstory: He was once one of the River Folk, a branch of the Hobbit people. His name wasn’t always Gollum. It used to be Sméagol And, to be honest, the Ring wasn’t originally his. It belonged to his cousin, Déagol, who found it while they were fishing on Sméagol’s birthday. When Sméagol saw the Ring he fell in love with it, and he murdered his cousin to get it. His obsession intensified, and the Ring stretched out his life for centuries. He retreated into caves, existed in utter isolation as little more than an animal. He hunted, hid, tolerated the presence of orcs. Mostly he looked at his Ring.

Gollum’s Circumstance: Gollum has lost the Ring and he is hell-bent on getting it back. It seems that is slipped from his grasp and wound up in the hands of — ironically — another Hobbit. He is forced to leave the lonely comfort of his cave and venture once more into a world that he fears, one that looks upon him with disgust and contempt. He is captured by agents of the dark who torture him for information about the Ring, which tells him that others are looking for it as well. He must find it first, even if it means killing the Hobbit or Hobbits who have it.

And there we are. The ABCs of character. Attributes, Backstory, Circumstance. Give it a try. You might find it helpful to conceive your main characters in this way.

Best of luck and keep writing!

D.B. Jackson, David B. Coe, Not at all Writing Related

Monday Musings: Booze. Yes, That’s Right… Booze

I’m not going to lie to you. Nancy and I enjoy a nice bottle of wine. We like Scotch, too. And Bourbon. And tequila, rum, rye, Irish whiskey, beer, and cider. Nancy enjoys a nice Port. I like gin. But that’s all.

Oh, wait. We like Limoncello, too. And Kahlua. Most liqueurs, really. Except Amaretto. Although, under the right circumstances…

Observers in the media have talked a lot about how much more people are drinking during the pandemic, and we can attest to that. Sort of. But not really.

The truth is, we enjoy our drinks pretty much all the time, regardless of global health crises. We rarely drink to excess. Honestly. We do not drink to get drunk. Frankly, the booze we drink isn’t cheap, so we can’t afford to drink a ton. We sip, we enjoy, we mix different drinks depending on season, mood, and what we have in the house. It is a hobby as much as anything else.

So what are our favorites? Join me for a short journey through our bar….

I’ll start with this: I LOVE Scotch. I didn’t always. My father was a Scotch drinker, and as a kid and a young man I thought even good Scotches tasted like something you’d get from an apothecary. As I’ve matured, though (hmmm, somewhere Nancy is laughing at the thought of me being at all mature…) I have developed a deep appreciation for many different Scotches. My favorite single malts right now are the Dalwhinnie 15 Year Old Highland, the Aberlour 16 Year Old (also a Highland), and the Glenmorangie Quinta Ruben 14 Year Old, which is aged in Port casks. I also enjoy the Balvenie 14 Year Old Caribbean Cask, which is aged in rum casks.

My father’s favorite was a blended Scotch — Dewar’s White Label, which is our staple for making my current favorite cocktail: the Rusty Nail. This is Scotch mixed in equal parts with Drambuie, a liqueur made from Scotch, honey, and spices. It works with any Scotch really. I find it hard to justify using an expensive single malt in a mixed drink – hence the Dewars. But I know people who swear that a good Rusty Nail requires top shelf Scotch.

My taste in Scotch trends away from the smokey, peaty Single Malts of the Islay region, but my current favorite among our Irish whiskeys is Connemara Peated whiskey from Kilbeggan Distilling Company. It is smokey on the front end with a sweet finish, and I just love it. Nancy likes it, too, but her preferred Irish these days is the Tullamore Dew Caribbean Rum Cask Finish. While in Ireland last summer, we spent one late afternoon at a bar being served by a very friendly, knowledgeable, and accommodating barkeeper. He let us taste a bunch of different whiskeys from Tullamore, Jameson, and a few other distilleries, and we both liked the Tullamore rum cask best.

We drink a fair amount of Bourbon, too, sometimes straight, sometimes mixed – Nancy makes her own mint syrup from mint in the garden, and the resulting mint juleps are amazing. For mixed drinks, we usually use Buffalo Trace, a moderately priced, flavorful Bourbon out of Frankfurt, Kentucky. For sipping, Nancy likes the Knob Creek 120 Proof Single Barrel Reserve. It’s remarkably smooth, especially given the alcohol content, and just plain tasty. I like Breckenridge Bourbon Whiskey, a blend out of Colorado that is made with corn mash, rye mash, and unmalted barley. It has a lovely caramel flavor and it goes down so easy. Too easy, perhaps.

Other whiskeys we enjoy include the Stranahan’s Colorado Whiskey and the High West Double Rye.

Our tastes in other liquors tend to be far less refined and particular than our whiskey preferences. We know people who sip tequila and rum the way we sip Scotch and Bourbon, and they can go on about them the way I just have about the whiskeys. But for Nancy and me, other hard alcohols tend to be mixers – things we use in cocktails. We love margaritas when we’re having Mexican or Southwestern cuisine, which we cook with some frequency. Our margaritas are pretty simple: tequila, or sometimes mezcal (a Mexican spirit also made from agave, but cooked and fermented in a manner that imparts to the liquor a smokey, savory flavor); Cointreau (or some other orange liqueur, but Cointreau is far and away our favorite); and fresh lime juice. Yum.

Our rum cocktail of choice these days is a Jamaican mule. Rum, fresh lime juice, and a strong ginger beer. Mules come in many varieties, largely dependent on the alcohol used. The best known is a Moscow Mule, made with vodka instead of rum, but one can also try a Kentucky mule, made with Bourbon, or an Irish mule, made with Irish Whiskey, or a Mexican mule, made with tequila, or… Well, you get the idea.

Finally, when Nancy and I aren’t drinking the harder stuff, or one of her home-brewed beers (she makes a porter, a stout, an IPA, and is today experimenting with an Irish ale), we love a decent wine. Our current favorites: Red – we’ve been drinking an ancient vine Mourvedre made by Cline Cellars in Sonoma, California. Mourvedre is a full bodied red with a fruity taste and peppery finish. We love it. And White – we love just about any Sauvignon Blanc that comes from the Marlboro region on the South Island of New Zealand. The Marlboro Sauvignon Blancs we like best tend to be citrusy, crisp, and dry – the perfect wine for a hot summer afternoon. These days, the labels we prefer are Kim Crawford and Whitehaven.

So, who’s thirsty? The advantage of posting on Monday is that I get to write these posts on the weekend. My musings took me to booze, and now I can go and enjoy some sort of libation. Cheers!

Wishing you a great week.

Blogging, David B. Coe, Not at all Writing Related, Uncategorized

Photo Friday: Silvery Checkerspot

Another crazy week gone by, another month in the books for 2020: the year that lasted forever and yet somehow flew by. I honestly don’t understand what has happened to my sense of time.

This butterfly has been hanging around in Nancy’s garden, mostly on the Cheyenne Spirit Echinacea, with two of his friends. He is a Silvery Checkerspot, a not-so-common garden and open country butterfly that can be found in much of the Eastern U.S. With his wings open, he is barely two inches across. I won’t tell you how many photos I had to take of him to get a couple of good ones. Let’s just say he wasn’t the most cooperative butterfly I’ve ever encountered…

Wishing you a wonderful weekend. Be well, be good to one another.Silvery Checkerspot I, by David B. Coe

Silvery Checkerspot II, by David B. Coe

Blogging, D.B. Jackson, David B. Coe, Writing

Writing-Tip Wednesday: Befriend Your Characters…And Be-Character Your Friends

This will be a relatively brief Writing-Tip Wednesday post. It’s a lazy, hot, stormy day and I’m feeling, well, lazy and hot…

So far this year, I have used my Wednesday posts to offer advice about any number of things, from finding agents and navigating the market to processing ideas and building worlds. I believe every topic I’ve covered is important and useful — I wouldn’t put so much work into these posts if I didn’t.

But I recently realized that I have yet to focus a post on character development. I’ve written about conflict and dialogue and point of view, which are integral to developing characters, but I have not tackled the subject head on. So for the next couple of weeks, I’ll be writing specifically about building and deepening characters.

Because nothing is more important to good story telling. For all the time we spend on our worlds, our plots, all the twists and turns and cool stuff we do with our stories, nothing matters more than giving our readers believable, compelling characters. The people in our stories are what captivate our readers. I would argue that they are also what captivate us as we write. I love my worlds and magic systems and such, but I live and die with my characters.

I have lots of suggestions I can make about creating characters, and I will focus on some in-depth specifics next week. For now, though, let me begin with something I have said before at conventions and workshops:

The qualities that make us good spouses, good parents, good siblings and offspring and friends, are also the qualities that make us good writers.

What do I mean by that?

Writing, I believe, is an act of empathy. So is being a good person, a caring companion to those in our lives. When the people we love need our guidance or our sympathy, we do our best to set our egos and needs aside and imagine ourselves in their positions. We draw upon our own experiences of course, and do our best to bring wisdom to their concerns, but we let go of the self and cater to what they require of us.

In the same way, we are at our best as writers when we dive deep into the emotions and thoughts of the people we create, when we put ourselves fully into their minds and their hearts and channel for our readers all that they experience. Put another way, our writing is most effective when we subsume ourselves to our point of view characters.

And so I often tell writers to befriend their characters, to nurture them, to give as much love and compassion to them, even our “villains,” as we do to the real people in our lives. Committing to our characters in that way will make them all the more real to our readers.

In this time of unrest and uncertainty, though, I would add this. I don’t often offer life advice in these posts. It takes enough gumption and hubris to offer writing advice in this environment. But to offer advice for the rest of what we do? What a terrible idea. And yet I would ask your indulgence as I do just that.

Because right now our world cries out for the some level of compassion and love that we ought to bring to our writing. And so I would ask that you “be-character” your friends and loved ones. Be as empathetic in dealing with the people you interact with as you would want to be in creating your characters. The world will be a better place for it.

Keep writing, and be kind to one another.

Books, stories, writing ephemera