Professional Wednesday: My DragonCon Schedule!!

I will be heading to Atlanta tomorrow for DragonCon, and I am very excited, as I am every year as this event approaches. For those of you searching for me in the program, I am listed as D.B. Jackson, which makes me a bit trickier to find. So here is my schedule, in all its hectic glory! Hope to see many of you there this weekend!!

Please note, in addition to the items listed below, I will also be selling books at the Fantasy Gather on Friday night in the International Ballroom of the Hyatt. That event will run for much of the night and while I will have to duck out for my 8:30 panel, I will be there for the balance of the evening!

And note as well that I will also be signing books on Sunday at 6:00pm in the dealers’ hall at The Missing Volume!!

Title: Wizard of Oz 85th Anniversary

Time: Fri 11:30 am Location: L401-L403 Marriott (Length:1 Hour)
Description: It’s been almost a century since MGM’s tornado ripped through Kansas & whisked Judy Garland away to the Technicolor land of Oz. Join us for a retrospective on this cinema classic.
Panelists: Jer Alford(M), Ed Greenwood, D.B. Jackson, Brian D. Anderson, Violette L Meier

 

Title: Irish Mythology

Time: Fri 02:30 pm Location: L401-L403 Marriott (Length:1 Hour)
Description: The myths & legends of the indigenous Irish are some of the best preserved Celtic mythology we know of. Full of warrior kings, monsters, & gods, Irish mythology has influenced High Fantasy for centuries.
Panelists: Ryan Cahill, Bethany DJ Kesler(M), D.B. Jackson, Daniel Schinhofen, Constance G.J. Wagner

 

Title: Cooking with Science: Apple+ TV’s Lessons in Chemistry *Spoiler Alert*

Time: Fri 05:30 pm Location: Augusta Courtland Grand (Length:1 Hour)
Description: In Lessons in Chemistry, chemist Elizabeth Zott (played by Brie Larson) starts her own cooking show, which also educates its viewers on science. Our panelists will discuss the miniseries, how it’s different from the book, and the true history behind the story.
Panelists: D.B. Jackson, Mel Todd, Stuart Jaffe, Jenna Johnson(M), Jeni Green

 

Title: Geralt of Rivia, the White Wolf

Time: Fri 08:30 pm Location: L401-L403 Marriott (Length:1 Hour)
Description: Toss a coin to the protagonist of the Witcher franchise of books, games, & television adaptions. Inspired by Slavic mythology, Geralt wanders the Continent slaying monsters & solving problems.
Panelists: JM Paquette, D.B. Jackson, Kevin A. Davis, Rebecca Fant(M)

 

Title: A Song of Historical Inspirations

Time: Sat 10:00 am Location: L401-L403 Marriott (Length:1 Hour)
Description: While most High Fantasy is inspired by myths & legends, GRRM takes the unusual step of basing his stories on the real & very bloody histories of European monarchies.
Panelists: Jennifer Liang(M), D.B. Jackson, Milton J. Davis, Courtenay Cody

 

Title: The Adventure Begins

Time: Sat 05:30 pm Location: Embassy EF Hyatt (Length:1 Hour)
Description: New writers always ask, ‘Where do you get your ideas?’ Or ‘How do I get started writing a book or story?’ The years of experience racked up by our panel discussion will answer some of these questions – and more.
Panelists: Bill Fawcett(M), D.B. Jackson, Elizabeth Donald, Richard Fierce, James Palmer, Todd J McCaffrey

 

Title: Astronomical Phenomena in High Fantasy

Time: Sat 08:30 pm Location: L401-L403 Marriott (Length:1 Hour)
Description: Explore how stars, moons, & cosmic events shape fantastical worlds, influence cultures, & drive narratives in literature.
Panelists: Roy Kilgard, Bethany DJ Kesler(M), DL Wainright, Constance G.J. Wagner, D.B. Jackson

 

Title: Magical Artifacts & Items of Power

Time: Sun 10:00 am Location: Chastain 1-2 Westin (Length:1 Hour)
Description: Artifacts & imbued items have long been a staple of fantasy. Our panelists will discuss how they use this feature within their own work & how it has evolved over time.
Panelists: Jim Butcher, Richard Kadrey, Rachel Rener, D.B. Jackson, Carol Malcolm(M), Andrea Stewart

 

Title: Who Told the Characters They Could Do That?

Time: Sun 02:30 pm Location: Embassy EF Hyatt (Length:1 Hour)
Description: Are your characters driving the action in your books/stories? Should they be? Who’s the boss here, anyway?
Panelists: D.B. Jackson(M), Matt Dinniman, J.D. Blackrose, Stacey Rourke, S. L. Rowland, Tamsin L. Silver

 

Title: Favors, Bargains, & Schemes: The Fae in UF

Time: Sun 08:30 pm Location: Chastain 1-2 Westin (Length:1 Hour)
Description: In folklore & contemporary fiction, the Fae take various forms & have a wide range of characteristics & goals. Our panel of authors will discuss the depictions used in their work & how the variety of traits & features led to their choices.
Panelists: Sarah J. Sover, Jim Butcher, Rachel Rener, D.B. Jackson, Jennifer Blackstream, Carol Malcolm(M)

Monday Musings: A New Anthology and Submission Advice For Writers

By now you might have seen the posts across several social media platforms: There is a new Zombies Need Brains Kickstarter campaign underway. For eleven years now, ZNB has been publishing quality short fiction from teams of established professionals and new voices found through open calls for stories. We’re doing three anthologies this year, and before I get to the advice part of the post, I wanted to take a bit of time to tell you about them.ZNB Kickstarter image

The first anthology is Were- 2, and is edited by Joshua Palmatier and S.C. Butler. The original Were- anthology came out in 2016, and featured stories about were-creatures other than werewolves. This new anthology has a similar theme. I wrote a story for Were-, one I still love, called “A Party For Bailey.” For my were-creatures I chose bears, and that’s all I’ll say. I’m sure you’ll love Were- 2 — its anchor authors include Randee Dawn, Auston Habershaw, Gini Koch, Gail Z. Martin and Larry N. Martin, Harry Turtledove, Tim Waggoner, and Jean Marie Ward.

This year’s second anthology is Skull X Bones. It’s a pirate anthology that I will be co-editing with Joshua. We will be looking for speculative fiction stories of any sort (fantasy, paranormal, science fiction, horror), as long as they focus on pirates. Our anchor author lineup includes Rod Belcher, Alex Bledsoe, Jennifer Brozek, C.C. Finlay, Violette Malan, Misty Massey, and Alan Smale.

Finally, Joshua will be solo editing a follow up to the Ampyrium anthology that was published earlier this summer. Ampyrium is a shared fantasy world that debuted in seven novella-length stories written by Patricia Bray, S.C. Butler, Esther M. Friesner, Juliet E. McKenna, Jason Palmatier, Joshua Palmatier, and me. The new anthology, Ampyrium: Merchant War, will have anchor stories from all seven of us, plus another seven stories (or so) from an open call.

So, as a long-time ZNB editor (Skull X Bones will be my sixth ZNB anthology), and a longer-term ZNB author (in addition to those I have edited, I have written for a half dozen ZNB anthologies), what advice can I offer to writers hoping to sell stories to one collection or another? Each ZNB anthology receives literally hundreds of open call submissions. Usually we take seven or eight stories. So you want your story to stand out in good ways.

1) Pay close attention to the anthology themes. When we ask for stories written, say, about pirates, that doesn’t mean the story should merely mention pirates or have one corsair as a background character. It means pirates, of whatever sort, should be so central to the story that without them, the narrative does not exist. For an anthology like Ampyrium: Merchant War, you should probably plan to read some or all of the first anthology, to familiarize yourself with the setting and the themes of those original tales. Speaking as an editor, I can tell you that I reject more stories for not being on theme than for any other reason.

2) Read the submission guidelines. This is important for ANYTHING you submit to any market. All editors are swamped with stories and short on time. We want to find great stories, obviously, but we also want to get through our slush piles. When I get a story that’s written in a tiny font, or that is single-spaced (which makes a story MUCH harder to read), or has wonky margins, or a weird font color, I tend to start reading it with a negative attitude. The writer in question has already ticked me off by ignoring the guidelines, and now I’m looking for one more reason to reject the story and move on to the next one.

You don’t want that. You want to do everything right in terms of formatting and following directions, so that I read the story with an open mind, so that I accept or reject the story purely based on the quality of the writing and narrative elements. Follow. The. Guidelines.

3) Proof your story. Then proof your story. And then proof your story again. Look, typos happen. All of us who edit for ZNB are also professional writers. We all have typos in our own books and stories, and chances are we could read through them 100 times and still not catch every little error. But that said, again speaking as an editor, finding two or three typos on the very first page is much like receiving a story that didn’t follow the GLs (see above). It makes me wonder if the author of the story cared enough to edit. Taking pride in our work means, in part, making our manuscripts as clean as possible.

4) Think about your narrative — and how it relates to the theme — as broadly as possible. Joshua has said, in offering advice on panels, “Your first idea is not necessarily your best idea.” And he’s right. Sometimes, a great idea comes to us immediately. Those moments are magical, but relatively uncommon. More often, our first idea is the most obvious one, which can mean that it will be similar to the ideas of lots of other writers submitting to the anthology. Let your ideas for your story steep a bit. Give them time to take you in truly innovative directions.

5) Develop your ideas. My second most common reason for rejecting a story is that the idea of the narrative failed to move beyond just that: an idea. A story is more than a cool premise. A story is about characters, be they human or fantastical or alien. A story brings some sort of change or progress to the lives of those characters or to the world around them. If your synopsis of the story you’re submitting doesn’t include something about characters, their lives, and the way things change for them, chances are you need to rethink your story. And I would add this — generally speaking, if the word count of your story is under 2,500, it probably needs more development. We rarely take stories that are shorter than that, not because we want you to pad your word count, but rather because it takes time to develop a plot into something more than an idea.

The open call for stories for this year’s ZNB anthologies will begin soon after the Kickstarter ends. So, first things first: We have to fund the projects. We are already a quarter of the way to our goal, which is great. But we still have a long way to go, and we need your help!!

Thanks, and have a great week!

Monday Musings: Beauty and Hope at the Olympics

There is an image from an Olympic event I watched that has been captured in a photo. It is beautiful and it gives me hope on so many levels. The men’s Moroccan soccer team had just pounded team U.S.A. 4-0. It was a humiliating and comprehensive loss for the American team, which had surprised many by making it out of group play and into the second stage of the Olympic soccer tournament. For a moment, it seemed that U.S. men’s soccer had finally exceeded expectations and come together in exciting and promising ways. Then reality hit.

Olympic soccer moment
(Photo by Marc Atkins/Getty Images)

But in the wake of the match, as American forward Kevin Paredes sat on the grass, despondent and exhausted, a Moroccan player, Achraf Hakimi, came over, squatted in front of him, and put his forehead on Paredes’s forehead to speak quietly to him and offer a few words. Consolation, praise, understanding? It really doesn’t matter what he said. What matters is that he said it, in the manner captured in that remarkable photo.

I am not naïve. Athletics can’t bridge all of the world’s geopolitical chasms. A singular act of sportsmanship, no matter how moving, can’t overcome stubbornly persistent cultural divisions. I don’t look this photo, or recall the moment when I saw this on the broadcast, and think, “That player is so kind; world peace is here!”

But we live in a world that is mired in dark times. War, prejudice, government sanctioned acts of wanton cruelty, authoritarian threats to democracy and republican government all across the globe, including here at home. Everywhere we look, we see what appears to be a breakdown in basic human kindness and compassion. And I’m simply saying that this image offers a counterpoint to the steady drumbeat of bad news and mind-numbing inhumanity. Here are two men, opponents on the pitch, products of vastly different cultures, who, in the captured moment, are nothing more or less than comrades and human beings bound by empathy and love of the game they play. It’s simple and understated. It’s miraculous and worthy of celebration.

I noticed other similar moments during this year’s games. Swimmers from different countries crossing lane markers after a tight race to congratulate one another. Simone Biles and Jordan Chiles (when she still had her bronze) honoring floor exercise gold medalist Rebeca Andrade of Brazil during the medals ceremony. Competitors in the X sports events marveling at the accomplishments of their rivals. One of the original purposes of the modern Olympics, which began in 1896, was to foster understanding among nations through friendly competition. And while it’s easy to laugh off such idealistic intentions, this is one of the reasons I love watching the games every two years (now that the Winter and Summer Olympics are staggered).

I should take a moment to acknowledge that the Olympics can also bring out the worst in humanity — Adolphe Hitler’s failed attempt to use the 1936 games as a display of Aryan superiority; the massacre of Israeli athletes at the 1972 Olympics in Munich; the 1996 Atlanta Olympics bombing by a right-wing domestic terrorist; the shameful, transphobic, and unsubstantiated attacks during this year’s games on Algerian boxer Imane Khelif. More often than not, when geopolitics intrudes upon the games, they do so with terrible results.

But moments of that sort are the exceptions, not the rule. Acts like those of Morocco’s soccer star truly are the norm.

The games are over now. Other sporting events will take center stage, with varying amounts of sportsmanship on display. The world’s problems will continue. Perhaps more countries, including ours, will reject authoritarianism as France did earlier this summer. But war and violence and oppression will continue.

And I will remember that image. I’ll cling to the memory as a talisman. Because there is kindness and understanding in the world, even in places where we might not think to look for it.

Have a great week.

Monday Musings: Checking In, With Further Thoughts On Grief

I’ve been traveling a lot this summer — hence my inconsistency when it comes to posting. Generally the travel has gone well, and visits with friends and family have been wonderful. Whether in personal settings or professional ones, I have felt valued and loved, seen and supported. I can’t ask for more.

I am still on the same journey I have been on for the better part of a year. Grief, I am learning, doesn’t ever go away. It changes, it eases and spikes and eases again, it becomes part of us, redefining who we are and how we interact with the world, with the people in our lives, with ourselves.Alex

Months ago, I wrote that I would not wish to stop grieving. We grieve because we loved and because we remember. Grief is how our hearts and minds remain connected to those we have lost. I continue to believe this.

I am no stranger to grief; I’ve dealt with more loss in my life than I would have liked. We lost my mother and father when I was still in my early 30s. We lost my brother Bill far too early. And, of course, we lost Alex — the cruelest cut of all. In the past, I fought my grief, trying to hold it at arm’s length, fearing that to embrace it would be to surrender. The thought of that surrender terrified me. What if I couldn’t pull myself out of my sadness? What if the loss overwhelmed me?

This time around, I didn’t have a choice. The loss was too great, the pain too consuming. Had I not surrendered to it, I would have broken in half, like a tree trunk snapped off by a straight-line wind. Yes, there is an echo here of Aesop’s fable, “The Oak and the Reed.” A better analogy for my purpose is standing in the surf. I’ve never been a confident swimmer, and I used to hate swimming in the ocean because I would try to stand against the force of breakers. Only when I learned to body surf and to dive through waves did I start to love going to the shore. It was a lesson the girls picked up on quickly, and some of my fondest memories are of swimming with Nancy, Alex, and Erin during our annual beach vacations.

Grief is a huge wave. Only when I allowed it to wash over me and carry me where it would, did I come to understand that I could surrender to it without drowning.

Something else I’ve learned about grief — and another analogy to explain it: Our emotions have needs, just as our bodies do. And often we have to listen to our thoughts and feelings to understand what those needs might be. You know that feeling when you’re suddenly hungry for something very specific — a piece of fruit, or some meat or cheese, or a savory snack. That is our body’s way of telling us that it needs a certain type of nutrition — sugar, protein, salt. We learn to trust those cravings and to cater to them.

My emotions, and perhaps yours as well, work much the same way. There are days when I need to be with other people. There are days when I want to be alone. There are days when I crave work and others when writing and editing are the last things I want to do. One day I wanted to get a tattoo. Another day — Alex’s birthday, actually — I needed to hike and birdwatch on my own. I walked eleven miles that day. I have learned to listen to my grief, to honor it, to let it guide me through the roughest days.

So, how am I doing? I’m asked that a lot. Still. I don’t mind at all. I understand that the question comes from concern and from love. And the truth is, nine months on from the hardest, worst, most brutal thing that has ever happened in my life, I am all right. I won’t say I’m doing great. I don’t think you’d believe me if I did. But I am living my life, savoring time with the people I love most, doing the little things that I enjoy and from which I draw strength and peace. I have bad days, of course. But I get through them. And I’m finding there are fewer of them now than there were in the fall and winter.

It occurs to me as I write this that I have been listening to some new music lately. New to me, I should say. The lyrics aren’t particularly deep and the musicianship isn’t all that flashy. It’s kind of the musical equivalent of peanut butter and pretzels — a bit of protein, more substance than, say, gummy worms. But no one would confuse it for gourmet fare. It matches my mood in a way. I am not ready to go back to the tunes from which I have usually drawn emotional comfort. There is too much baggage in that music. Too much pain. Too many associations. And so these new songs are what I’m using to get through right now.

One last analogy to explain where I am with my grief at this point in time.

Thanks for reading. Have a great week.