This past week, I had a couple of weird experiences that made me feel like I was an extra in Poltergeist or Enemy of the State. And I thought I would share them with you because if I’m freaked out, I feel strongly that you should be as well. You’re welcome.
Let’s start with the Enemy of the State incident. I think it was Tuesday night — we spoke with our younger daughter and, as always, covered a lot of topics. She has a birthday coming up, so one of those topics, of course, was what she might want from us as a gift. She mentioned something and I suggested a place she might shop for the item and then we would pay her back whatever it cost. This is not a brand of store at which I usually shop, but it specializes in what she wanted, so…
Again, this was a phone conversation. We weren’t texting or emailing. There was no physical or electronic record of our discussion.
And yet, the next day, advertisements for the store in question, suddenly and for the first time ever, began to show up in the browser on my phone. It was so creepy. I mean, someone or something is obviously “listening” to our phone conversations. I don’t imagine there are people with earphones and recording equipment in the walls, or anything like that. But the same algorithms that track our internet browsing and then recommend products and stores, must track phone conversations for recognizable brands and the like. That’s the only explanation that makes any sense to me. As I say, creepy.
Moving on to Poltergeist…
This actually happened the same night — which I suppose is a little freaky in its own right.
Nancy and I had made stuffed poblano peppers for dinner, and we finish our preparation of them by placing them under the broiler in our oven, to melt and brown the cheese. So we did that and sat down to eat. After a few minutes, the oven started beeping at us. It was getting too hot.
Nancy, thinking we had forgotten to turn off the broiler, got up to do that. But it was already off. She pressed off again, just to make sure. The broiler remained on. We turned the broiler on, waited a few moments, then turned it off again. It remained on.
At this point, I went to the circuit breaker and switched the oven off from there. After a few seconds, I threw the breaker back on. The clock had reset, of course, and everything else seemed normal. But the broiler came on again. I turned the oven off at the fuse box again and left it that way. At this point, we were afraid to sleep in the house, or leave the house, with the oven plugged in.
Now, sometimes electric appliances and such will reset if left disconnected from their power supply for long enough. So the next day, I switched the fuse again, just to see. And, yes, the broiler turned on immediately, even though it was turned off.
We’re replacing the oven, though with supply-chain issues and such, we won’t have a new one for a few weeks.
But this was creepy as well, not to mention scary. And Nancy reminded me that a few weeks ago she was baking a loaf of bread and somehow the broiler turned on during the bake and burned the top of the loaf. It was almost like our oven was already in the process of developing a mind of its own.
We (and I mean Nancy and me, but also the collective “we” — society at large) are so dependent on technology that it’s easy to take that dependence for granted. Because it’s more than just a reliance on the machines, appliances, and devices we use on a daily basis. It’s also the trust we place in them.
Sure, we understand that we sacrifice a bit of our privacy when we go on line (or walk down a crowded city street in the age of facial-recognition), but I assume — foolishly, it would seem — that my phone calls are private. Not so long ago, an organization I worked for last year asked for my social security number, so they could issue me a 1099 form. I didn’t feel comfortable sending that information via email, so I asked for a number to call. Now, after the conversation with our daughter and what happened next, I wonder if I wasted my time and that of the person on the other end of the call.
We expect some things to need periodic repairs. When our cars break down, for instance, we’re annoyed, but not entirely shocked. These are inconveniences that we factor in when making a decision to buy. Cars need service periodically. Appliances need replacement parts and will fail now and then. But our oven’s odd behavior could have put our home at risk. It could have cost us our lives if it started a fire at the wrong time.
The creepiness of these incidents is, on one level, fun to talk about. I have shared the stories a few times already, and always they’re good for a laugh and jokes about the rise of our automated overlords. The fact is, though, there is something decidedly unfunny about all of this. Like so many things, it’s funny until we really think about it. And then it’s just disturbing.
Have a good week.
You won’t get your best ideas sitting at your desk. You’ll get them in the shower. Or, when you’re driving your car, or taking a walk on a snowy day.
It’s happened to all of us. It happened to me writing my new book, Demon Kissed, and the next two in The Summoner’s Mark trilogy, coming from
Nearly two months ago, early in the new year, I posted on social media that I had some exciting professional news I couldn’t share quite yet. I was thrilled, and wanted to let people know. But I also didn’t want to say anything before all the details had been settled. So I posted my little teaser, forgetting the one immutable rule of the publishing business: Things always happen slower than one thinks they will.
Since writing it, though, I have become sort of fixated on the idea. I am editing my fourth anthology, and already looking at the possibility of editing another. My freelance editing business is attracting a steady stream of clients — I’m booked through the spring and have had inquiries for slots later in the year.
I am not an acquiring editor. I do decide, along with my co-editor, whose stories will be in the anthologies I edit, so I suppose in that way I am determining the fate of submissions and, in a sense, “buying” manuscripts. But, for now at least, I don’t make decisions about the fate of novels, and so I don’t have to go toe-to-toe with agents. Good thing. They scare me. (Looking at you, Lucienne Diver.)
I am not the most talented writer I know. Not by a long shot. I am good. I believe that. My character work is strong. My world building is imaginative. My prose is clean and tight and it flows nicely. I write convincing, effective dialogue and I have a fine eye for detail. My plotting and pacing, which were once just okay, have gotten stronger over the years. I think writing the Thieftaker books — being forced to blend my fictional plots with real historical events — forced me to improve, and that improvement has shown up in the narratives of the Islevale and Radiants books.
8. You read
The Outlanders, my second book, may well be the most significant of all the books I’ve published. I knew I had it in me to write one book. But when I finished The Outlanders, and realized it was even better than CofA, I knew I was more than a guy who could write a novel. I was an author. And when Children of Amarid and The Outlanders together were given the Crawford Fantasy Award by the IAFA (International Association for the Fantastic in the Arts), for best fantasy by a new writer, I knew I would have a professional career beyond that first series.
As many of you know, I am once again co-editing an anthology for
I did just that. I started with some short stories that have never since seen the light of day, but which helped me to shape the contours of my world and its history. Then I began work on the novel, and by September had completed the first five chapters of what would eventually be Children of Amarid, my first published novel. I gave the manuscript to a friend of the family who had been a publisher, and he agreed to act as my agent, operating under standard agenting fees. He sent those five chapters and an outline of the rest of the book to various fantasy publishers.